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I think that no matter what role, whether I was doing, like, a dance movie, you know, to inspire young girls like Honey, or if I was Dark Angel, where I was a genetically engineered, like, super human, or if I was Sue Storm, who was a very, like, maternal kind of superhero, they would always feel like they needed to sell me to the fanboys in a movie.
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It was all of us, right, at the time.
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Right?
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And so, yes, there were like two or three of these men's magazines that we would all do to, you know, try and get those fanboys to go and show up and watch whatever it is that we were selling.
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But I would always try to do three to four women's magazines.
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So, for every one guys, I would do three to four women's to try and keep the balance there.
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You have to be strategic.
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I think it taught me, when I thought about longevity in the business, I think being portrayed that way forced me to be even more strategic, probably at a very early age.
