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  • You probably know me already.

  • I'm famous the world over.

  • But do you know my story?

  • Brabant.

  • Painted just as I remember it.

  • That's where I grew up.

  • I was different from the others.

  • Stubborn.

  • Always in trouble at home and at school.

  • Things were better outdoors.

  • I loved being out in the fields.

  • Do you know what you want to be yet?

  • Well, I certainly didn't.

  • I was an art dealer in Paris and London.

  • A teacher in England.

  • A priest in Belgium.

  • I tried the lot.

  • Nothing worked out.

  • My brother Theo, my best friend, had an idea.

  • Vincent, you're good at drawing.

  • Why don't you do something with that?

  • Well, he was right.

  • I was always drawing and I could learn how to paint.

  • There was no time to lose.

  • Practice, practice, practice.

  • I was unstoppable.

  • Anton Mauve, my cousin and a famous artist, taught me how to paint in oils.

  • I got my first commission.

  • Drawing cityscapes of The Hague, the train station.

  • What a building.

  • All that glass.

  • I wanted to show real life.

  • Nature.

  • The lives of farmers.

  • What I saw as I felt it.

  • That's what I wanted to paint.

  • Something good.

  • Something with soul in it.

  • And look.

  • There they are.

  • Their weather-beaten faces in the shadows, sitting in the light of a small lamp, poking their calloused hands into the dish of potatoes they themselves have sown and harvested.

  • Others didn't think much of it.

  • That woman's nose looks like dice at the end of a pipe stem.

  • Even Theo thought it was too dark.

  • But I had I was an artist.

  • Theo, I owe you so much.

  • When I came to Paris, I lived with you.

  • When I wanted to paint, you paid for my paints and brushes.

  • And me?

  • I was insufferable, living only for my art.

  • Late-night discussions with innovative artists like Lautrec, Bernard, Gauguin, about contrasts, colours, loose brushstrokes.

  • But the work wasn't selling.

  • I rarely had money for models, so I'd often end up looking in the mirror.

  • After two years I was fed up with the city.

  • I headed south, to the light, the colours.

  • That's where I painted the colours of the wheat, of the night, and the sea, which had many more colours than just blue.

  • Green, purple, blue, pink.

  • The sea changes colour like a mackerel's skin.

  • I looked around me and found beauty in almost everything, even in these withering sunflowers.

  • I had big plans for this yellow house.

  • It's where I wanted to work with others, to create a new kind of art.

  • But only my artist friend Gauguin came south.

  • We had the most fierce discussions about art.

  • What should you paint?

  • What do you see with your eyes, or what do you see in your mind?

  • One evening, things started to go wrong.

  • I just wasn't myself anymore.

  • I cut off my left ear.

  • I was sick.

  • I had myself admitted to hospital.

  • But I didn't stop.

  • I worked on, like some kind of painting locomotive.

  • And slowly I got my life back on track.

  • In the countryside, just north of Paris, with Theo close by, I worked incessantly.

  • My head was on fire.

  • My paintbrush swept back and forth, untilNow you know my story.

  • The story of a misunderstood, stubborn man who wouldn't give up.

  • A story about needing to do what it is that you're good at.

  • So tell me, what are you good at?

You probably know me already.

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