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We're using depth, we're using space, we're using light. All of these tools are used to
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tell the story exactly the same way that a Renaissance painter would do. When you look
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at the Venusti picture and look at the setting of, for instance, Nero's palace, then you
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can see a lot of similarities. We have the columns, the space, we use the same sort of
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depth of field, we use the same vertical composition because we want to emphasise greatness, we
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want to emphasise scale, we want to emphasise almost a superhuman or godly presence. Nothing
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is incidental, everything is planned. That's how these things are created. Nothing is left
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to chance.
