Orperhapsit's suffusedwith a painanddramawe'vehadtostiflebutwanttogetintouchwith.
Sometimes a wholesocietyfallsinlovewith a certainstyleinart, becauseit's tryingtorebalanceitself, likeFranceinthelate 18thcenturythatwantedDavidas a correctivetoitsdecadence, orBritaininthe 19thcenturythatlookedtothepre-Raphaelitestocountertheeffectsofbrutalindustrialisation.
Theart a countryor a personcalls "beautiful" givesyouvitalcluesastowhatismissinginthem.
Theseartistsaren't falselyglamorisingthingsthatarebetterignored, they'rejustlyteasingout a valuethat's beenneglectedby a worldwith a deeplydistortedandunfairsenseofwhattrulymatters.
Itmightbepropagandaaboutthesimplelife, orabouttheneedtobroadenone's horizons, orabout a moreplayful, tenderapproachtolife.
It's a forcethatstandsupforthebestsidesofhumannatureandgivesthem a platformandanauthorityin a noisy, distractedworld.
Fortoolong, arthasattracted a littletoomuchreverenceandmystiqueforitsowngood.
Initspresence, we'relikesomeonemeeting a veryfamousperson. Wegetstiffandloseourspontaneity.
Weshouldrelaxaroundit, aswealreadydowithmusic, andlearntouseitforwhatit's reallymeantfor: as a constantsourceofsupportandencouragementforourbetterselves.
Whatisartfor?
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