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  • Hello.

  • My name is Emma and in today's video I am going to teach you how to become a better listener,

  • and I'm going to do that by teaching you about something called "Sentence Stress".

  • Okay?

  • So I want you to think about the times you've listened to English, maybe in a movie, maybe

  • you saw a movie, or maybe a TV show - was there ever a time where you didn't understand something?

  • Maybe everybody laughed, maybe somebody suddenly got angry and you felt like you missed some

  • of the meaning to why something happened.

  • It might be because you're not listening enough to sentence stress.

  • So, what is sentence stress?

  • Well, let me show you.

  • When we talk about stress in language, we're talking about making something louder and longer.

  • Okay?

  • So, for example, if I say the number "thirteen" versus "thirteen", even though they sound

  • similar, they're different because I've put a different stress or a different emphasis

  • on each part of the word.

  • So this is in part a pronunciation lesson, but also really about listening and how to listen better.

  • So I have here a sentence: "I love studying English."

  • Now, it seems like a pretty straightforward sentence, but I can actually change the meaning

  • of this sentence using sentence stress.

  • Okay?

  • So, by saying different parts of the sentence louder and longer I can actually change the meaning.

  • So I'm going to give you an example.

  • "I love studying English."

  • What part did I say louder and longer?

  • If you said: "I", you're correct, so I'm going to put a mark here to show sentence stress.

  • "I love studying English."

  • If you heard somebody say this it means that I love studying English, but my friend doesn't.

  • Or I love studying English, but other people hate studying English.

  • So I'm really emphasizing that I am, you know, maybe one of the only people.

  • Okay?

  • So, I love studying English.

  • Now, this is a bit of a different meaning than if we move the stress-so I'll just erase that-to the word "love".

  • Okay?

  • So I want you to listen to how I say this: "I love studying English."

  • So in this case "love" is the part I'm saying louder and longer.

  • Okay?

  • And now it has a different meaning.

  • Even though it's the same sentence, just by saying a different part louder and longer

  • I've changed the meaning.

  • So: "I love studying English."

  • What does that mean?

  • If I'm focused on the word "love" it means I really want to emphasize that I don't just

  • like English, I love English.

  • English is my passion.

  • I love it. I really, really, really like it a lot.

  • Okay?

  • Now, if we take the stress here and we move it to "studying": "I love studying English",

  • okay?

  • So now you hear "studying" is louder and longer, again, now we have a different meaning from

  • when I said: "I love studying English",

  • "I love studying English", "I love studying English",

  • each of these means a different thing.

  • "I love studying English" means I only love studying English.

  • I'm emphasizing maybe I don't like using English, maybe I don't like, you know, English in conversation.

  • Maybe I only like reading my book about English, but I don't actually like using it.

  • Okay?

  • Now, if we change the stress to "English" and now "English" is going to be louder and longer...

  • Okay? So, for example: "I love studying English", "English" is louder and longer, now this has

  • a new meaning, a fourth meaning.

  • "I love studying English" means only English.

  • Maybe I hate all other languages.

  • I don't like studying French, I don't like studying Portuguese, I don't like studying Arabic.

  • I only like studying English.

  • Okay?

  • So, as you can see, the way we pronounce these sentences adds meaning to them.

  • It's not just the words that have meaning, it's also the way we use our voice, our intonation.

  • Okay, so we're going to do some practice listening.

  • I'm going to say a sentence and you're going to first listen to: What part of the sentence has the stress?

  • What part of the stress is louder and longer?

  • Okay?

  • So let's do that with the next sentence first.

  • Okay?

  • "I like your painting. I like your painting."

  • What part was the loud part?

  • What part was the long part?

  • "I like your painting."

  • If you said: "your", you are correct.

  • This part has the stress.

  • Now, I have three different meanings that this sentence could mean.

  • It could mean it's an okay painting.

  • Okay? It could mean my friends don't like the painting,

  • or it could also mean I only like your painting,

  • but not the other people's paintings.

  • Okay?

  • So I want you to listen one more time and tell me which of these best represent this

  • sentence with the stress.

  • "I like your painting."

  • Okay?

  • So does that mean it's an okay painting?

  • No.

  • Does that mean my friends don't like it?

  • Not really.

  • Does it mean I only like your painting, but not other paintings?

  • Yes.

  • So, in this case this is the meaning of the sentence.

  • I like your painting, but I don't like his painting.

  • His painting's awful.

  • Your painting is the good painting.

  • Okay?

  • So let's try again.

  • I'm going to now take away the stress and I'm going to say the sentence again but with

  • the stress somewhere else.

