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Hello. Welcome to 6 Minute English, I'm Neil.
And hello, I'm Rob.
Now Rob, how creative are you?
Very creative, I think.
Creativity is in my bones!
Look at this wonderful script that I wrote and
we're presenting right now.
You are what we could call 'a creative' – a noun
which means someone with a lot of imagination
and ideas.
In our job we have to create – or make –
content that teaches English creatively.
Creativity is becoming more important for everyone.
The World Economic Forum forecasts that by 2020,
creativity will be in the top three most important skills
for future jobs.
This is particularly relevant for younger
people who will be entering the world of work soon –
and that's what we'll be discussing today.
But before we do, Neil, have you created a
question for us to answer?
Yes, and it's about the very creative artist Banksy.
He created a well-known piece of artwork that
has been in the news recently,
but do you know what it is called?
Is it…
a) Girl with Balloon
b) Girl with Red Balloon
c) Balloon Girl
I can see the picture in my head –
so I think it's c) Balloon girl.
OK, and we'll find out the answer later.
But now back to our discussion about
creativity.
Experts say that students need
to focus more on creativity to help them
get a job.
That's perhaps surprising in the UK,
when some of our creative industries –
that's businesses that make music, art
and TV for example – are world famous.
We are creative people, Rob!
Of course, but there's not such a focus on
being creative in education now and that
might have an effect in the future.
It's something Bernadette Duffy, an early
years consultant, has been discussing
on BBC Radio 4's Bringing up Britain programme.
What does she say we have been
focusing too much on in schools?
We focus on the things that are legitimately
important but we teach them in a way that
makes them easier to measure.
I think we
need to redress the balance that puts the
focus purely on gaining the skills and far
far more on actually using them in a creative
way because that's what's going to
make a difference for the future.
So Bernadette feels we teach skills
in a way that can be easily measured
and tested.
She says we teach these skills
legitimately – which here means fairly and reasonably
But she feels we don't teach a
creative approach to learning skills.
So we mean things like problem solving.
I guess, even tasks like data inputting and
preparing spreadsheets can be approached creatively.
In any job, it's sometimes good
to 'think outside the box' or find new ways
of doing things.
Bernadette thinks we should move away
from just learning skills and start using
these skills creatively – she used the
expression 'redress the balance' which
means 'change things to make them
fairer and more equal'.
Well, here at the BBC we have to creative.
In fact one of our values states that
'creativity is the lifeblood of our organisation'.
Lifeblood here means 'the most important
thing to make something a success'.
Rob, I can see creativity is in your blood –
but on an everyday level how can we all
improve our creativity – be more like you?!
Well, Neil, I'm no expert but Innovation Manager,
Nick Skillicorn is.
He's also been speaking to the
BBC and explaining what we can do to help ourselves.
What does he suggest?
On a daily basis, everyone should take fifteen
minutes of what I call unfocused time –
time that they're not looking at any screen,
time that they can essentially get back into
their own head, slow down a bit, and start
forming these new connections between
disparate ideas that result in
divergent new original ideas.
So we need free time to collect all our
different thoughts in our head – what
Nick calls disparate ideas to create new
and amazing ideas.
Disparate ideas are very different ideas,
all unrelated.
And we need what we might
call headspace – that's when your mind is in
a good state and you can think clearly.
For me, I have headspace when I'm lying in the bath
or out riding my bike – there are no interruptions.
Well, you certainly don't get your ideas sitting
at a desk, focusing on one task – we all need
some downtime to get creative.
But children
going into school now will grow up to do a job
that doesn't yet exist.
And faced with the
challenges of AI, automation, green issues and
an ageing population, creativity
and imagination will be vital.
Right, well, let's get back to talking about
the creativity of Banksy now.
Ah yes, because earlier I asked you which
one of his well-known pieces of artwork
has been in the news recently?
Is it…
a) Girl with Balloon
b) Girl with Red Balloon
c) Balloon Girl
And I said c) Balloon Girl.
I know it was a girl and a balloon.
Not quite right, Rob.
