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  • (piano music)

  • - [Wright] Somebody said the museum

  • out here on Fifth Avenue looked like a washing machine.

  • - [Wallace] This one is your building?

  • - That's one of my buildings.

  • Well, I've heard a lot of that type of reaction

  • and I've always discounted it as worthless

  • and I think it is.

  • I think any man who really has faith in himself

  • will be dubbed arrogant, I suppose.

  • I think that's what happened to me.

  • (piano music)

  • - [Mike Wallace] Fellow architects have called him

  • everything from a great poet to an insupportable

  • windbag, the clergy has deplored his morals,

  • creditors have deplored his financial habits,

  • politicians, his opinions.

  • When you come to New York, as you did today,

  • and you see the skyline of New York,

  • this does not excite you.

  • This does not exalt you in any manner?

  • - [Wright] It does not because it never was planned.

  • It's all raised for rent and is a great monument,

  • I think, to the power of money and greed

  • trying to substitute money for ideas.

  • I don't see an idea in the whole thing anywhere, do you?

  • What's the idea?

  • - [Wallace] I understand that last week,

  • in all seriousness you said, "If I had another

  • "15 years to work, I could rebuild this entire country.

  • "I could change the nation."

  • - [Wright] I did say that and it's true.

  • Having had now the experience going

  • with the building of 769 buildings,

  • it's quite easy for me to shake them out

  • of my sleeve and it's amazing what I could do

  • for this country.

  • I think the way of life to which the country

  • has committed needs that change.

  • I wouldn't start to change so much the way

  • we live as what we live in and how we live in it.

  • - [Wallace] You're saying that practically everyone

  • in the United States is out of step

  • except Frank Lloyd Wright.

  • - [Wright] Not at all.

  • I don't say anything of the kind.

  • It isn't their job to build, it's mine.

  • For 500 years what we've called architecture

  • has been phony.

  • - [Wallace] Phony in what sense?

  • - [Wright] In the sense that it was not innate.

  • It wasn't organic.

  • It didn't have the character of nature

  • and I put capital N on Nature and call it my church.

  • And that's my church

  • and because my church is elemental, fundamental,

  • I can build it for anybody, a church.

  • - [Wallace] What do you think of church architecture

  • in the United States?

  • - [Wright] I think it's a great shame because it is

  • a paragon monkey reflection and no reflection

  • of religion.

  • - [Wallace] Something immediately comes to mind

  • and I am not a Catholic but when I walk into

  • Saint Patrick's Cathedral here in New York City,

  • I am enveloped in a feeling of reverence.

  • - [Wright] Sure it isn't an inferiority complex?

  • - [Wallace] You feel nothing when you go

  • into Saint Patricks?

  • - [Wright] Regret because it isn't the thing

  • that really represents the spirit of independence

  • and the sovereignty of the individual.

  • As I feel should be represented in our edifices

  • devoted to culture.

  • I'd like to have a free architecture.

  • I would like to make it appropriate

  • to the Declaration of Independence,

  • to the center line of our freedom.

  • I'd like to have architecture that belonged

  • where you see it standing and was a grace

  • to the landscape instead of a disgrace

  • and the letters we receive from our clients

  • tell us how those buildings we build for them

  • have changed the character of their whole life

  • and their whole existence that it's different now

  • than it was before.

  • Well, I'd like to do that for the country.

  • - [Wallace] Mr. Wright, suppose you were approached

  • by one of your students who felt pessimistic

  • about his future because of the hydrogen bomb,

  • the threat of war, the world's general insecurity,

  • and he came to you and said, "Help me to understand.

  • "Give me something to live by."

  • What could you tell him?

  • - [Wright] I don't put a line on a drawing board

  • if the answer isn't there.

  • The answer is within yourself, within the nature

  • of the thing that you yourself represent as yourself.

  • That's where architecture lies.

  • That's where humanity lies.

  • That's where the future we're going to have lies.

  • If we're ever going to amount to anything,

  • it's there now and all we have to do is develop it.

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  • - [Wallace] As an intellectual yourself, Mr. Wright,

  • what do you think of President--

  • - [Wright] I deny the allegation and I refuse

  • to marry that girl.

  • - [Wallace] What do you think--

  • - [Wright] I don't like intellectuals.

  • - [Wallace] You don't like intellectuals?

  • Why not?

  • - [Wright] Because they're superficial.

  • They're up top.

  • They're from the top down, not from the ground up.

  • I've always flattered myself that what I represented

  • was from the ground up, does that mean anything?

  • - [Wallace] I'm trying to figure it out.

  • (laughs)

  • - [Voiceover] This episode was also supported

  • by the Alfred P. Sloan Foundation,

  • enhancing public understanding of science,

  • technology, and economic performance.

  • More information on Sloan at sloan.org.

  • Subtitles by the Amara.org community

(piano music)

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