SoherewefindourselvesinAgenceGroteau, formerlyknownasSavoir, whichis a veryimportantandspecialsetformebecauseit's whereEmilyreallyfoundherfootingandgroundednessinParis. I mean, let's notlie, a lotofadventurehappensintheserooms.
I'm goingouttolunch, a longlunchwithwine.
It's 11 a.m.
Well, c'estlavie!
I wassoamazedathowbigthissetwasthefirsttime I eversawit. I didn't realizethateachofuswouldgetourownofficeandthatitwouldbesospreadoutanditwouldlooksolivable. Wejokedthatwewouldputmattressesinhereandactuallysleepherebecausethecrownmolding, thecolors, it's socalm, thefloor, everythingaboutitfeltasthoughthey'd justtaken a Parisianapartmentandputitintoanofficeworkspace. Somymindwasblown. They'rechandeliers. I mean, theyreallywentaboveandbeyondonthisset.
Intermsoftheagency, youknow, I reallytalked a lotaboutfindingthisHausmanianbuilding. Youknow, HausmandidallthisfantasticarchitectureallthroughParisand I lovehisbuildings.
Whenwefoundtheexterioroftheagency, whichisPlaceValoisinParis, myaimwastomixandmatchtheexteriorwiththeinterior. Sowesurveyallthewindowsandweadjustthewholesetinsideaccordingtothespaceandthebacking. Whatyouseehereistherealbacking, PlaceValois, inside a realplace, neverexisted.
Hereweliketocallitthebullpen. Lucsitsoverthere, Juliensitsoverthere, andifwemakeourwayinthisdirection, wehavemyoffice. Itlooksprettymuchthesamefromseasonone. There's usually a fewlittleknickknacksthatchangeonthedeskbecauseobviouslyonewouldacquiremorethings. ButforEmilyCooper, I liketothinkit's prettydarncleanmostofthetime.
Andwhat I findtobereallycool, it's allinthedetails. WehaveAgenceGrotteauxcards.
Wehavepaperswithournamesonit. Wehaveenvelopes. Theyliterallymake a deckforeachbrandthatwe'repitching, ifthey'rerealorfabricated, justincaseoneofuschoosestoopenitin a sceneanduseitas a prop. Like I said, attentiontodetailissoimpressiveonthis.
Seasonfour, Alfie, forthefirsttimeitcomestotheagency, whichtomeisoneofmyfavoritesetsontheshow. I comeintothesceneattheagencytotakeon a newdealand I'm nottooimpressedbytheideasthatEmily's broughttothetable. Butobviouslyshecomesthroughanddelivers.
Wehavetheconferenceroom, whichissometimesthebaneofourexistencebecauseweusuallyhavesomanycastmembersandthere's somanyanglesthatwe'reshooting. We'reusuallyintherefor a coupleofhours. Andit's where I hadmyfirstpitchmeetingwhere I waspitchingmyselfasEmilyCoopercomingtoSavoir, whichwas a verymonumentalsceneforme.
I'm EmilyCooperand I'm soexcitedtobehereinParis.
Thesearetechnicallyawardsthatourcompanyhaswonforbestmarketing, which I justrealizedarefabricatedforourshow. ApparentlyAgenceGroteauisdoing a goodjob.
Andifyoukeepfollowingmethisway, wehave a fullyfunctioningkitchenoverhereandthedoortomyboss's office, Sylvie. Nowshe'd probablykillmefortakingyouinhere, but I'm goingtodoitanyway, socomeonin.
Sylvie, justcurious...
It's customarytoknock, waitfor a reply, thenenter.
Busy.
Thisofficeiswhere I havedonemanypitchestoSylvie. It's whereshe's yelledatme, toldme I'm notdoing a goodjob, toldme I'm doing a betterjob, where I foughtwithmycoworkers. Butthisiswhereshesitsandusuallyit's notmyview. So I feelliketoday
I'm, I don't know, I havetheupperhand a littlebit. Butthisofficeisalsoverycalmingtome. I lovethecolors, I lovetheaesthetic. I thinkit's reallyinterestingwhatAnnehasdonewiththisofficewhenitwentfromSavoirtoAgenceGroteauandhowshechangedit.
I wanteddifferentroomstobereallyseparate, togive a depthoffield. AndforEmily, she's likeverygirly, sothecolorisslightlypink, butyoudon't reallyseeit. Andfromthat I wenttoSylvie, whichis a bitcolder, becauseshe's colder. Theconferenceroomwas a challenge. Theblue, itgives a verybigcontrastwiththeotheropenspace. That's something I reallyliketodo, isworkingoncolors.
Bonappétit, ladies.
Bonappétit. I'd bonappétithim.
Thatsetwas, atthebeginningofthefirstseason, a realset. Weuse a restaurantonthePlacede l'Estrapade, andweusetheinsideaswell. Andthenthenextyear, wedecidedtomakeitbiggerinside.
AndSiobelmadesurethatwecouldhave a fullyfunctionalkitchen, sowecouldhave a Michelinstarchefthatactuallycreatedanentiremenujustfortherestaurant. Theplatesactuallyexist, butonlyinthestory. Sowheneverwe'redoneshooting, I justeattheplates.
Sowehadredcolormatchingtheoutside. AndthenwhenIsraël's mother, Gigi, cameinthescript, wedecidedtochange a bitthelookofit. Sowechangedthetablecloths, wemovedthechairs, wemadetheroundtableinsteadofjust a banquette. Andthecolorschangedslightly. Dianewantedsomething a bitmoresubtle, moreearthy, moreNormandy.
I noticedthiswhenwecamethisyear, thattheyhadputourPolaroidsuponthispole.
WewerejustbecomingclosefriendsanditwassofuntojustexploreParistogetherin a waythatneitherofuseverhad. So I lovetheselittlememories. There's a fewotheronesscatteredaround, buttheseareperfectplacement.
Alsobehindme, thefashionwardrobe, which, youknow, it's a littlesmall. I liketothinkthatdownstairs, maybewehavelike a storagefacilityormaybesomeofthefloorboardsopenupandthere's likeallofourstuffjammedinthere. Therearesomeofmyrunninglooks. There's outfitslikethiswasatVersailles. ThiswasinProvence. Andsoit's nicetoseethatwegettoincorporateouractualoutfits. Samewiththeshoes, ofcourse. It's nicetohavelittlepropsfromeachseasonsothatitreallyfeelslike a home. Tinybed. Itis a tinybed. Itonlytookusuntilthisseasontorealizethatthecouchactuallypullsoutinto a bed, becausewe'veneverreallyshotthereas a bedbefore. Wealwaysjustassumedthatwebothsharedthebed. And I walkedintosetonedayandAshleyand
I werelike, whyisthere a bedhere? Andtheysaid, well, obviouslyoneofyousleepsonthecouchandourmindswereprettyblown.
Honestly, I haven't reallyusedthiskitchenthatmuch. I thinkAshley's probablyuseditmorethan I have, but I haveuseditenoughtotellyouthatit's a workingkitchen. Thefaucetworks, sameasthebathroom. Atthebeginningofseasonthree, when I wasinthebathroomfreakingouttomyselfinthemirrorand I cutmybangs, I feellikethatwas a realmomentforEmily. A reallynicewayofmakingthebathroommemorable. And I'llneverforgetshootingthat. Weonlyhadonebangpiece. Wehadtocutitrightthefirsttime, butitwasfun.
I thinkthat's onethingEmilyandParisdoesreallywell. Wehavethekeytothecityandtheymakethemostoutofit. Buildingthesesetsaswell, it's a spectacleeverytimeyoucometoset. It's a joy.