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  • Hey, yo, welcome back to another episode of Boi-ing. I guess it's not another-

  • Thank you guys so much for having me.

  • Yeah, thank you so much for-

  • I'm sorry, I just interrupted you.

  • No, it's fine. I don't know how to host anyway.

  • My first time doing it in English-

  • Dude, shut the fuck up, man.

  • Stop lying to- Where's my camera? Stop lying to your fans, man.

  • Do you have to be like- Like, every time I say a statement, you're like, shut the fuck- That's bullshit. You're, like, opposing every single one of my takes on the world.

  • I'm sorry. Go, go, go, go. Say-

  • I think I'm a lousy host. You have a problem with that?

  • Yes, that's bullshit. You brought the Tonight Show in Taiwan, and that's, like, the ultimate host thing.

  • The first season is so cringe. I go back and watch it.

  • Like, I want to make reaction videos to my old, like-

  • Oh, you didn't do that?

  • No, I wanted, because it's so good.

  • The only thing I find funny is not the jokes.

  • The thing that's funny is how bad I was, and still, like, pull off this confidence.

  • What do you think you did bad on the thing?

  • Okay, so the year I started doing the Night Night Show was kind of like my first to second year in stand-up.

  • I had no skill set whatsoever.

  • Oh, it was your first, second year?

  • Yeah.

  • Bro, how-

  • I do not have jokes. I can't go off the cuff. I can't do anything.

  • I just want to let people know that it's impossible already to do, like, to organize a gathering, a family, but to have a band, and to have a space, and have, like-

  • But that's on me. That's the producer.

  • Oh, but you still have to, like, get the people to, you know what I mean, say the things.

  • I don't know. I feel like it's hard to, like, I guess approve things.

  • I feel like it's still impossible to get the thing and hosting it.

  • Our guest today needs, like, a proper introduction.

  • So Jason Chaney is the most successful Taiwanese comedian on this planet.

  • Yes, you are.

  • And we have been graced by his presence in Taiwan.

  • That's fucking bullshit, man.

  • He's come back and did, like, five smashing shows.

  • And what?

  • Nobody smashed anything, man.

  • Can you let me finish?

  • Okay, man.

  • Last night, I said something, like, from the bottom of my heart.

  • I do feel like I owe a lot, a huge part of my career, especially, like, my touring in the States to you, because you are the one of two recommendations.

  • Yeah, but you could have gotten-

  • But what for you? No.

  • You could have asked another person.

  • No, I couldn't.

  • Yeah, you could have asked, like, you know, like, I'm sure you have relatives in-

  • I don't, no.

  • No?

  • They need someone, like, in the industry.

  • Yeah, I'm very important.

  • Yeah, you are.

  • I was a key to all your things.

  • You're the only reason.

  • Can I tell you something?

  • I'm actually so happy that we went out and got really fucked up last night.

  • Bowen got really fucked up last night.

  • Yeah, I was slurring my words.

  • I'm, like, trying so hard to keep it together.

  • I am, too.

  • Articulate, yeah.

  • I feel like every time, every interaction we had, it was, like, pretty, like, just like, hey, what's up?

  • You know what I mean?

  • Yeah.

  • That's why, like, I was, like, oh, I like to connect with people deeply because I think that makes me, I like to feel something.

  • That's not everybody.

  • I know, usually, people, you know, they do the small talk and then they go deep, you know, but then I love to just jump into the deep end because it's, like, I know five, seven minutes or whatever is fine, but then, yeah, I never felt that with you and, or whenever

  • I make friends, I always love doing that so that I get to know the person, really, and I think yesterday was nice to do that.

  • It makes me feel a little more comfortable, yeah, and I like it.

  • I really appreciate it.

  • Like, last night, I felt like you were super, super honest and vulnerable at some times.

  • I want to.

  • Yeah, yeah, yeah, and then I told you immediately, like, I appreciate that so much.

  • Like, I live for these moments because these are the conversations that, like, I feel like everyone is striving to get, you know, like, when you chat, like, bullshitting and stuff is fun.

  • Yeah, it's fun.

  • Yeah, but, like, apart from that, sometimes you also want to have, like, meaningful conversations, but, okay, on that note, I did save two questions for you last night.

  • I told you, like, I'm gonna hit you so hard with these two questions.

  • Yes, because, like, your one and a half week of being here, I've been observing you, Jason.

  • You've been observing me?

  • Yeah, like a bird.

  • I've been watching.

  • You're a good observer, though.

  • Yeah, I am.

  • Thank you.

  • That's my comedy.

  • Observational.

  • Observational.

  • Very good.

  • Very good.

  • So, my first question is, are you lonely?

  • Do you feel lonely?

  • I feel like you are, I feel like, like, you're very lonely.

  • Dude, first of all, do not fucking gaslight your guest, okay?

  • Second of all, what kind of shit is that?

  • You know, you know how sometimes people would be like, this is what my friends would do, that they have a proper job, like, they're like a doctor or like a lawyer.

  • They'll come and they'll go like, you're tired, right?

  • Yeah.

  • Like, when they start like that, because if you go, oh boy, I'm not tired.

  • I'm not tired.

  • Then they'll be like, yeah, but really?

  • And then you'll be, you'll have to go, but then if you're like,

  • I guess, yeah, let me find something.

  • Yeah, let me, yeah, right?

  • So, there's no defense when it comes to that, but this is where I, no, no, no.

  • We can backtrack, we can backtrack.

  • No, no, no, I love this, but I just, I know you, I don't give a fuck about that.

  • When people who are acquaintances, when they'll go, oh, you're tired, right?

  • Like, you're exhausted.

  • And I go, yeah, I'm really, you know, like when you have a dream and a passion, yeah, you devote, you want to devote all of your energy into, so you get tired.

  • But that's if, if you have a dream, but some people just are very well rested because.

  • Yeah, for instance, like people who like to ask these kind of questions.

  • If you had a dream, you would not ask that.

  • Yeah, ask that question, yeah, yeah, yeah.

  • Let me kind of explain how I came to that question.

  • Yes, I was going to ask that.