The artwork is
titled 'Girl with Balloon.'
This was recently
auctioned in London but amazingly shredded
in its frame as someone's winning bid was accepted!
Wow, that's a very creative way to destroy
a picture!
I will do the same with this script
soon but not before we have recapped some
of today's vocabulary.
Starting with 'a creative' -
that's a person whose job is to use a lot of
imagination and come up with new ideas,
such as someone who works in the media or advertising.
Then we mentioned legitimately –
which describes doing something fairly
and reasonably.
Next we heard the expression 'redress the balance'.
This means to make things fairer and more equal.
We also talked about creativity being the
lifeblood of the BBC.
Lifeblood here means
the most important thing to make something
a success.
And I know creativity is
running through your veins, Rob!
Thanks, Neil.
We also heard the word disparate,
meaning very different and unrelated.
And we talked about headspace, which is when
your mind is in a good state and you can think clearly.
Before we head off to find some headspace,
don't forget to visit our website at bbclearningenglish.com
for more great learning English content.
That's all we have time for now.
Do join us again though.
Goodbye.
Bye bye!
Hello.
This is 6 Minute English from
BBC Learning English.
I'm Neil.
And I'm Sam.
If you browse through a library, you'll
find a variety of different books, from
fiction to crime to romance.
And if you walk through a city you'll see a
variety of people of different ages, body
shapes, skin colours and genders.
In this 6 Minute English, we'll be hearing
about an unusual library where the books
are people, made of flesh and bone instead of paper.
It's called The Human Library and the
'books' are individuals who have faced prejudice –
which means an unreasonable dislike
of certain types of people.
Readers may borrow these 'books', who
are people from all walks of life, for a thirty minute conversation.
The book titles are
short and to the point - titles like 'transgender',
'former criminal' or 'immigrant'.
The human books are volunteers, and
visiting readers are encouraged to ask
those awkward or embarrassing questions
they've always wondered about.
This means the Human Library needs to
be a safe space – a place where people feel
protected from danger and harm.
It's a fascinating idea but before we find
out more, I have a question for you, Sam.
The Human Library started out in Denmark
but soon spread across Europe and the world.
So how many countries have a Human Library now?
Is it:
a) 75?
b) 85?
or, c) 95?
Well, everyone likes to hear a story –
so I'll guess, c) 95.
OK, Sam, we'll find out if that's right
later in the programme.
The first Human Library was founded
in Copenhagen by Ronni Abergel.
Here he is telling BBC World Service programme
People Fixing the World about the
inspiration behind his original idea:
We don't have time on the street to stop
and get to know everyone, so we drop
people in little boxes… so it's instinct that's
guiding us, and we never get beyond the
instinct if we don't get to know the person…
so in our library, we recommend sitting down
and meeting some of the people that you
normally might actually not feel interested in
sitting down with because there's something
about them that you may feel a little bit
uncomfortable about.
You learn tremendously
not only about them, but also about yourself.
When we meet someone new, we often already
have ideas about what they are like.
Ronni says we put someone in a box – an expression
meaning to judge what kind of person someone
is based on their appearance or on a limited
understanding of who they are.
He recommends meeting people who you
wouldn't usually spend time with, even if this
makes you feel uncomfortable – feel slightly
worried or embarrassed in a social situation.
So the main idea of the Human Library is
to challenge the assumptions and stereotypes
that we all have about other people.
Ronni uses social media to find volunteers
who are willing to talk about their lives at
public meetings, which anyone can attend.
As the Human Library spreads around the
world, more money is needed to keep the
project going.
This mostly comes from hosting
events for private companies,
including famous businesses like Google.
Transgender volunteer Katy Jon Went is
a regular host for the Human Library's business events.
Listen to this clip of her
introducing the project to a group of Dutch
businessmen from BBC World Service
programme, People Fixing the World:
When we're in the workplace or on
social media, what we often find is we're
walking on eggshells around diversity
and difference, and many people don't
want to get it wrong, quite understandably.
