And I lovethisquotefromAdamSchultz, who's a Canadianexplorer.
Wouldn't thatbe a coolthing?
He's anexplorerinthisworld, inthistimeandage?
And a writer.
Andinhisnewbookentitled A HistoryofCanadain 10 Maps, inhisintrohewrites, mapsarealso a culturalartifact, a windowintothepast, a clueintounderstandingtheworldviewofthepersonorthepersonswhomadeit.
Andsothisresonateswithme, becausewhenyouthinkaboutmaps, justlikewhenwecreateotherdatavisualizations, barcharts, thingslikethat, thereare a millionlittledecisionsthatoftenwehavetomake.
AndsothisentirerightsideofBalboaPark, I thoughtaboutaswhitespace.
So I wastryingtotakeadvantageofthatwhitespace.
Andsokindofthinkaboutthat.
Obviously, thisisallfloating.
Andso I knowthere's twocamps, right?
So I createdthisusingjustfloatingcontainers.
Andso, youknow, wecantalkaboutthat.
Wecanargueaboutthatlater, yeah.
And I triedtokindofbalanceit, takeadvantageofthewhitespace, tryingtopositionitin a waythatmadesense.
I spentanenormousamountoftimeplayingwiththesizeofthecircles, tryingtokindoffigureoutwhatworkedbest, right?
Sosweatingthelittledetailsisimportant.
Tipfour.
Sothiswasbeforemytime.
But I heardthatcreatingmapswas a nightmarewithdualaccessortryingtomodelthedatain a waysoallthesedifferentshapefilesweresomehowlinkedto a singletable, right?
Thesecondnote I wanttomakehereis a mapismadeoutofmultiplelayers, right?
Butlayersarefree.
Soyoucanoverlay a bunchofdifferentlayersontopofeachother, evenduplicatelayers.
Soforexample, inthisone I created, I triedtomakethestreetspop, andactuallyit's madeupofthreedifferentlayersofthreedifferentstreetlayers, thesamelayerontopofeachother.
Now, I useQGIS, whichhappenstobetotallyfreeandopensource.
Allright.
Sowiththat, I thinkwe'redoingprettygood.
Let's create a map, okay?
Soagain, ifyoumissedmy, I don't know, tenannouncements, youcanaccessthedatahereusingtheQRcode, and I'llspendjust a briefmomentherejusttalkingthroughwhatyou'llfind.
Andineachfolder, you'llsee, so, forexample, I openedupBalboaPark, you'llseethatthere's a bunchoffiles, okay?
Withshapefiles, it's kindof a, it's how I learned, butthey've, Esrihastriedtomovebeyondthat, butyou'llnotice, it's not a veryefficientkindof, youknow, waytokindoftransportorusedata, butit's basically a bunchoffiles.
Andthenonceweputthatinthere, I'm goingtochoose a brighteryellow.
So I hopeyou'restartingtoseesomething.
Okay.
Sothisistheoutside.
Letmeredothis.
Oh, I knowwhy.
Sorry.
Mybad.
I thinkthisonehastheborder, too.
Actually, letmemakethisonewhite, andyoucanstartseeingit a littlebit.
Shouldbe.
What's goingon?
Ofcourse, thesedemosneverworkwell, right?
I plannedthis, andtheyneverworkwell.
Okay.
Buthopefully, yougettheidea.
I don't knowwhyit's notworkingrightnow.
Okay.
Letmechangetheroadstomaybe a gray, a littledarker.
Likeso.
Okay.
Andthen I wantthedark.
Okay.
Let's putthebuildingsback.
Right?
Andsothisisthestart, right?
Andhopefully, you'rekindofgetting a senseofwhenweusemaplayers, right, they'refree, sowecanoverlaythingsontopofeachother, right?
Wecanplaywitheachofthoselayers.
Sointhiscase, what I wastryingtodois I hadtwolayersofthetractionsontopofeachother, and I wastryingtovarytheopacityandthecolorforeachofthemtokindofcreatethiseffectwheretheykindofpop, right?