  • I was going to start this conversation by asking you, like, obviously you came back to Taiwan.

  • You got to see a bunch of like open mics and like meet with the comedians here.

  • All, yeah, most of them, yeah.

  • Like we talk a lot.

  • I want, I wanted to start with like, what are your impressions of the comedy scene in Taiwan?

  • And like, because you came back, I feel like you really liked the sense of a community, like having people, and I was like.

  • I love it.

  • Don't you have a community in the States?

  • I do.

  • Yeah.

  • And I'm so grateful.

  • Okay, that's nice.

  • Yeah.

  • Because I was really worried.

  • I was like, you don't have like.

  • Oh, I do.

  • Comrade, camaraderie, I don't know, yeah.

  • But that took me like such a long time to find like the group of people who I love.

  • Yeah, the sense of community in the beginning, you go into any new city.

  • It's hard to like find because I feel like a lot of cities you go, it's kind of like high school, you know, like there's cliques and stuff.

  • But I've been doing it so long.

  • And the people have been doing it just as long or like longer or maybe shorter.

  • But you know who's like very passionate and like who's very serious about the craft.

  • And also, at the same time, what their intention is.

  • And if they're like more fake, like there's a saying, you know, there's a saying like, oh, don't just expect the snake to be a snake.

  • You know, like there's so many different.

  • And then not that they're bad.

  • It's just that maybe they value like the industry and a little bit more than friendship.

  • And but you find you sift through it and you find like a group of people that you like.

  • And I'm really grateful for that.

  • And I love comedians because you have something, you know, it's like any industry, you have something already.

  • So when I came to Taiwan, I or Taipei, I wanted to because I'm Taiwanese, too.

  • A surprise.

  • And so I also want to surprise.

  • And I also wanted to find that.

  • I guess I have more questions.

  • So how long did it take for you to find like comedians that kind of had the same vision or that you vibe with?

  • Until like there's like some two or three core people who I started with like 10, 11 years ago.

  • Those are like longtime friends.

  • And we got each other's backs.

  • We have one of the guys that I got a matching tattoo with recently.

  • But the people who I love right now, I would say like probably the pandemic.

  • I think pandemic brought a lot of people together.

  • And you kind of find like who really cares.

  • And like, yeah, after that.

  • So I maybe like six, seven.

  • And I also moved.

  • I was in San Diego and I moved to L.A. like seven years ago.

  • And anytime you, you know, it's so competitive.

  • And then, you know, it's really clicky in the beginning.

  • But you find your friends slowly.

  • I feel like the comedy scene here right now, we don't really have those like little groups.

  • Right now, the community is so small that everyone is just this really small group.

  • And we're pretty tight.

  • But I do think that in the past, I would say one or two years, it's grown to the point where we're starting to see smaller groups.

  • So what I'm observing is like there are comedians that are trying to find people that view comedy the same way as they do.

  • And then they form these little groups.

  • But it's just starting.

  • It's just starting.

  • It's so good to see.

  • And like yesterday, Sam was-

  • We were noticing like people dress up nicely.

  • Really?

  • For the shows.

  • For the show?

  • Yeah, for your show.

  • That's what I was-

  • You did open mic.

  • Yeah.

  • And I love it because it's like-

  • Okay, that-

  • Oh, that-

  • I love it.

  • I didn't notice because my impression was kind of the opposite.

  • Oh, really?

  • Yeah.

  • So like when I was touring in the States, I would vividly see people dress up to come to these shows.

  • But when we do shows in Taipei, wherever, like the arena, I don't think people really dress up.

  • Oh, the crowd.

  • No, I was talking about the comedians.

  • Oh, okay.

  • Yeah, the performers.

  • Oh, yeah.

  • They dress up.

  • They look nice.

  • I know.

  • And I-

  • Go ahead.

  • I think he was talking about-

  • Was he talking about Jason Huang?

  • Jason Huang.

  • But there's another guy with the bucket hat.

  • Uh-huh.

  • And-

  • Wasn't that me?

  • I was wearing a bucket hat.

  • No, you wasn't wearing a-

  • No, there's another guy who wore a bucket hat.

  • It's like he had a black bucket hat.

  • I forgot.

  • I don't know his name.

  • The guy that went on After You.

  • He's like-

  • Oh, yeah, yeah, yeah, yeah.

  • He's an engineer at Microsoft.

  • Oh, shit.

  • Yeah.

  • He's super smart.

  • Very smart.

  • Yeah.

  • And he's like, apparently writing code is too easy.

  • So like now he devotes his time to writing jokes, which are much more difficult.

  • But I heard he's doing great.

  • He's really good.

  • Yeah.

  • Because I was trying to equate to like the comedy scene here is like the boom, the golden ages of like the boom of comedy, I think.

  • Yeah.

  • I don't know what your impression is, but because it's grown so much since last time I've been here.

  • And obviously you did Arena Show twice or three times.

  • No, two times.

  • Yeah.

  • So it's like, that's so crazy.

  • And I think we were talking about this too.

  • Like the style of comedy is who do you think would grow faster and be a better comedian?

  • Would they be better in New York and LA?

  • Or would they be in a city where isn't the competition isn't as fierce?

  • And I think there is space for people to grow in and have an original voice.

  • Even though I heard that a lot of people try to emulate you like in their style.

  • And which-

  • Who said that?

  • Who said that?

  • But it makes sense.

  • So I kind of wanted to pick a brain on this.

  • So like whenever I see shows in the US, like at open mics or like comic clubs and stuff,

  • I often feel like, oh, this performer is kind of reminiscent of like a comedy superstar.

  • Yeah.

  • I know like, oh, this is like a smaller version of Mark Norman.

  • Mark Norman or Bill Burr.

  • Yeah.

  • Everyone-

  • It's so obvious.

  • It's so obvious.

  • I do feel that.

  • Okay.

  • So it's not just me.

  • No.

  • And so it feels like people are filling themselves into these pre-existing templates.

  • Yes.

  • But I did that too.

  • You did that?

  • Yeah.

  • Like most comedians, most comedians do do that.