The important thing to remember is that
you can ask them anything – they're never
going to make to feel wrong for the question
you ask today, which is an incredibly rare offer.
When meeting someone with completely
different life experiences, people can be
worried about saying the wrong thing or
asking embarrassing questions.
Katy says they are walking on eggshells – an expression
which means to be very careful about what
you do and say because you don't want to
offend or upset anyone.
But in fact the human 'books' are rarely offended.
The event is all about celebrating people's
difference and diversity – a term which describes
how many different types of people are included together.
Exactly. It's a celebration for everyone
regardless of race, age or gender…
Or nationality… and that reminds me –
what was the answer to your question, Neil?
Oh yes, I asked how many counties today
have a Human Library.
What did you say, Sam?
I guessed it was c) 95 countries.
Which was… the wrong answer I'm afraid.
The correct answer was b) 85 countries,
from Norway and Hungary all the way to
Australia and Mongolia!
Wow! I bet that makes a lot of interesting stories!
OK, let's recap the vocabulary for
this programme about people sharing their
experience of facing prejudice – the
unreasonable dislike of certain groups of people.
A safe space is place where you feel
protected from danger and harm.
When we put someone in a box, we judge
them based on their appearance or a
limited understanding of them.
If you feel uncomfortable, you feel slightly
worried or embarrassed in a social situation.
The expression walking on eggshells means
being very careful about what you do and say
because you don't want to offend anyone.
And finally, diversity is a term describing
many different types of people being included together.
Well, it's time to return these human books
back to the library shelves because our
six minutes are up!
Join us again for more real-life stories
and topical vocabulary here at 6 Minute English
from BBC Learning English.
Goodbye for now!
Bye!
Hello. This is 6 Minute English from
BBC Learning English.
I'm Neil.
And I'm Georgina.
When we think about
romantic Hollywood movies, there have
been some famous examples over the years.
There are classic black-and-white romance
movies like 1951's, 'A Streetcar Named Desire',
and the love affair between Humphrey Bogart
and Ingrid Bergman in 'Casablanca', made in 1942.
You're really showing your age, Neil!
What about more recent movies like
'When Harry met Sally' or that famous
kiss between the characters Jack and Rose in the film, 'Titanic'.
In their time all these movies were
blockbusters – very popular and successful
films which sold millions of cinema tickets.
And this success was often due to the
on-screen romance between the leading actors.
In romantic movies, love is in the air.
Couples hold hands and kiss, or in other
words they show intimacy –
a close romantic, or sexual relationship.
But while real couples kiss and hold
hands all the time, actors in movies are
just pretending to be intimate, and this can lead to problems.
Yes, whether it's a kiss or a full-nudity
sex scene, filming intimate scenes for
movies and TV is a delicate business, as
we'll be finding out in this programme.
But first, Georgina, I have a quiz question for you.
Let me guess…
Another black-and-white
classic from the 1950s?
Yes - 1953 to be exact.
Which was the year this movie won the Oscar for Best Picture.
The film thrilled audiences with a famous beach kiss
between actors, Burt Lancaster, and
Deborah Kerr, as they rolled around
in the waves – but what was the movie?
Was it: a) West Side Story?,
b) From Here to Eternity?, or
c) Singin' in the Rain?
Well, 1953 was long before I was
born but I'll guess, b) From Here to Eternity.
OK Georgina, we'll find out later on if that's right.
In 1953 an on-screen kiss
was still considered a little naughty.
But by 2020 and the filming of the BBC
television dramas, 'Normal People' and
'I May Destroy You', things had changed.
Nudity and sexual content had become commonplace.
Ita O'Brien worked on both these BBC dramas.
She describes herself as an
'intimacy coordinator' - someone who
helps actors and directors plan and film intimate scenes.
Listen as she gives her definition of
intimacy to BBC World Service
programme, The Conversation:
A hand hold, a stroke of the cheek,
you know, through to a hug, and then
obviously, right the way through to
intimate content – it might be familial
content of an adult to a child; it could
be the content of perhaps a medical
procedure, someone having a mammogram,
or it could be right the way through to
intimacy, simulated sexual content.
