I show you how to use a second light in your home studio

to separate your subject from the background. Adorama TV presents

Take and Make Great Photography with Gavin Hoey.

Where you'll learn how to take stunning photos and in polish them

in post-production. Hello I’m Gavin Hoey and your watching

Adorama TV brought to you by Adorama the camera store that have

everything for us photographers. In this video I'm back

inside at my studio as we continue our mini series on working in a small home

studio environment.

Now in the first part we look at a few ideas that you can do just using one

single flash to light your portraits. That's great, but you kinda reach a point

where one flashed just

isn't quite enough you, need well a second light.

Now your second flash doesn't have to be exactly the same as your first one.

In fact this is my Streaklight 180 Ws.

So this is the smaller, lighter, lower powered and

a little bit cheaper version of the Streaklight 360 that

I've got hidden away inside this soft box. However you set your lights up

adding a second like can really lift your photography and give you loads of

creative options.

In this video were gonna look at adding a second light as a hair light,

a separation light, an accent light, call it what you like. A

light just two separate are subject from the background. Speaking of which we

could probably do with a subject really. So

let's clear this out and set up the shoot.

I'm joined in the studio by Freya, give them a little wave Freya.

She's gonna be the model for today and the idea is really simple we're gonna

get her to blow some bubbles. Were gonna do a profile picture is gonna look fantastic.

But before we get to the bubbles which can be a little bit messy we're gonna

set the lights.

Now to begin with we’ll just use one light, we’ll just use this one here. The

other light is switched off, and I'll show you the problem with just one light.

Okay Freya can I get you to turn and face the

softbox. Lovely and we'll just take a shot here,

here we go. So with just one light we get

very nice exposure on her face but by the time we get to the back of her head

it really disappears into the dark shadows of the background.

So to get the hair to separate from the background

we need to add in a separation light a second light.

So this is our second light here and we’ll just turn it on of course,

and then we’ll pop it a little higher, so it comes down from above

and lights the top of her hair and her shoulders. Now we can't just put that in

place we need to know how bright to set it. So

lets takes some meter readings with the flash meter. So we’ll meter off the front here,

which has given me F8 as a meter reading on the front

but I also need to know how much light is falling on Freya hair.

So let's take a meter reading for that light as well,

and thats telling me F4. So the hair light

is two stops less bright than the front light.

Now that might be right, that might be wrong, let's take a test picture and have a

little look and see how that goes.

Okay so here we go, and as you can see

there is a little bit of light on her hair and on her shoulders, it just separates her from the back and a

little bit.

But we can easily increase the power of that hair light,

by well using the remote here, adding an extra stop.

So this will be one-stop less light than the key light.

And we can increase it again so we can

even up the key light and the hair light, and we can even

overexpose the hair compared to the background light.

So we can increase the amount of light, change the look and feel of the

hair like, the accent light simply by increasing its power

compared to the key light. What's correct is entirely up to you

and it will vary from person to person and hair color to hair color.

So I think we want it a little bit less. Let’s go for about a stop less light

on the hair compared to the face. Now you'll notice that the background in this

shot

is black and that is because the this

softbox is pointing towards the camera and away from the background.

However it wouldn't be a problem if I didn't move the key light

so it also hits a little bit of the background

as well, and that will put a little bit of detail in the background.

Okay lets take the shot. There you go we now have a very small amount of detail in the

background.

I think that's the look I'm going for. So there we go, that's the light set

now all we need is some bubble and let's get blowing. Are you ready?

Okay well that was really great fun to do. Freya did fantastically well blowing

bubbles. It’s harder than it looks, honestly it really is isn’t it?

Okay so let's get our favourite picture into Photoshop and we’ll

do a bit of editing and we're gonna do that

right now. Don't forget to check out Adorama’s latest contest

and your chance to win amazing prizes. Well it was very very brief

but did you see me holding this thing here? This is a a bubble machine and there was

bubbles

streaming out the front. So what we found as the shoot progressed was

although Freya was very good at blowing bubbles, I wasn't so good at capturing them.

It was just trying to get a along stream of bubbles in a fraction of a second.

Actually is quite challenging to do. So were gonna take

the the picture of Freya and the picture's of the bubble machine

and bring the two together, and using Photoshop its really simple to do.

Let's have a look. So this is the picture we want to add the bubbles into and

the reason when I wanna add bubbles is pretty clear in this shot. I like everything

about the picture except the,

well the lack of bubbles I guess. So

bubbles, well I got several pictures. I ended up getting the short straw because this

was a really messy to do.

But this machine blow’s out plenty of bubbles and we photographed them

on the black background. Now to get the black background

it was simply a matter of turning the the key light the main light away from

the background

towards the camera. Basically no light hits the background and it goes black.

Just like the pictures at the beginning of this video. Now the black background

comes in handy in a second but first we need to actually select the bubbles

and were just going to get the free hand selection tool and I'll draw around some of the bubbles.

Around and back to the beginning and then we'll go to

edit and copy, close that down and choose

edit and paste. Now that will put the bubbles on a brand new layer and I can put

them anywhere I want,

but you'll look at that you'll notice that they don't really blend in at all.

Well here comes the magic. All we need to do to blend the bubbles in

is change the layer blending mode which is currently set to normal,

and I'm gonna change it to screen.

One of the magic properties of screen blending mode is

it takes anything that pure black and makes it

well transparent and those bubbles actually looked like they were really,

really there and its absolutely fantastic.

Okay so that's one set of bubbles, but we got more picture’s of bubble’s so let’s

add some more in, why not? Lets get another freehand selection tool and we'll draw around

some of these bubbles

here maybe, and we’ll copy those and we’ll edit and paste them in

and will put them into position, use the move tool. They can come up the top here

somewhere.

And we'll blend them in with a bit of screen. Then we can go and get some more we’ve got another one here

and this one, this one’s got

loads of bubbles. So again we'll use the the free

hand lasso. Maybe we'll get some more bubbles like that

and right around to the beginning. There we go that’s great.

We’ll go to edit and copy. Go back to this picture,

edit and paste. Lot’s of bubbles now that can go anywhere

we like . So we’ll pop them up there. We’ll blend them in with a bit of

screen blending mode. So that puts all the bubbles into the picture but

remember these are layers, so you can move them around and you can put the bubbles

any way you feel is correct and if there are bubble’s that you want to move for

example maybe these three down here,

you can of course just get the free hand selection tool. Draw around them

and then get the move tool, you can drag bubble’s anywhere you like.

There we go. Select and deselect so there we are. There is how you can

take

a picture with very few bubbles and add in as many bubbles as you want

to create the final image. Well if you've enjoyed this video and you want to see more

videos from myself

and the other amazing presenters here on Adorama TV you know what you've got to do?

You’ve got to click on the subscribe button.

Okay well, something like that.

I'm Gavin Hoey, thanks for watching.

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