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  • How to Improve Your Singing Voice

  • Hi. Aaron here from HowtoSing.com and we're going to be talking about how to improve your

  • singing voice. Now, I know that's kind of a broad topic. So I just want to narrow it

  • down for this particular video to eliminating nasality, that really kind of annoying sound

  • that is often in the voice and just talk about kind of how to get rid of that and a little

  • bit about that process and even give you an exercise at the end as well.

  • So let's get right to it. That nasal kind of ahh, that tone, what it does is it squashes

  • the resonance, that kind of full, big, resonant tone that you want. It kind of squashes that

  • down. It has an annoying quality that you don't really like in the first place and don't

  • really want but it also kills the resonance so you don't have that full kind of powerful

  • sound as well.

  • So how do we get rid of it? Where does it come from, all that? The nasal tone primarily

  • comes from the soft palate. Now the soft palate, if you take your tongue and you're feeling

  • the roof of your mouth, that's the hard palette right there. If you follow it back, back to

  • there where it gets kind of like softer there, that's your soft palate. So the soft palate

  • is the ngaaa the nasal tone. What happens is that that soft palate is lowering. It's

  • lowering excessively and so actually try this with me. See if you can find it first of all

  • and I want you to find it. Give it like a little yell, like a haww. Notice what the

  • soft palette does when you do a yawn. It raises way up and actually your throat kind of opens

  • up too and your larynx lowers.

  • The yawn is a great way to kind of see where you need to be and what it needs to feel like

  • kind of when you're singing. Now, it's an exaggerated form. You don't want to sing like

  • [vocalizes]. I mean some opera singers do but you don't want to necessarily sing like

  • that but you want that kind of motion with the soft palate that's up a little. You want

  • your throat nice and wide and then your larynx should be pretty steady. Your larynx tends

  • to raise up for the higher notes but you want to keep that relatively steady. So during

  • that motion, you kind of feel the soft palate and what it does, how it raises up.

  • So let me talk a little more about now when it's down, what it does is like the N-G sound,

  • that consonant when you do a song if you're singing the word song or any N-G sound. What

  • it does is it cuts off go ahead and do an N-G and then try to blow it out of your mouth.

  • You can't because it blocks the air from coming out your mouth. So all the air comes out of

  • your nose and so you're getting this kind of nasal tone.

  • So when you're doing N-G or even like a T sound, that's different than the soft palate

  • but anytime your tongue, the back of your tongue or the front of your tongue raises

  • up to do a consonant sound, you want to get right back down where it's supposed to be

  • behind the teeth right there. That's where you're seeing that.

  • So anyway, I'm kind of going all over the place but this is mainly talking about the

  • nasality. So the N-G consonant is something that you need to do and the nose has that

  • nasal sound. It has a function. I mean you do want air coming out of your nose when you're

  • singing but primarily you want it coming out of your mouth.

  • Your sinus cavity, your nasal cavity, it is a resonator but it's more of a kind of a secondary

  • resonator and it's a resonator when you're in your head voice. I won't get into head

  • voice and chest voice but primarily you want the air coming out of your mouth and so when

  • it's mostly coming out of your nose, that's when the nasal sound comes.

  • Try this with me. This is an exercise to kind of get you to feel what it feels like to raise

  • and lower your soft palate. Plug your nose and you're going to get that kind of a nasal

  • sound, right? Now see what you have to do. Just say like an E or something. So you're

  • going, Eeehhh. Try to get the nasal out of your voice. Watch what you have to do, Eeehhh.

  • Notice I got the nasal sound out of my voice without unplugging my nose. What I did is

  • I raised my soft palate so, Eeehhh. Give it a try a couple of times and you will kind

  • of figure out how to raise up that soft palate.

  • Now, you don't want your soft palate raised too high because if it's too high, you start

  • sounding like Jimmy Stewart or you start sounding like Kermit the Frog. You don't want it way

  • up there but if it's lower, you start to sound like Lois from Family Guy or something. So

  • you don't want it too low. You don't want it too high. There is a balance of where you

  • want it. Chances are that if you're having this nasal sound of your voice, then it is

  • typically too low and you need to raise it slightly. But again if you raise it too much,

  • it starts getting kind of weird-sounding and it also kills that natural kind of bell shape

  • you have in the back of your throat that helps you resonate. So again you don't want to go

  • too high. If it's too low, that's where the nasality is kind of coming from.

  • So I want to give you an exercise real quick of how to loosen up the sinuses and loosen

  • up kind of the masked area right there and get a feel for that kind of nasal sound and

  • it will help you when you are singing to kind of avoid that kind of sound. I call it the

  • nare exercise. It's just on any scale, I will just do a one, two, three, four, five, four,

  • three, two, one.

  • So like [performs singing exercise], real eeehhh kind of that brassy kind of sound but

  • what that does is it will loosen up here and actually that sound will help you get into

  • your higher range. But I will talk about that in a different video but [performs singing

  • exercise]. You can raise the note even, [performs singing exercise] and you can keep climbing

  • or whatever but anyway, that's nasality. That's how to eliminate nasality. You don't want

  • your soft palate up too high. You don't want it too low. You want it kind of somewhere

  • in the middle.

  • If you want to go to my site, HowtoSing.com, I've got a bunch of more kind of tips and

  • tricks and a bunch of information there and I've actually recently recorded a video of

  • how to sing high notes and it's like a 10-minute video. How to sing high notes more easily

  • but how to sing high notes more easily without the strain which is really the goal.

  • So anyway, I hope this has been helpful. I'm Aaron from HowtoSing.com. Oh, you can actually

  • just click the link below. Go to HowtoSing.com or just click the link below. OK. See you.

How to Improve Your Singing Voice

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