  • Okay? So listen to where I put the stress carefully.

  • "I like your painting.

  • I like your painting."

  • So what part is louder and longer?

  • If you said: "I", you are correct.

  • Okay?

  • So what do you think this means?

  • Do you think it means: "I like your painting" means it's an okay painting?

  • Or: "I like your painting" means my friends don't like your painting, but I do?

  • Okay? So I'm emphasizing "I".

  • Which one do you think it means?

  • If you said B, you're correct.

  • If I'm focusing on "I", it means that other people don't like it, but I do, and I'm highlighting

  • the fact other people don't.

  • Okay?

  • So, if we put the stress here it means this.

  • Okay.

  • So finally we're going to do the third possible meaning, and I'll take away the stress here.

  • "I like your painting.

  • I like your painting."

  • So what part of the sentence is stressed?

  • If you said: "like" you're correct.

  • Okay? So this means that I'm not really saying I love your painting.

  • I'm really stressing I like it.

  • It means it's an okay painting, but I don't love it.

  • Okay? I don't hate it, I don't love it.

  • It's an okay painting.

  • I like your painting, but I don't love it.

  • Okay?

  • So here's an example of where stress changes the meaning of the sentence.

  • Just putting stress on different words has a huge impact on the sentence, and this is

  • something a lot of language learners miss when they're listening.

  • So let's do another couple more practices of this just so you can really see how important

  • the pronunciation and stress is to meaning.

  • Okay, so before we begin the next example, I want to tell you that I know this is difficult.

  • Okay?

  • So if you're just, like: "I don't know what's going on. I can't understand the differences",

  • it's okay because this does take time.

  • Okay?

  • We're practicing, and the more you practice the easier it will be, but just try your best

  • and just remember that stress changes the meaning.

  • Okay?

  • And just, you know, you can think logically about it, but try your best.

  • It is difficult for people who are learning a language.

  • Okay, so let's look at the next example.

  • "She had a lot of money."

  • Okay?

  • "She had a lot of money."

  • I'm going to first say the sentence again, but this time I'm going to put some emphasis

  • or some stress on part of the sentence.

  • I want you to decide: Which word do I say louder and longer?

  • Okay? Which word do I put the stress on? Okay?

  • "She had a lot of money.

  • She had a lot of money."

  • So what word is louder and longer?

  • If you said: "money", you are correct.

  • This is the word where we have the stress.

  • Okay? I'm saying "money" louder.

  • So if I stress "money": "She had a lot of money", what does this mean?

  • Do you think it means she doesn't have much money now?

  • Is that what we're focused on?

  • Do you think it means she was very rich, and that's what we're focused on?

  • Or do you think it means although she had money, she didn't have other important things?

  • Maybe she didn't have love.

  • She has lots of money, but not other things.

  • Which is the best meaning based on the intonation?

  • I'll say it one more time: "She had a lot of money."

  • Okay?

  • So the meaning that is there based on the intonation in the stress is going to be this

  • one, C. So, although she had money, she didn't have a lot of other important things.

  • Okay? So maybe she has money, but she doesn't have love.

  • Maybe she doesn't have friends.

  • Maybe she doesn't have family.

  • All she has is money.

  • Okay? And we know this because the stress is on the word "money".

  • Okay, so let's try this again.

  • I'm going to erase this.

  • Okay, perfect.

  • So, again, listen for the stress.

  • What part do I say louder and longer?

  • Okay?

  • "She had a lot of money.

  • She had a lot of money."

  • Okay, this time I'm not going to use my hands.

  • "She had a lot of money."

  • Okay, so which word do you think I stressed?

  • If you said: "a lot", you are correct.

  • Okay? This is the important word in this sentence, this is the part that's louder and longer

  • and that I'm stressing.

  • So what do you think it means if I stress this word?

  • Does it mean she doesn't have much money now, or does it mean she was very rich?

  • And we're really focused on...

  • We're answering the question of: How rich?

  • Which one do you think it is?

  • Well, because we're focused on the word "a lot", we're really trying to highlight the

  • fact that she was very rich.

  • It's almost like we're answering the question: -"How rich?"

  • -"Very rich."

  • Okay?

  • She had a lot of money.

  • Not a little, not some.

  • She had a lot.

  • Okay, so now let's try for the third one.

  • Okay? So, the next one is she doesn't have much money now.

  • If I want to say this, where do you think I should stress?

  • She doesn't have much money now.

  • Where I would stress if I want this meaning, I would stress the word

  • "had".

  • Okay?

  • So, I want you to repeat after me following this stress: "She had a lot of money.