  • There's like obviously a small percentage of people who don't do that.

  • But I think that most people go through it.

  • And you see exactly like I talk like Kevin Hart for the longest time.

  • Oh, okay.

  • When I first started.

  • And then I talked like Sebastian Menescalco.

  • I had a Italian accent.

  • I noticed.

  • Yeah.

  • I noticed sometimes that like, that's not.

  • Yeah.

  • Oh, that's the southern.

  • Oh, yeah.

  • So the southern thing.

  • Where did that come from?

  • You know, I think that's just a goofy thing that I like to do.

  • Because I think having an Asian face and have a slight accent.

  • And then also, I didn't even think about, oh, should I do the southern accent?

  • It came out naturally.

  • It just came out naturally.

  • And I'm like, oh, that's fine to do.

  • Yeah.

  • This is another thing.

  • Sometimes people will go, oh, why do you do an urban accent?

  • Or why did you do like a southern accent?

  • Like urban black accent, I would say.

  • What are you insinuating?

  • The blacks!

  • And also, it's obvious because I admired the culture so much in the beginning.

  • Because I went to the States when I was 14.

  • And then my first roommate was black.

  • And I used to watch Rush Hour every day.

  • And that's where I got it.

  • And then my friend who is from the East Coast.

  • I hung out with him every day in high school for like a year and a half.

  • We sold drugs.

  • And I admire him, too.

  • Because he was so funny.

  • And then I'll catch some of the accents he have.

  • And then I mixed it.

  • And then I lived in San Diego.

  • So I have some friends who are beach.

  • Yeah, Mexican, too.

  • And so I think it's like a culmination of all the accents.

  • And when it comes out, people go, oh, why do you have that?

  • It's like, bro, it's called fucking evolution.

  • And it's called, you know.

  • Yeah, you get influenced by the people you're surrounded by.

  • I absolutely get that.

  • Because I came back to Taiwan when I was eight years old.

  • And the only reason that I kind of still speak English is because I watch TV series.

  • Or I like to watch YouTubers in the States.

  • At every different phase, I feel like my English turns into...

  • For example, in junior high school, I love to watch Dexter.

  • Oh, Dexter's great.

  • Yeah, and then I would...

  • Dexter's so cool.

  • You are Dexter, man.

  • This...

  • Yeah, I dress purposefully like Dexter.

  • Yeah.

  • Anyway, so growing up, I got really into Pokemon.

  • And the YouTubers I watch were also black.

  • And then I started talking like that.

  • So I don't sound like I'm from Boston at all.

  • Oh, that's right.

  • I grew up in Cambridge, Massachusetts.

  • I don't sound like that.

  • You just emulate or get influenced by the people who you're surrounded by.

  • Yeah, you're in my...

  • I get that.

  • I feel like in Taipei, that phenomenon does not exist yet.

  • So every single performer actually has their own voice.

  • I know.

  • When I watch them, that's all I was going to get to.

  • People have their own voice.

  • And then I would go, oh, that's so cool that they do it.

  • Their style is so different.

  • Why do you think that is?

  • Because stand-up is really in its baby phase.

  • It's probably between 10 to 15 years.

  • How many years have you done stand-up?

  • 11.

  • 11?

  • It's my 11th.

  • Yeah.

  • When you just started was also when the first batch of people started doing stand-up in Taiwan.

  • Right.

  • So before 11, 12 years, it didn't exist.

  • So we didn't have role models to learn after.

  • The things that we kind of mimic are other people, like people from variety shows or people from crosstalk or even from Japanese TV shows.

  • And then we're trying to translate between art forms.

  • And then it comes into stand-up.

  • So it appears as new.

  • Because you've never seen anyone do stand-up like this before.

  • But it's actually from somewhere else.

  • Because I feel like a lot of people, when they do stand-up in Taiwan, they're actually just merging.

  • You know, like Japanese crosstalk?

  • Okay.

  • Yes, yes, yes.

  • Yeah.

  • So there's like a straight guy and a stupid guy.

  • Right.

  • And a crazy one.

  • Yeah, a crazy one.

  • They kind of just merge those two people into one.

  • So one guy is telling a story and then he suddenly changes the voice into a commentator.

  • Oh, you see that?

  • Yeah.

  • Wow.

  • And you think that's the most popular style?

  • I think it's pretty popular.

  • I'm excited to see what...

  • It evolves into.

  • Yeah, it evolves into.

  • I kind of see it growing into what America is like right now.

  • So after 5, 10 years, we will have people that succeeded with a certain way of performing.

  • And then new comics will start imitating it.

  • Yeah.

  • Do you know what's so crazy?

  • Is that I think because stand-up has been such a long thing already in America, that people are doing crazy shit.

  • Now, like they're bringing the manzai.

  • Literally, my friend just threw a show where two comics is on stage.

  • And usually that's never because it's like just do...

  • It's supposed to be...

  • Not supposed to, but like the stand-up is just one person.

  • Yeah.

  • But isn't that kind of like what like Dave Attell and Jeff Ross are doing?

  • Yes, exactly.

  • But that used to never be.

  • And there's so little, you know, that...

  • Because you know how like people shit on Caratop because he does props or whatever.

  • But now I think people are more accepting of like prop if your style is so crazy.

  • I think most of the Taiwanese stand-up now is pretty traditional.

  • But then if you...

  • I'll show you, I'll send you some clips of like comics who their style is so...

  • There's this guy, he would...

  • He does one-liners, but his style is so weird.

  • He would do squats in the middle of his set, like just a quick squat.

  • And then he will run around.

  • His name is Casey Rocket and he does the Kill Tony show.

  • And then he would have Parmesan cheese in his pocket.

  • He will have five of them, no, in little packets.

  • And then he will say a joke.

  • Out of nowhere, he'll throw the packets and go,

  • Parmesan, like just like crazy shit.

  • People are like trying to...

  • They're like, oh, there's so many traditional.

  • What can I do different?

  • They just start doing crazier shit.

  • And I wonder like what is the crazy thing that people would do in Taiwan?

