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  • Of all the things that set humans apart from other animals, of all our inventions and ingenuity,

  • art might be the most unique. In the long history of human art, from cave walls to the

  • Louvre, few can compare to Claude Monet. When we talk about what makes artists like Monet

  • special, we don't talk about their brains or their hands, we say "they have a unique

  • eye". Claude Monet had a very unique eye indeed.

  • It was his right eye. I promise this is about science.

  • We say all the time that artists see the world differently. Monet's friend and fellow painter

  • Paul Cezanne once said "but what an eye Monet has." And he was right, Monet did have a special

  • eye, literally. Later in life he developed cataracts and the lenses of his eyes became

  • yellow and cloudy. To an artist like Monet, color was everything, but his artistic lens

  • was broken.

  • Normal human eyes have three types of cone cells roughly sensitive to blue, green, and

  • red light. But because their sensitivities overlap, and because we evolved to be active

  • in the daylight, our eyes are most sensitive to yellow light. Because Monet's cataracts

  • were yellow, they acted like a color subtracting filter taking away even more blue and red

  • light and enhancing the "yellowness" of everything, especially his paints.

  • Paint pigments work by absorbing some wavelengths of light and reflecting others. One of Monet's

  • favorite blues, French aquamarine, has a reflectance that looks like this. But his cataracts would

  • have acted like a color-subtracting filter, taking away those blues and reds, and leaving

  • the scene, and his paints muted and yellow.

  • We can see this in Monet's paintings because he painted the same scene at different times

  • in his life. The effects of his cataracts are clear. Or not clear.

  • Computer simulations of Monet's impaired vision show that paintings that are completely different

  • to us would have been indistinguishable to him. He might have just been throwing paint

  • on the canvas, or painting from memory. The worst part is that he knew that he couldn't

  • see the world as he used to, and it must have been devastating for him.

  • Eventually his cataracts got so bad that in 1923 he decided to have the lens removed from

  • is right eye. And that's when he became a bee, or half of a bee.

  • Now we've talked before about how honeybees are sensitive to ultraviolet light, and how

  • the world looks completely different to them because can see wavelengths that we simply

  • can't see. Humans with normal vision can't see light shorter than about 390 nanometers,

  • but our blue cone cells are sensitive down to 300 nanometers, down into the ultraviolet

  • range. So why can't we see ultraviolet light?

  • It's actually your eye's lens that filters out that ultraviolet light, and without his,

  • Claude Monet could see a bit like a honeybee, at least on his right side.

  • His blues would have been bluer, his violets violet-er, and his whites? We can't even imagine

  • what those would look like. But luckily Monet tried to show us.

  • Around 1924 he painted the same scene behind his house twice, once with each eye shut.

  • Through his cataract-clouded left eye the world is muddy, red, and yellow. But through

  • his lensless right eye it's brilliant blue and violet. Sadly, Monet never got quite used

  • to that new superpower. He destroyed many of his later works, and he died just a few

  • years after having that cataract removed.

  • Unfortunately it's impossible to crawl inside the brain of an artist and see the world as

  • they do, but the works of incredible artists like Monet become even more amazing when we

  • view them through the lens of science. V.S. Ramachandran once said that the purpose of

  • art "is not merely to depict or represent reality, but to enhance, transcend, or indeed

  • even to distort reality." And Monet did just that, he transcended and distorted reality

  • perhaps better than anyone else in his time, because of his brain, because of his hands,

  • and because of his eye.

  • Stay curious.

  • Click on my super awesome Lite-Brite logo to subscribe, and special thanks to Austin's

  • new children's museum The Thinkery, where science and families can play side by side.

  • Voice-over: You are a beautiful and unique snowflake. You are NOT a beautiful and unique

  • snowflake. No one else is exactly like you, you're one in a billion. You realize that

  • means there's like 8 people exactly like you? Shut up! I am a unique snowflake.

Of all the things that set humans apart from other animals, of all our inventions and ingenuity,

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