  • She had a lot of money."

  • So, if I focus on the word "had"...

  • And this is probably the most important part of this lesson because this is a very common

  • thing we stress.

  • If we stress the word "had" in a sentence it means that it's no longer true.

  • Okay? So, in the past she had a lot of money, but now she doesn't have much.

  • She has no money.

  • Okay?

  • So, stressing "had" means that what was true is not true anymore.

  • Okay?

  • I'll give you another example.

  • "I had a great teacher.

  • I had a great teacher."

  • This means my old teacher was great, but my new teacher is terrible.

  • Okay?

  • So, again, even though we're not saying this, just in the way we're saying our words, there's

  • a lot of extra meaning.

  • So let's look at one more example to practice this.

  • Okay, so we're on our very last sentence of the day, and again, I want you to see all

  • the different ways we can make meaning in this sentence based on the stress we use on it.

  • Okay? So I have this sentence: "I know you made a mistake."

  • Now, I have the three different things it can possibly mean-okay?-based on stress.

  • So I'm going to put stress on a part of the sentence, and I want you first to decide:

  • What part of the sentence am I saying louder and longer?

  • Okay, so the sentence is: "I know you made a mistake.

  • I know you made a mistake."

  • So what part of the sentence is louder and longer?

  • If you said the word "I", you're correct.

  • This is the part that I'm stressing.

  • So what does this mean if I say: "I know you made a mistake"?

  • Does it mean other people don't know, but I know?

  • Does it mean I'm 100% sure you made a mistake?

  • Or does it mean it was you who made the mistake, not your friend?

  • Your friend didn't make the mistake, you made the mistake.

  • So out of these three, the most likely thing: "I made a mistake" means is going to be this

  • one: Other people don't know, but I know.

  • Okay? So if I say: I know you made a mistake" it means your friends don't know, your teacher

  • doesn't know, but I know.

  • All right?

  • So this is different than if we say this:

  • "I know you made a mistake.

  • I know you made a mistake."

  • So what part is the loudest?

  • What part is the longest?

  • If you said: "know", you're correct.

  • "I know you made a mistake."

  • So what does this mean?

  • Does it mean...?

  • So we've already used this one.

  • Does it mean I'm 100% sure you made a mistake?

  • Or does it mean it was you; not your friend, you?

  • Which one?

  • Well, considering we're really focused on the word "know", and "know" usually has to

  • do with, like, either we know or we don't know,

  • it's going to be B. I'm stressing the fact that I am sure,

  • I am certain it was you who made the mistake.

  • "I know you made a mistake" means I'm 100% sure you're the one who made the mistake.

  • Okay?

  • So, I'm going to...

  • So the next one is going to mean this, it's going to mean it was you and not your friend

  • who made the mistake, that's the thing we're focused on.

  • So I want you to listen very carefully to: Where is the stress?

  • "I know you made the mistake.

  • I know you made the mistake."

  • Okay, so if you said the stress

  • is on "you", you're correct.

  • And so if I say: "I know you made the mistake"

  • it means I really want to emphasize that it's

  • not your friends, it's not your family, you're the one. Okay?

  • So, the thing with this is it's very important to first identify: Where is the stress?

  • What part is the person really emphasizing?

  • What part is the person saying with emotion?

  • So that's the first step, and once you do this you can think about:

  • "Okay, why are they saying this part louder and longer?

  • What's the purpose?

  • What does it mean?

  • Does it mean they're focused on, you know...

  • On it being that they see you do something versus someone else, is it based on maybe

  • they're trying to show that they like something, or love something, or hate something?"

  • So it's always good to ask yourself: Where is there stress and why is there stress?

  • Okay?

  • Again, this takes a lot of practice.

  • If you're really interested in doing more practice for this, there's a couple of things you can do.

  • First of all, there's a test called the TOEFL.

  • This is very, very important on the TOEFL test.

  • Even if you're not taking the TOEFL test, I highly recommend doing some of the listenings

  • because they have a lot of practice where you can actually listen for intonation and

  • stress, and connect it to meaning.

  • Okay? So that's a great resource.

  • Also you can check out our website at www.engvid.com, and there you can also find some more practice

  • along with our quiz.

  • Okay?

  • I hope you've enjoyed this video.

  • Again, I know it's a little bit difficult, but with practice and time I'm sure you will

  • be able to get this.

  • I also would like to invite you to subscribe to my YouTube channel.

  • There you can find many more resources on vocabulary, listening, pronunciation, and

  • all sorts of other great things.

  • So until next time, thanks for watching and take care.

Hello.

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