  • It kind of reminds me of like also in Japanese crosstalk,

  • I think for a certain era, their meta was called like, like, 意味わかない.

  • It means like, Iwai booming.

  • So it's not understandable.

  • Can I tell you something?

  • Yeah.

  • Sorry, I just got ADHD real quick.

  • And the answer is, yes, I'm lonely.

  • Okay.

  • The answer is, yes, I'm lonely, man.

  • Don't be lonely, man.

  • We all got your back.

  • We love you, Jason.

  • No, it's never enough.

  • It's never enough.

  • No, of course I'm lonely, man.

  • That's what I'm fucking doing instead of comedy, bro.

  • If I was not lonely, why the fuck would I need validation from people, man?

  • Yeah, I don't know.

  • It's just...

  • Where did that come from?

  • Yeah, where did that come from?

  • Where did that come from?

  • Yeah.

  • What is the lonely?

  • No, because like...

  • Oh, the community, yeah.

  • I don't know how many Taiwanese comics there are in the States.

  • And like, if they're at about the same...

  • Because don't you feel like your comedic career, kind of like you go through different stages?

  • Like, I would say before year 10, I don't know, or like between year 5 and year 10, you're experiencing like different obstacles or different struggles that younger comics would not relate to.

  • Like, especially I think this year, I started touring with He Long, right?

  • So finally, I have another person who understands like the struggles you have to go through when you're changing cities and stuff.

  • This is something that we have never encountered before.

  • Like when we're doing shows in like Taipei, Taichung, Kaohsiung, there's not a huge difference.

  • There's not the thing that...

  • Bro, let me tell you something.

  • You don't know shit, man.

  • I know. I know I don't.

  • And I...

  • No, I'm just kidding.

  • Dude, you're the best.

  • But also, you don't know shit.

  • Okay, I'm so sorry.

  • You don't know the struggles that I have to go through.

  • Yeah, I don't.

  • So that's what...

  • Yeah, I don't.

  • Tell us.

  • Please tell us, Jace.

  • Fuck you, man.

  • You're just over here doing arenas.

  • I'm so upset with you.

  • No, I'm kidding.

  • Dude, it was the most lonely thing that I've ever...

  • I mean, I'm really grateful that I'm in a position that I could do stand-up comedy in America.

  • And I'm really lucky for my parents to immigrate me there.

  • Very, very grateful for everything.

  • But also, it's okay to complain.

  • It's so lonely because it's like, bro, you have no friends and you make no money.

  • You have to sell merch and then you drive.

  • Bro, this was my schedule.

  • This is the regular touring schedule.

  • If you can't sell tickets, you do Tuesday, Wednesday, Thursday.

  • You fly somewhere.

  • But it's the cheapest flight.

  • So you do two layovers.

  • And then you're stressed out because you can't fuck up.

  • I started doing colleges two years in.

  • And you have to do an hour.

  • And I don't have an hour.

  • And so most of the time, you perform in cafeterias.

  • I perform at this place.

  • I remember it's literally in the quad of the school, which is like the cafeterias right there.

  • No, it's indoors.

  • And then people, there's couches.

  • People are going to class to class.

  • And this guy just sets up two speakers and go, oh, you can go.

  • He's hiding behind a pillar, like watching me.

  • And I'm talking to fucking nobody.

  • And there's kids who are sitting on the couch laughing at me.

  • Because I wasn't even...

  • But that's like eight out of 10 gigs is like that.

  • And two gigs will be at a theater.

  • The students will come.

  • And those are hard, too.

  • Because the biggest show that I've ever done two years in, which is very rare, I did a 2,000-seater of coming back to school night with parents and the kids.

  • And then the host is like, OK, I'm going to go.

  • And I'm going to do about eight minutes.

  • I'm going to get the information.

  • And then I'll bring you up, OK?

  • I was like, all right, thank you.

  • And then he goes up.

  • He does the intro halfway and then starts just going,

  • OK, you're a performer, Jason.

  • And then I had to fucking do it.

  • I still have the tape.

  • I bombed for an hour in front of 2,000 people.

  • But it's so lonely.

  • So the schedule will be like this.

  • Tuesday, you go to one city.

  • And then the next day, you get up in the morning.

  • And you drive like four hours to another city that is like bumfuck nowhere, like Wichita, Kansas.

  • And then the next day, you drive.

  • But then you drive three, four hours, right?

  • And then you go to the gas station, eat some things in the gas station.

  • And then you check in at the Motel Hotel where there's cockroaches and bums and stuff.

  • And then you go do the show.

  • Bro, this one time, there's no cell phone service at this school.

  • And then it's a senior living home where there's nobody.

  • It's just me.

  • And it smells like old people.

  • And then it's like a prison kind of.

  • And then I just go, fuck it.

  • I'm just going to sleep in the car.

  • I said I'm going to go.

  • On the weekend, hopefully, you do a cruise.

  • And then the cruise would be like, you fly.

  • You don't go on the port of like, sometimes you do, like Florida or LA.

  • You fly to Mexico.

  • Because usually cruise, there's two comedians, right?

  • And then the port will stop in Mexico.

  • And they'll have new comedians.

  • And that's when you fly into Mexico.

  • And the crew cabin, where performers stayed in, it's like under.

  • It's below water.

  • It's under the boat where the crew stays on the cruise ship.

  • And literally, the room is like two square foot.

  • Everybody knows.

  • And there's no light.

  • Bro, I cried this one night.

  • Why not only do club showcases?

  • I couldn't.

  • I couldn't.

  • Because it's so competitive.

  • So usually, to make a little bit of money, you feature for a headliner.

  • So you do 25 minutes before the headliner at clubs, right?

  • You kind of like the opener.

  • There's a host.

  • You do 25.

  • And it's hard to get that spot already.

  • Because everybody wants to do that spot.

  • That doesn't pay as well as you get paid maybe 600 bucks.

  • And then you sell merch for the whole weekend.

  • They put you up in some motel.

  • And you get paid 600 bucks.

  • So the colleges will pay maybe 1,500 to 2,500.

  • And then cruise ships a week, you get paid 3,500.

