Soifyougooutandshoot, lookforsomeofthenaturallinesinyourenvironmentthatmightcomefrom a fenceor a buildingorroadsandusethesetodrawtheviewer's eyetowardsyoursubject.
Soifyouhaveaninterviewwhere a subjectislookingofftotheside, makesurethey'relookingtowardsthelargerpartoftheframeasopposedtowardstheshorterpartoftheframe.
Orelseit's gonnafeel a littlebitstrange, a littlebitoffbalanceandjust a bitconfusing.
Soopenupthataperture, let a littlebitmorelightin, andnoticethatbackgroundfalloutoffocus, addingthatemphasis.
Thisisalsogreatbecauseit's gonnaremove a lotofdistractions.
Whenyourapertureisreallycloseddownandeverything's infocus, therecanbe a lotofdistractionsanditbecomesconfusingwhoyou'resupposedtobelookingatintheframe.
Byopeningthatup, weget a shallowdepthoffieldandwelose a lotofthosedistractions.
Thisis a greattoolwhenyou'reshootinganinterviewbecauseitletsthatbackgroundfalloffandfalloutoffocus.
A lotofbeginnerswillplacetheirsubjectrightupagainst a walltoshootaninterviewandyoujustaren't gonnagetthatsametypeofdepth.
Sopullyoursubjectaway, havesomespaceinthebackground, andmaybeevenconsideraddingsomethingtotheforeground, a plantorsomesortoftextureelementintheforegroundtoshowthatthereisdepthinyourshot.