Canyoudistilldown a fewofthekeytoolsandtacticswecandeployinourcommunicationtohelpourideascatchon?
Yeah, so I thinkoneofthemaintakeawaysfromthatbookisthepowerofwordofmouthandhowtouseit.
Sowhetherwe'remaking a presentation, whetherwe'reselling a product, weoftenwantpeopletosupportwhatwe'redoing.
Andsure, whatwedomatters.
Whatwesayinthatpresentationorasmarketers, whatwesayinanadvertisementmighthaveanimpact, butwecanhave a muchlargerimpactifwecangetotherpeopletalkingaboutourstuff, ifwecanturncustomersintoadvocates, ifwecanturnlistenersandcolleaguesintosupporters, ifwecangetthemtoshare a message, notonlywillwehavemorereach, wereach a broadersetofpeoplewiththatmessage, butwe'llhavemuchmoreimpact.
SoinContagious, I talkaboutthosefactorsthatdrivewordofmouthanddriveconsumerbehaviorandmoreimportantly, howwecanleveragethemtocraftcontagiouscontent, howwecanleveragethemtobuildmessagesandideasandproductsandpresentationsthatwillspreadandcatchon.
Certainlywordofmouthispowerful.
I findmyselflookingforthingstowatchandlistentobasedonwhatmyfriendstellmeandproductstobuy.
So I talkabout a storyof a bar, forexample, hiddenin a hotdogrestaurant.
Youwalkdown a flightofstairs, there's thishotdogrestaurant, butinthecorneroftheroomis a phoneboothandifyougointothephoneboothandyoudial a number, someonewillpickuptheotherline, they'llaskyoutohave a reservation.
Ifyou'reluckyandyouhaveone, thebackofthatphoneboothopensandyougetletinto a secretbarcalledPleaseDon't Tell.
Andwhat I loveaboutthatstoryis, firstofall, youknow, everyone, everyonecanunderstandthatstory, thatsortofhiddeninformation, reallycoolstuff.
If I'm thefirstpersontoadopt a newproductorservice, if I haveinformationthatnoteveryoneelsehasaccessto, ifsomethingreallygoodorcoolorexcitinghappenstomethatmakesmelooksmart, I'm morelikelytoshareit.
Wetalkabout a newalbumcomingoutbecauseitshowswe'reaheadofthecurve.
Andsothekeyinsightthereisascommunicationsprofessionals, asindividualswhowanttogetthewordout, weoftenspend a lotoftimethinkingaboutus, ourmessage, ouridea.
Wespend a lotlesstimethinkingabouthowtheaudiencewilllookiftheytellpeopleaboutit.
When I'm selling a product, maybe I make a perfectadvertisementand I wanttomakesurethateveryonewilllovethead, but I don't thinkasmuchabout, okay, well, ifsomeoneseesthat, howaretheygoingtolookiftheytelltheirfriendsaboutit?
Sowhat I findfascinatingisweusewordsallthetime, howweeventoconnectwithourlovedones, weusewords.
Yet, whilewethink a lotaboutthegeneralideaswewanttocommunicate.
Somaybewegetupinfrontofanaudienceandourgoalistosellthemon a certainproject.
Wetalk a lotabouthowgreattheprojectis.
Wethink a lotaboutthetopicorthewhatwewanttocommunicate.
Wedon't think a lotaboutthehowwecommunicateit, thespecificwordsweusewhensharingideas.
Andunfortunately, that's a mistakebecauseitturnsoutthatsubtleshiftsinlanguagecanhave a hugeimpactoneverythingfromconvincingclientsandholdingattentiontoconnectingwithlovedonesinourlives.
I likeframeworks, so I putthemin a frameworkcalledthespeakframework, that's S-P-E-A-C-C, because I couldn't comeupwithsomethingthathad a K init, butthatstandsforwordsthatevokesimilarity.
Posingquestionsisthe P, E isforemotion, A isforagencyandidentity, oneofthe C's isconcreteness, andoneofthe C's isconfidence.
Andso I'llpickjustoneexamplefromposingquestions.
I findquestionsreallyfascinatingbecausetheydo a lotofwork.
And I probablysaidsomethingthatbacklike, fine, howareyou?
Right.
Andthosearegoodquestions.
They'renotbad, they'repolite.
Butwhenresearcherslookedat a varietyofdifferenttypesofconversations, hundredsofdifferenttypesofconversations, theyfoundthat a particulartypeofquestionwasparticularlyimpactful, quiteusefulinshapinghowothersperceiveus.
Butunfortunately, weoftenusehedgesbecausethey're a simpleverbaltick.
It's easytohedge.
Andweoftenunconsciouslyundermineourimpactas a result.
Becauseifwe'resittingtheresaying, I thinksuchandsuch, orthismightbetrue, orthisshouldhappenormighthappen, theaudienceissittingtheregoing, well, ifyou'renotevensureit's goingtohappenyourself, whyshould I goalong?