Ita's definition of intimacy is very wide,
including hugging and stroking – gently
touching someone in a pleasurable way.
It also includes simulated sex.
Movie actors aren't really having sex, they're
simulating it – pretending to do
something so that it looks real but is not.
just like dance sequences in musicals,
intimate movie scenes are planned and
choreographed beforehand so that the
director, film crew and, above all, the
actors are comfortable with what's being filmed.
But recent scandals about the on-set
behaviour of some British and American
film stars have highlighted how
delicate a balance this is.
Here's Ita O'Brien again talking to
BBC World Service's, The Conversation,
about the different ways that intimate
scenes are filmed on either side of the
Atlantic, in Britain and the US.
With actors from the US, what they do
have, what they put in place is that with
each and every intimate scene we
create a nudity / simulated sex waiver,
for each and every scene and I actually
really like that way of working.
In the UK, actors are asked to sign a nudity clause
and generally that's an overall, for the
whole of a production.
British actors sign only one document
with a nudity clause to cover the whole film.
But in the US, actors sign a waiver –
a legal document that allows or prevents
an action that is different from
how things are usually done.
Ita thinks it's better if the actors agree
to each and every scene –
and she uses the phrase, 'each and every'
because it emphasises that she means every single one.
In this way there is no confusion about
what should or shouldn't happen on set,
leaving the director and actors free to
make dramatic and romantic blockbusters.
You mean like that famous beach scene,
kissing and rolling in the waves, Neil?
Ah, you mean my quiz question when
I asked you: What was the name of the
1953 movie featuring a famous beach
kiss between movie stars Burt Lancaster
and Deborah Kerr?
What did you say, Georgina?
I said it was b), From Here to Eternity.
Which is… the right answer!
Well done, Georgina – so you do like classic
black-and-white movies after all!
Not really, Neil, but I remember my
grandad watching it!
OK, let's recap
the vocabulary from this programme
about intimacy – a close romantic
or sexual relationship.
A blockbuster is a very popular and
successful movie or a book that
sells many copies.
If you stroke someone's face, you
touch it gently in a pleasurable way.
To simulate means to do or make
something that looks real but is not.
In the US, a waiver is a legal document
to either allow or prevent something
being done in a different way from usual.
And you can use the phrase, each and
every to emphasise that you mean
every single one of something.
That's all for this romantic edition of
6 Minute English but join us here again
soon for more topical chat and useful vocabulary.
Bye for now!
Bye!
Hello. This is 6 Minute English from
BBC Learning English.
I'm Rob.
And I'm Georgina.
Now, Georgina, you recently mentioned
in one 6 Minute English programme
about NFTs and that you had a collection of
Pokemon cards when you were younger.
Yes – I did, and I still can't find them.
Why did you bring that up?
Well, Pokemon started out as a video
game series that turned into anime movies
and trading cards among other things –
and in this programme we're talking about
a video game character that is iconic –
a word which means widely known and recognised.
That character's name is Super Mario.
Ahhh I spent many hours of my childhood
playing with Nintendo's Super Mario or
his rival, Sega's Sonic the Hedgehog.
Now, these days, video games are
everywhere, and people of all ages enjoy playing them.
There's also competitive
e-sports events where gamers compete
for what are often considerable
amounts of money.
Yes, and there are also streamers that
appear on platforms like Twitch and
YouTube who have become celebrities in their own right.
Talking about celebrities, I have a
question about the famous character
we're talking about in this programme.
Many people remember Super Mario Bros.
as being the first time we saw Mario,
but he first appeared in another game –
which was it?
Was it:
a) The Legend of Zelda
b) Donkey Kong; or
c) Pokemon
I'm not sure about that – I can't remember
him being in Pokemon, so I'll go for a) The Legend of Zelda.
OK, Georgina, we'll find out if you're right
at the end of the programme.
So, we established at the start of the programme
that these days the video games industry is thriving.
True – but it wasn't always that way.
It's hard to imagine now, but in the 1980s
the console market was struggling,
particularly in the US.
