tell the story exactly the same way that a Renaissance painter would do. When you look

at the Venusti picture and look at the setting of, for instance, Nero's palace, then you

can see a lot of similarities. We have the columns, the space, we use the same sort of

depth of field, we use the same vertical composition because we want to emphasise greatness, we

want to emphasise scale, we want to emphasise almost a superhuman or godly presence. Nothing

is incidental, everything is planned. That's how these things are created. Nothing is left

to chance.