  • And then so that is the most money that you can make.

  • But it's so lonely.

  • And then no friends.

  • No nobody.

  • And then you don't want to be on a cruise.

  • Because the college, you do the show.

  • And that's it.

  • Nobody talks to you.

  • They may say hi or whatever.

  • So now I'm in a really great position that I get to bring my friends with me.

  • And that's the fucking dream to do that.

  • But then I still have bigger goals.

  • But I'm still lonely in terms of like...

  • So but now that you can sell shows, you don't have to do those university cruise ships anymore, right?

  • Bro, let me tell you something.

  • I will book them and then cancel them.

  • Just in case.

  • That's such a dick move.

  • No, no.

  • I will book them just in case.

  • They have a vacant hour.

  • Like, okay, so we're supposed to have this stand-up show.

  • No, I'll cancel like four months ahead just to make sure.

  • Yeah, but I did do that.

  • Yeah, so thankfully I don't have to do that now.

  • And then that's why I try to work as hard as I can to continue doing stuff.

  • Okay, so like after going through all of that, would you suggest us to actually...

  • Because I heard previous interviews like you would go to the mall.

  • Because like if you couldn't get on an open mic, you would use like pedestrians to practice.

  • Would you suggest us doing that?

  • I don't know.

  • I think it's just...

  • Nobody really did that like to go to the mall.

  • I was really desperate.

  • And even though I was really lonely,

  • I would take that over anything else.

  • Do you know what I mean?

  • Like I would take being lonely on the road, anxious, flight, feeling like a dead guy over like working at Walmart.

  • Because to me, that's just a bit better.

  • So I think the comedians in Taiwan, like they would rather just get a day job.

  • And do people also do that?

  • Like work a day job?

  • 100%.

  • Yeah, I think we were talking about people serve.

  • So because when you serve tables, that's the most flexible.

  • The schedule is the most flexible.

  • So you could go, oh, can you cover my shift?

  • I'm gonna go do whatever thing.

  • Suggest comedians do that.

  • I don't suggest any comedians.

  • But also I think the shows are nice.

  • They're good shows in Taiwan.

  • Comedy Plus 2, 3.

  • And then like the bar shows.

  • I feel like that's good.

  • But I think a lot of open mics in New York or in LA, they're like, you know, you've seen it.

  • It's just like three comedians and chairs.

  • Yeah, comedians are more than audience members.

  • Yeah, exactly.

  • Bro, did I tell you that one time I drove from LA to San Diego?

  • I went to a bar and it was open mic.

  • And when I got there, a comedian was leaving.

  • So me and another comedian went to that bar for an open mic.

  • And it was just me and her.

  • I have a picture that is just me in a bar talking to chairs.

  • It was crazy.

  • That's the best.

  • But yeah, so but that's what keeps me going.

  • And yeah, lonely.

  • Is that what you were saying about touring with her alone?

  • That is like you feel less lonely because you have a friend?

  • I would say a lot.

  • Like the feeling of like lonesome.

  • And for certain time periods,

  • I would find like comedians that I kind of think that they would, they understand like what I'm going through.

  • But then sometimes they still don't get it.

  • So I feel like that's kind of why like this time you came back,

  • I was kind of like clingy.

  • I don't know.

  • I was asking like a lot of questions.

  • I'm clingy.

  • Yeah, I was hitting you up.

  • We were both.

  • Because I felt like, oh, this is a guy like...

  • You said no.

  • He must know my struggles and stuff.

  • Because it kind of brings me to the next question I want to ask.

  • Okay, so my next question is also like very gaslighting and very similar to the first one.

  • It's like, do you like, are you happy?

  • And do you like your work?

  • Because like...

  • I want to hear yours first.

  • Because I don't.

  • I despise myself.

  • This is always...

  • I hate what I'm doing on stage.

  • I would not be a fan of myself.

  • Oh, I told you that.

  • Me too.

  • Yeah.

  • I fucking think about that.

  • I go, fuck.

  • Why isn't this message...

  • Like, why don't comedians talk about this more often?

  • Yeah, I never even thought...

  • I never heard people said that until with you.

  • And I think about that sometimes.

  • I wouldn't fucking watch myself.

  • I have so many like sub-questions.

  • There's questions...

  • What do you not like about what you do?

  • And I'll tell you mine.

  • A big theme that kept on like a recurring theme between me and you this week was like, should you pander?

  • Should you change what you think is the correct way of delivery or like what represents your sense of humor according to different audiences in different cities?

  • And I guess like everyone has their own line.

  • So there's a line I will not cross.

  • I will not.

  • But so when I was opening for you and like I'm super grateful opening for you.

  • I had really mixed feelings.

  • Like super mixed feelings.

  • First of all, like when I do something,

  • I want to do it right.

  • You know?

  • So like when you asked me to open for you,

  • I was like, I can't do it right for you.

  • And I felt so bad about myself.

  • Because I haven't done this in five years.

  • I haven't done an English sentence in five years.

  • But anyway, just shut up.

  • Let me finish.

  • You interrupt too much.

  • But like when I was on stage and I was doing it, like one of the feelings was like, fuck, I really wanted to do this right.

  • But I can't because like ability-wise,

  • I'm not capable enough.

  • And the second feeling was like, okay, let me finish.

  • Okay.

  • No, hold on.

  • I want to hear the second one.

  • But the first one, I have so many questions already.

  • Why do you feel like you have to do it right?

  • What's right?

  • First of all, it was like a 700 seater.

  • Like you don't want to bomb against.

  • Thank you.

  • Yeah.

  • That you respect it.

  • And I don't want to fuck up your show.

  • Even though that's kind of.

  • I know, but you're not going to fuck up my show when you're like the biggest comic.

  • Do people know you?

  • So it's like.

  • I will.

  • Okay, so.

  • And then obviously I'm like, come do whatever you want.

  • I know.

  • So because it's like, who gives a fuck?

  • It's more of a like a me thing.

  • But why do you want to do a good?

  • You're not going to fucking bomb.

  • I will.

  • I'm constantly in danger of bombing.