Keza MacDonalds, video games editor
for the Guardian newspaper, explains
what was happening in the early 1980s.
Here she is on BBC World Service
programme You and Yours, speaking with Peter White.
Well, back then, especially in America,
there had been a flood of games that
were just not very high quality.
One of the games that's often cited as a factor
in the collapse was this game called ET
on the Atari, which was so bad they ended
up burying thousands of copies of it in
the desert, because nobody liked it.
And, so we'd had that, especially in America,
this didn't happen so much in Europe,
but in America just been lots and lots of software.
None of it was all that great.
There hadn't been anything really revolutionary
in some years, so the video game boom was
really falling off a cliff and Nintendo is
what rescued in the US especially.
Keza MacDonald used the term a flood of –
meaning a large number in a short period
of time – to describe the number of
games that were coming out.
She used cited, which means referenced
or noted, when talking about the game ET
being a reference for a factor in the
collapse of the console market.
And she said boom – a sudden period of growth.
So as ET was mentioned as a factor in the collapse,
many people say that Super Mario Bros.
was the reason that video games really
took off, especially in the US.
It's interesting to consider what might
have been if his creator, Shigeru Miyamoto,
had never created that character.
The question is, why is that game so popular,
what made it so fun to play?
Here is Keza Macdonald speaking again
with Peter White, on BBC World Service
programme, You and Yours, explaining why
Mario is just so popular and what makes
the original game so satisfying to play.
It's just such a joy to play.
It's running and
jumping, and it's the joy of movement.
When, when you play, even the original
Super Mario Bros, you just feel this sense
of joy in your movement, and it's one of
the greatest games ever made.
And a lot of games from 35 years ago are basically
unplayable now. They might have been a
step to something greater, but Mario was
one of those few that really holds up today as it did then.
Keza Macdonald said that some games
from 35 years ago are unplayable –
so, not possible to play them.
But she said that Mario holds up –
a term used to say that something's standards
or quality has not lessened.
It certainly does hold up – in fact,
I played it the other day and I had lots of
fun with it – it reminded me of my childhood,
and it's still as good now as it was then.
Which reminds me of your quiz question, Rob.
Yes, in my quiz question I asked Georgina
which game had the first appearance
of that famous plumber, Mario.
I went for a) The Legend of Zelda.
Which is wrong, I'm afraid!
Mario's first appearance was in Donkey Kong,
and his creator, Shigeru Miyamoto,
never thought he would be that popular.
Well, I guess we've all really learnt
something today.
Let's recap the vocabulary
from today's programme about Super Mario,
starting with iconic – famously associated
with something and instantly recognisable.
Then we had a flood of which means a large
amount of something in a short space of time.
Cited means reference as or noted.
Boom relates to explosion and means a
short period of sudden growth.
Unplayable describes something that can't be
played or a game that is very difficult to enjoy.
And finally, holds up means that the quality
or standards of something hasn't changed
and still looks good or plays well.
That's all for this programme.
Bye for now!
Bye!
Hello. This is 6 Minute English from
BBC Learning English.
I'm Neil.
And I'm Sam.
Do you think robots could ever
become intelligent, Sam?
Well, if you believe Hollywood movies
like 'Robocop', robots will grow more
powerful than their human creators and take control.
You've been watching too many
sci-fi movies, Sam!
But seriously - do you
think robots will ever be able to think or dream?
Could they fall in love or create art?
It's hard to say but because of the huge
advances in artificial intelligence over
the last ten years, questions like these
are being asked more and more.
In this programme we'll be meeting a
very unusual 'person' (if that's the right word)
who could help answer some of these questions.
She's called Ai-Da, she's an
artist who can draw, paint and
create sculptures – and she's a robot.
Yes, the humanoid robot, Ai-Da, uses
a robotic arm and a pencil to draw what
it sees with a camera in its eye.
It's very life-like and can even talk to the people
whose picture it's drawing.
We'll hear more about this extraordinary
robot and the team of inventors behind
her soon, but first I have a quiz question.