Butifyou'renotevensurethisis a goodsolution, ifyou'renotevensurethisisgoingtowork, ifyou'renotevensurethisisthebestcourseofaction, I'm muchlesslikelytobepersuadedas a result.
Andindeed, manyexperiments a colleagueand I conductedinthisspace, aswellasanalysiswedidoffielddata, showsthatthemorehedgesweuse, thelesspersuadedotherpeopleare.
Andsowhatwefoundisthat a languageassociatedwithuncertainty, whetherduetoemotionalreasonsorotherwise, wasmorelikelytoencouragepeopletokeeppayingattention.
Andsoifsuddenlyvotingbecomesanopportunitytoshowthatwe're a voter, well, nowwe'remorelikelytodoit.
Ifhelpingisanopportunitytoshow I'm a helper, muchmorelikelytodoit.
Thesameistrueontheoppositeside.
Losingisbad, butbeing a loser, well, that's evenworse.
Cheatingisbad, butbeing a cheaterisevenworse.
Researchshowsthatifyouaskstudents, ratherthansaying, don't cheat, youtellthem, don't be a cheater, they'remuchlesslikelytocheatbecausenowcheatingwouldshowthatthey'reclaimingthisundesiredidentity.
Ifyouthinkaboutit, oftenwedescribeourselvesusinganadjectiveoragain, a verb.
Wesay, I amhardworking.
Well, that's good.
Butletmesay, imagine I toldyouabouttwopeople, someonewhorunsandsomeonewhois a runner.
Ifyouhadtoguesswhichofthosetwopeoplerunsmoreoften, thepersonwhorunsorwhois a runner?
Well, I wouldsay, basedonwhatyou'vesaid, is a runner.
Yeah, right.
Being a runnersuggests a stabletrait.
It's notjustsomethingthathappensoncein a while.
It's whoyouare.
Andsoratherthantalkingaboutyourselfashardworking, talkaboutyourselfas a hardworker.
Ratherthantalkingaboutyourselfascreative, you're a creatororsomeoneelseis a creator.
Ratherthanbeinginnovative, you'reaninnovator.
Byclaimingtheseidentities, eitherdescribingourselvesthatwayorothersthatwewanttobeperceivedfavorably, itencouragesthemtoseethosethingsasmorestabletraitsandhavepeoplethinkthey'remorelikelytopersistas a result.
Soitsoundsliketome, puttingourselvesintheroleas a runner, assomebodywhois a creator, reallyhelpsouraudienceseeusasmoreengagedandtobesomebodywho's moreinvolvedwiththat.
I canimagine.
Beforeweend, I'd liketoaskyouthesamethreequestions I askeveryonewhojoinsme.
Areyouupforthat?
Soundsgreat.
Excellent.
Ifyouweretocapturethebestcommunicationadviceyouhaveeverreceivedas a fivetosevenwordpresentationslidetitle, whatwoulditbe?
I'llgowiththreewords.
Understandyouraudience.
Aha, yes.
So I'm inmarketing.
So I gettocheat a littlebit.
So, youknow, I'vebeenatWhartonnowfor, I think, over 15 years.
Andat a certainpoint, onceyougettenure, theyaskyoutoteachthemarketingcore.
Anditis a truegiftinart, eventhoughtherearesomeveryspecifictacticswecanuse.
Questionnumberthree.
Whatarethefirstthreeingredientsthatgointo a successfulcommunicationrecipe?
I thinkgoingbacktowhatwetalkedaboutalready, you'vegottostartbyunderstandingyouraudience.
Second, you'vegottofigureout a waytocommunicateitsimply.
Butthen I thinkthird, youhaveto, attheendofit, drivethemtoaction.
I talk a lotabout, inmylastbook, TheCatalyst, wheneverwe'retryingtochangesomeone's mind, toooftenwestartbypushing, tryingtoaddmoreinformation, persuadethem, facts, figures.
It's muchbettertoidentifythebarrierstochangeandmitigatethemandreallythinkabouthowcanwehelppeoplegettowherewewantedthemtogettointhefirstplaceontheirown, askingtherightquestionsthatleadthemdown a pathratherthanforcingthemdownthatway.
Andso I thinkgreatcommunicatorsaregoodatnotjusttellingtheiraudienceswhattodo, buthelpingtheiraudiencesseethatthebestwayfortheaudiencetoreachwhattheywantedtodoistodowhatthecommunicatorwasinterestedinhavingthemdointhefirstplace.
I lovethat.
I lovethat.
Pulltheminyourdirection.
Well, Jonah, thankyousomuch.
Weallbenefitfromwhatyouhavebeenabletoteachus.
Orshould I say, thankyouforbeing a greatteacher.
It's beenwonderfultolearnfromyouandtohave a chancetochatwithyou.