  • I know.

  • I know.

  • Eight years doing this.

  • I still don't know what I'm doing.

  • Okay.

  • I basically like I translated,

  • I quickly translated some bits that I'm currently doing in Mandarin into English.

  • Okay.

  • But the thing that always that I always have is I know the same kind of delivery won't work in English.

  • Oh, I see.

  • The delivery I do in Mandarin will not work.

  • It will be like balance.

  • Oh, you think?

  • Absolutely.

  • 100%.

  • Wow.

  • So like when I was doing English,

  • I used a delivery that I felt was more suitable for doing sound in English.

  • Oh, good.

  • And it actually worked.

  • Yeah.

  • And I felt so sad.

  • I felt really, really sad.

  • Oh yeah.

  • You did say that.

  • Yeah.

  • Because like on the one hand, doing stand up in English is much closer to my real self.

  • Yeah.

  • And what I find funny.

  • So like probably I would be a fan of myself doing stand up in English.

  • Probably.

  • I'm not sure.

  • Probably I go back to a couple of Monday open mics and I feel depressed again.

  • But okay.

  • Yeah.

  • Do you think that you actually felt a little sad or depressed because you don't get to do that?

  • Or do you think that's closer to yourself?

  • Do you think it's just like, oh, I don't get to do...

  • It's both.

  • It's both.

  • Okay.

  • Because...

  • I want to be like close to myself when I'm on stage, but I don't get to be myself or else the crowd's not going to give me any kind of response.

  • Do you...

  • But you actually think that you feel closer because you don't...

  • You didn't do English long enough to know that.

  • You know what I mean?

  • Yeah, I do.

  • Because when I did Mandarin, whatever the small amount that I did on the show,

  • I go, oh, this is like really fun.

  • Oh yeah.

  • Because this is another part of me that is like, oh, like I get to have...

  • This is fun too.

  • And I don't get to fucking do that.

  • Yeah.

  • I think there's absolutely that as well.

  • Yeah.

  • So I don't know how...

  • There's probably just like that one experience that went well and I'm like, oh, I should have been doing this.

  • Yeah.

  • So maybe it's that.

  • Forever.

  • Oh yeah.

  • Do you know what I mean?

  • So maybe it's not because you're like...

  • Yeah, we redo this podcast like two weeks later.

  • I'm like, fuck English.

  • Who wants to...

  • You pander in English as well.

  • What the fuck am I talking about?

  • No.

  • Yeah.

  • So you said the Mandarin thing, yeah, the line and then what was the thing?

  • Yeah.

  • So the thing is like, I feel like for the past five years,

  • I've been pandering like big time.

  • Because you run a company and then you do other things and you have a family.

  • So it's like really hard.

  • You spend 20% or 30% of your time to do stand up.

  • And that's like impossible.

  • No, I didn't say that.

  • You said that.

  • I said like probably 5% of my time.

  • Like I spend 95% of my time doing stuff that I'm not good at.

  • Like managing.

  • Like, I don't know.

  • And I spent 5% of my time on stand up.

  • But that's really impressive.

  • It's sad.

  • Yeah.

  • No, it's just sad.

  • It's not.

  • No, it's great.

  • It's a fucking question, man.

  • Okay, so my sub questions are, and I don't think I've actually asked you this, but I think the clips that went viral in Taiwan, your clips that went viral in Taiwan are like crowd work clips on like cross straight relationships, like really political and stuff.

  • Um, from the like the Tuesday performance, the hour that I heard, like that's not your main thing.

  • And like, how do you feel?

  • Oh, you know, the audience like came to see that.

  • You know, I, um, I, I think people who, uh, do,

  • I like have some sort of following on social.

  • It's all from one clip.

  • Yeah.

  • So whichever clip you see, like, and then you're like, oh, I want to see this guy because he does this.

  • And I think people will come Taiwanese people.

  • Most of them came from that.

  • But in America, when I tour is the same thing.

  • Some people came from, most people come from one clip or like most, some people come from the podcast.

  • Just kidding.

  • News is a great podcast.

  • Um, it doesn't, but, and people will come, but then they, when they see me,

  • I feel like most, maybe I don't know the percentage, but I think a lot of them are like, oh, that's not what I expected.

  • But the people who see me do the thing and they go, yes, but I think they would, that's the core group that would like me, you know, that likes what I do.

  • So, yeah, I think when you ask me, oh, what, um, how do you feel about like one clip, you know, the hot tour girl, like right now, like the girl that, do you know about the clip?

  • It's huge right now.

  • She's like the most famous person right now in America.

  • Cause it was a street interview.

  • Oh yeah.

  • And, um, the guy was asking her like, hey, what, uh, what, how do you like please a man?

  • And then she's just like, cute, like pure girl.

  • She's like, you just gotta go huck to it and spit on that thing, you know what I mean?

  • And like, you know, she's known for that thing, but she's like a whole person.

  • She has a life, you know what I mean?

  • A journey.

  • So it was like, I don't know, like people come and I'm like, if you don't like it, then I'm sorry, you know?

  • Like, but that, I don't want to just do an hour of a fucking thing because that's not who I am.

  • And then, yeah, most shows I do, I think is that, but there'll be cities where it's like, oh man, you did go through most of my stuff and you like what I do.

  • And that's the best.

  • Like, I think we talked about that.

  • We agreed that two out of 10 shows are like, what's, what's so good about doing standup.

  • And eight of them is just like, this is so much work.

  • It's just getting through the, like, let's just get through the hour.

  • Let's just fucking do it.

  • And sometimes I feel like I'm not Taiwanese enough, you know, like the same thing.

  • And sometimes I feel like I'm not American enough, but, but yeah, I just, I should try to be me.

  • And then hopefully I could be vulnerable enough.

  • I don't think I'm, I try to be, but I don't think I'm there yet.

  • And that's my whole thing is just,

  • I just want to say my things.

  • Yeah.

  • Because that's why I started comedy anyways, is that I just feel, dude,

  • I bombed so hard the first set that I've ever done standup, but I loved it.