The name, Ai-Da, uses the abbreviation
for 'artificial intelligence' - AI - to make a
woman's first name, but which famous,
real-life Ada was the robot named after?
Was it:
a) Ada Brown?,
b) Ada Lovelace?
or,
c) Ada Maris?
I think it must be, b) Ada Lovelace.
OK, Sam, we'll find out if that's right later.
Of course building a realistic
robot that can see, hold a pencil
and draw is not easy.
Behind the creation of Ai-Da was a
team led by Cornish robotics company,
Engineered Arts, and supported by
engineers in Leeds who built her robotic
arms using AI systems developed at Oxford University.
Here's chief engineer, Marcus Hold,
introducing presenter, Karl Bos, to the still
unfinished Ai -Da for the first time for
BBC World Service programme, In The Studio:
It's very strange because on first glance
she looks incredibly scary, a bit like a
dystopian robot from the future but when
you see her move and express she becomes incredibly cute.
People tend to refer to them as 'he' or 'she',
they're drawn to the robots.
So much of our
communication is non-verbal – I'm gesturing
with my arms, I'm smiling… and our robots –
a big part of their appeal and their human nature
is in the way they behave and move and
it's great that you're picking up on that from
something that has no skin.
When Karl first meets Ai-Da he sees a wired-up
metal skull without skin.
She looks like a robot
from a dystopia - an imaginary future world
where everything is bad – like the movie 'Robocop'.
But as Karl spends more time with Ai-Da
he begins to see her move and express herself.
She smiles, blinks and uses facial expressions
and hand gestures known as non-verbal
communication to appear more human.
This human-like behaviour is part of Ai-Da's appeal -
the quality in someone that makes them
attractive and interesting – and soon Karl
is calling the robot 'she' instead of 'it'.
Former art gallery owner, Aidan Mellor,
manages the Ai-Da project.
Here he is speaking to BBC World Service's, In The Studio,
about the complex process involved in
building a working robot:
We've got the programmers and researchers
working at Oxford University and Goldsmiths
and they're doing their algorithmic programming,
programming the AI that is going to be eventually
used for the art pieces that we're doing…
But we've also got a couple of guys who
are actually working on her arm –
her ability to draw – and actually getting
her to do a compelling drawing of what she sees.
There's some battles still to be won before
the show, we will eventually hopefully iron out
all the issues before that time.
One challenge the team faced was building a
robotic arm that could allow Ai-Da to draw
pictures that were compelling – exciting,
interesting and able to keep your attention.
In combining an electronic AI brain with
mechanical robot eyes and arms there were
many battles to be won – difficulties and
technical obstacles to be overcome.
And at the time of the interview, the team
still had some issues to iron out – removing
problems by finding solutions – before Ai-Da's
opening show: an exhibition of her
artwork at The Design Museum in London.
Amazing! It's nice to think that a robot
could be the next Picasso instead of an
out-of-control sci-fi policeman!
Yes, and the whole project was inspired
by a real-life woman – whose name was?
What was the answer to your quiz question, Neil?
Ah yes, I asked Sam which famous
Ada was the real-life inspiration
behind the robot, Ai-Da.
I said, b) Ada Lovelace.
Was I right?
You were… right, Sam!
Ai-Da is named after
Ada Lovelace, the 19th century English
mathematician and first computer programmer in the world.
OK, Neil.
Let's recap the vocabulary from
this programme, starting with dystopia -
an imaginary future society where everything is bad.
Non-verbal communication is communication
using physical gestures and facial expressions instead of speech.
The appeal of something is a quality it
has which people find attractive.
If something is compelling, it holds your
attention because you find it so interesting.
A battle to be won means a problem to be
solved or an obstacle to overcome.
And finally, to iron something out means to
remove or find solutions to a problem.
With artificial intelligence improving so fast
it may not be too long before we see robot
presenters of Six Minute English!
But until Sam and I are replaced by AI we
hope you'll join us again next time for more
trending topics and useful vocabulary,
here at BBC Learning English.
Bye for now!
Goodbye!