  • Cause I, I don't know if you, I told you this, but the reason why I started doing standup is because I wanted to kill myself.

  • What?

  • Yeah.

  • And I was like, what are three things?

  • This is...

  • You want to do before you die.

  • Yeah.

  • And one of them is standup.

  • One of them is whitewater rafting.

  • And one of them it's getting a motorcycle's license and ride across the country.

  • And I got my motorcycle's written test.

  • And then between getting the written test and the road school, I did stand up and I just didn't, I haven't done the rest of them.

  • I just kept doing standup.

  • I bombed, but like...

  • That's nice.

  • Like next time the death bots come around, you're like, motorcycle, let's go back.

  • Yeah, yeah, yeah, yeah, yeah.

  • Still have two things.

  • Yeah, exactly.

  • You'll have two more things.

  • Nice.

  • Yeah.

  • But that's what I started.

  • Sometimes I forget to like why I started standup, you know, um, it's really because

  • I just want to express myself.

  • Yeah.

  • But in the beginning though, sorry, I'm rambling, but in the beginning I chased laughs.

  • So it doesn't...

  • I did whatever for like, I think three years because I just want to be the best on the lineup.

  • I want to be the funniest.

  • But you know what though, like...

  • I think as you should, right?

  • Cause like...

  • As you should.

  • Yeah, you should go for...

  • I think you should go for laughs first.

  • And then once you have like a following, then like, first of all, that's when your skill set has more like matured and you can actually use your skill set to express things you actually want to say.

  • Right.

  • And like, you're actually more clear about what you want to say about the world.

  • Right.

  • So I think that's actually the best way to progress.

  • To progress is to get the laughs first.

  • Panda first and then...

  • Once you have a following, you're like, this is what I really want to say.

  • That's actually a really good observation though.

  • You said that, yeah, that's a good progression of the thing.

  • I never really thought about it like that.

  • It makes me really sad if I do everything I could that the things that I don't even...

  • Yeah, and then you still don't get it.

  • And then you bomb.

  • Bro, that shit crushed me.

  • Because I'm like, I go home and I had nothing.

  • But it still hurts though.

  • Like, I don't know when you're rapping, but it still hurts to sometimes...

  • Yeah.

  • Because I went through this, it's an arc.

  • It's like, I'm like, okay, then now say the things that you want then.

  • Because if you say the things you want, you bombed and at least you said the things you want.

  • But then I also check myself because I'm like, then you just, then kill then.

  • Then kill.

  • Like, you want to say the things you want, but then kill.

  • Don't give yourself the excuse like...

  • Yeah, I was just saying what I really want to say.

  • Like, go to fucking TED Talk.

  • Yeah, go to a TED Talk, man.

  • Yeah, so right now I always ask, make sure that my friends check me on this.

  • I'm like, dude, make sure I'm not doing a TED Talk.

  • That's what you need, man.

  • You need honest friends that are going to check.

  • Yeah, after I did this tour and the arena show and stuff,

  • I brought a couple of friends and I was like, give me honest critique.

  • I want to hear what I did.

  • Like, be ruthless.

  • But if you're getting...

  • Who the fuck did you get to fucking say your things?

  • Because if it's somebody who's working for you...

  • No, no, no.

  • It's my best man.

  • He's been my buddy from high school.

  • Yeah, and he's like, okay, to be honest, those two parts.

  • But also that's also subjective.

  • Unless he gives you an objective.

  • But I value his opinion.

  • Oh, I see, I see, I see.

  • It reminds me of something.

  • Last night we were talking about how we want other comedians' validation more than we want validation from the crowd.

  • Right.

  • There's something I've been meaning to tell you.

  • I love the way you lay things out.

  • It's laid out so beautifully.

  • What do you mean?

  • So, for instance, this year you're talking about...

  • There was like a big premise is like intentions matter.

  • And then it's example, example, example.

  • Yeah.

  • It was very...

  • To me, it was elegantly and methodically laid out.

  • I found it very beautiful.

  • I don't know.

  • Oh, that's really nice of you to compliment that.

  • I remember seeing your show in Vegas, The Cellar in Vegas.

  • And that time you were talking about it, it's all about perspective.

  • And then you had like example, example.

  • And I was like, wow, this is so good.

  • Because you kind of guide people through the persuading process of like, it's all about perspective because of this.

  • But if you think of this, there's another example and stuff.

  • And I just found that like amazing.

  • Oh, thanks, brother.

  • That's really nice.

  • Really, really well crafted.

  • I like look up to that.

  • Like every time I see your shows, I'm like...

  • Oh, thanks, man.

  • That's really nice of you.

  • Yeah, that's a huge...

  • I don't know how to take it.

  • And most of the things that I say also is just because I really want to remind myself that.

  • That's the biggest thing because I was really sad.

  • And sometimes I still get sad.

  • But I want to keep on reminding myself that it's just perspective, you know?

  • Yeah.

  • Don't you feel like comedians are the only profession where like the more you do it, the more you hate yourself or something?

  • I don't know.

  • It's probably just because I hate my work.

  • Let me tell you a story.

  • So like I'm friends with some rappers.

  • And then there's this rapper.

  • Once he finished his album, he was like, you want to come to my house and like listen to my new album?

  • I'm like, yeah, sure.

  • Because I thought it was like a lousy excuse to invite someone to your house.

  • OK.

  • I was like, oh, yeah, sure.

  • Let's do that.

  • And like this guy.

  • Oh, my God.

  • Like he hasn't made a...

  • Like he just recorded the album.

  • No musical video, like no visuals whatsoever.

  • He sat me down in front of his computer and played his hour.

  • Dude, you watched the whole shit?

  • I listened.

  • I didn't have anything to watch.

  • You know, I was listening to his album without with no lyrics.

  • He was like, he was digging his own shit.

  • He was like, yeah.

  • And when like a punchline came, he was like this, this right here.

  • And then he's like, bam, there we go.

  • And I just be sitting there.

  • I'm like, yeah, yeah, not nice.

  • I didn't know how.

  • But to me, that was so eye opening because I'm not proud of my work like that.

  • You know, I want to be proud of my work like that.

  • Yeah, me too.

  • I know, like who does that?

  • Do you like imagine you just finish like a comedy special taping.

  • You sit your friends down.

  • You watch my hour.

  • Watch this shit.

  • It's coming.

  • Boom, punchline right there.

  • That is insane to even think about.

  • I want to be like, don't you want to?

  • Yeah, to have that much like joy and confidence in like the thing that you make.

  • Yeah.

  • It's so cool.

  • But I don't know.

  • That's like the extra level of Dulu Dulu that I'm like, we can't be friends.

  • That's crazy that you sat through that.

  • Yeah, bro.

  • After five minutes, I'm like, I got to go.

  • Yeah, I felt like kind of like after the fifth or sixth song, I was like, how many more?

  • Dude, that's so polite of you, man.

  • Yeah, no, I hate my shit.

  • I hate my shit.

  • I also feel like like we're not supposed to say that we don't like our stuff.

  • Your fan base will be like, you don't like your stuff, but I like it.

  • I know, I'm so glad you brought that up.

  • So like bringing up this topic itself, I felt like, should I bring it up?

  • Should I not?

  • I don't know.

  • But I also feel like it's real.

  • It's something real that every community...

  • And you're crushing and you're selling out.

  • So it doesn't matter for you.

  • It doesn't matter.

  • But people will feel hurt.

  • They're like, but...

  • Some, maybe the small percentage of people, if they like something, that's like if they...

  • Yeah, that's true.

  • That's true.

  • But it's the real shit though.

  • I think that the takeaway message is, although I don't like it, I'm working really hard to make stuff that I like.

  • At this point, you're just doing your best to make the best thing you can.

  • Yeah.

  • But last night you said you have two bits that you personally really like.

  • But it's always that.

  • I think I just like the attention, like being on stage and perform and say maybe the bits that I don't really enjoy doing.

  • I could maybe find moments that I'm like, okay, this is cool to say.

  • I'm fine with saying it.

  • I think we're just really critical of finding the negatives in the bit.

  • And maybe logically, it doesn't make complete sense.

  • Whenever a bit is to me done or whatever, I look at it and I just go, this sucks because of this, this and that.

  • And then the new things, I'm like, oh, this is really fun.

  • Yeah.

  • After a while, it rots.

  • And then I kind of feel like because last night when I heard like, oh, that's amazing that you have two bits that you really like.

  • Because whenever I'm asked that question, what's the favorite joke you've ever written?

  • And I was like, oh, it's so hard.

  • Because if you asked me last year, I probably would have said a certain bit.

  • But same question this year, do you still like that bit?

  • No.

  • No way.

  • No way.

  • No way, dude.

  • But the reason why I like them, it's like there's just one thing.

  • So I do the suicide thing.

  • But the thing that I like is that it's so fucked up to say.

  • And that's why I like it because I don't have that in my other bits.

  • So I go, oh, this is fun.

  • It's something new.

  • The other bit that I like is because I get to be so angry because I'm such an angry person inside and I get to be angry.

  • And I don't have another bit that I get to be very angry.

  • And those are the only parts I like about those bits.

  • But the premise is an easy premise.

  • And it's not like crazy.

  • There's no crazy things within those bits.

  • But I just like, this is so deep.

  • I don't know if people like it.

  • No.

  • Okay.

  • So first of all, because it's in English, I don't know if people will listen to this episode.

  • Anyway, I'm just talking about stuff that I'm genuinely interested about.

  • Yeah, me too.

  • Yeah, yeah, yeah.

  • Me too.

  • Yeah, yeah, yeah.

  • But I'm just...

  • From like peer...

  • And sorry if nobody listens to it.

  • Yeah, but I believe that one day people will find this piece on the internet and be like, wow, so this conversation happened.

  • Wow, Jason's working at Walmart now.

  • Yeah.

  • That's crazy that he was doing okay.

  • Do you remember the time he was doing comedy?

  • Yeah, now he's into biking.

  • Who knows why?

  • In general, people who listen to my podcast, they appreciate these really deep and honest thoughts, I feel like.

  • Because last time I was doing an episode with...

  • Do you know Jim?

  • Chen Jianping?

  • When he came on the podcast, he was like, okay, today we're not making jokes.

  • We're not laughing at each other because when we talk in private, we're not laughing.

  • Oh, right, right, right, right.

  • That's fake.

  • Right, right, right, right.

  • So that episode, people loved.

  • Oh, love that.

  • Just because we were talking the way we do off camera.

  • Yeah, as we should.

  • Yeah, yeah, yeah.

  • So for this episode, I'm just like, I'm just going to talk about stuff that I actually care about.

  • I don't care if anybody listens or cares about the things we're talking about because the two of us care about it.

  • Oh, I love it.

  • Yeah.

  • That touched my heart.

  • Should we have sex?

  • We should.

  • I really want to do like a bilingual tour with you.

  • That would be awesome.

  • Yeah, because I feel like when I'm talking, especially right now, I'm doing English, but there's this constant urge in my body like, this term is better when I use Chinese or something.

  • And I feel like a lot of people, especially like, I don't know, like first gen, second gens, they think like that.

  • Yes.

  • It's a bilingual mindset and they appreciate it when the person.

  • So I don't know.

  • Yes, I think so, too.

  • Yeah, yeah, yeah.

  • I think there's a market for it.

  • Absolutely.

  • Both.

  • Because that, you know how people, there's like TikToks where people say like, oh, you feel differently and you think differently when you speak a different language and it triggers different emotions.

  • And I think that is a thing.

  • Absolutely.

  • Yeah.

  • And when I, I just want to let you know that my Mandarin set, when we do it together, it's going to be way better than your English.

  • I'm looking, yeah, no, first of all, you're wrong.

  • You're dead wrong.

  • But I'm looking forward to it.

  • Thank you so much.

  • I love you, man.

  • Thank you for having me here.

  • Yeah, I love it.

  • I love it.

  • Bye.

Hey, yo, welcome back to another episode of Boi-ing. I guess it's not another-

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