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  • I'd like to try something new.

  • Those of you who are able,

  • please stand up.

  • OK, so I'm going to name some names.

  • When you hear a name that you don't recognize,

  • you can't tell me anything about them,

  • I'd like you to take a seat

  • and stay seated.

  • The last person standing, we're going to see what they know. OK?

  • (Laughter)

  • All right.

  • Eric Garner.

  • Mike Brown.

  • Tamir Rice.

  • Freddie Gray.

  • So those of you who are still standing,

  • I'd like you to turn around and take a look.

  • I'd say half to most of the people are still standing.

  • So let's continue.

  • Michelle Cusseaux.

  • Tanisha Anderson.

  • Aura Rosser.

  • Meagan Hockaday.

  • So if we look around again,

  • there are about four people still standing,

  • and actually I'm not going to put you on the spot.

  • I just say that to encourage transparency, so you can be seated.

  • (Laughter)

  • So those of you who recognized the first group of names know

  • that these were African-Americans who have been killed by the police

  • over the last two and a half years.

  • What you may not know

  • is that the other list is also African-Americans

  • who have been killed within the last two years.

  • Only one thing distinguishes the names that you know

  • from the names that you don't know:

  • gender.

  • So let me first let you know that there's nothing at all distinct

  • about this audience

  • that explains the pattern of recognition that we've just seen.

  • I've done this exercise dozens of times around the country.

  • I've done it to women's rights organizations.

  • I've done it with civil rights groups.

  • I've done it with professors. I've done it with students.

  • I've done it with psychologists. I've done it with sociologists.

  • I've done it even with progressive members of Congress.

  • And everywhere, the awareness of the level of police violence

  • that black women experience

  • is exceedingly low.

  • Now, it is surprising, isn't it, that this would be the case.

  • I mean, there are two issues involved here.

  • There's police violence against African-Americans,

  • and there's violence against women,

  • two issues that have been talked about a lot lately.

  • But when we think about who is implicated by these problems,

  • when we think about who is victimized by these problems,

  • the names of these black women never come to mind.

  • Now, communications experts tell us

  • that when facts do not fit with the available frames,

  • people have a difficult time incorporating new facts

  • into their way of thinking about a problem.

  • These women's names have slipped through our consciousness

  • because there are no frames for us to see them,

  • no frames for us to remember them,

  • no frames for us to hold them.

  • As a consequence,

  • reporters don't lead with them,

  • policymakers don't think about them,

  • and politicians aren't encouraged or demanded that they speak to them.

  • Now, you might ask,

  • why does a frame matter?

  • I mean, after all,

  • an issue that affects black people and an issue that affects women,

  • wouldn't that necessarily include black people who are women

  • and women who are black people?

  • Well, the simple answer is that this is a trickle-down approach to social justice,

  • and many times it just doesn't work.

  • Without frames that allow us to see

  • how social problems impact all the members of a targeted group,

  • many will fall through the cracks of our movements,

  • left to suffer in virtual isolation.

  • But it doesn't have to be this way.

  • Many years ago, I began to use the term "intersectionality"

  • to deal with the fact that many of our social justice problems

  • like racism and sexism

  • are often overlapping,

  • creating multiple levels of social injustice.

  • Now, the experience that gave rise to intersectionality

  • was my chance encounter with a woman named Emma DeGraffenreid.

  • Emma DeGraffenreid was an African-American woman,

  • a working wife and a mother.

  • I actually read about Emma's story from the pages of a legal opinion

  • written by a judge who had dismissed Emma's claim

  • of race and gender discrimination

  • against a local car manufacturing plant.

  • Emma, like so many African-American women,

  • sought better employment for her family and for others.

  • She wanted to create a better life for her children and for her family.

  • But she applied for a job,

  • and she was not hired,

  • and she believed that she was not hired because she was a black woman.

  • Now, the judge in question dismissed Emma's suit,

  • and the argument for dismissing the suit was

  • that the employer did hire African-Americans

  • and the employer hired women.

  • The real problem, though, that the judge was not willing to acknowledge

  • was what Emma was actually trying to say,

  • that the African-Americans that were hired,

  • usually for industrial jobs, maintenance jobs, were all men.

  • And the women that were hired,

  • usually for secretarial or front-office work,

  • were all white.

  • Only if the court was able to see how these policies came together

  • would he be able to see the double discrimination

  • that Emma DeGraffenreid was facing.

  • But the court refused to allow Emma to put two causes of action together

  • to tell her story

  • because he believed that, by allowing her to do that,

  • she would be able to have preferential treatment.

  • She would have an advantage by having two swings at the bat,

  • when African-American men and white women only had one swing at the bat.

  • But of course, neither African-American men or white women

  • needed to combine a race and gender discrimination claim

  • to tell the story of the discrimination they were experiencing.

  • Why wasn't the real unfairness

  • law's refusal to protect African-American women

  • simply because their experiences weren't exactly the same

  • as white women and African-American men?

  • Rather than broadening the frame to include African-American women,

  • the court simply tossed their case completely out of court.

  • Now, as a student of antidiscrimination law,

  • as a feminist,

  • as an antiracist,

  • I was struck by this case.

  • It felt to me like injustice squared.

  • So first of all,

  • black women weren't allowed to work at the plant.

  • Second of all, the court doubled down on this exclusion

  • by making it legally inconsequential.

  • And to boot, there was no name for this problem.

  • And we all know that, where there's no name for a problem,

  • you can't see a problem,

  • and when you can't see a problem, you pretty much can't solve it.

  • Many years later, I had come to recognize

  • that the problem that Emma was facing was a framing problem.

  • The frame that the court was using

  • to see gender discrimination or to see race discrimination

  • was partial, and it was distorting.

  • For me, the challenge that I faced was

  • trying to figure out whether there was an alternative narrative,

  • a prism that would allow us to see Emma's dilemma,

  • a prism that would allow us to rescue her from the cracks in the law,

  • that would allow judges to see her story.

  • So it occurred to me,

  • maybe a simple analogy to an intersection

  • might allow judges to better see Emma's dilemma.

  • So if we think about this intersection, the roads to the intersection would be

  • the way that the workforce was structured by race and by gender.

  • And then the traffic in those roads would be the hiring policies

  • and the other practices that ran through those roads.

  • Now, because Emma was both black and female,

  • she was positioned precisely where those roads overlapped,

  • experiencing the simultaneous impact

  • of the company's gender and race traffic.

  • The law -- the law is like that ambulance that shows up

  • and is ready to treat Emma only if it can be shown

  • that she was harmed on the race road or on the gender road

  • but not where those roads intersected.

  • So what do you call being impacted by multiple forces

  • and then abandoned to fend for yourself?

  • Intersectionality seemed to do it for me.

  • I would go on to learn that African-American women,

  • like other women of color,

  • like other socially marginalized people all over the world,

  • were facing all kinds of dilemmas and challenges

  • as a consequence of intersectionality,

  • intersections of race and gender,

  • of heterosexism, transphobia, xenophobia, ableism,

  • all of these social dynamics come together

  • and create challenges that are sometimes quite unique.

  • But in the same way

  • that intersectionality

  • raised our awareness to the way that black women live their lives,

  • it also exposes the tragic circumstances

  • under which African-American women die.

  • Police violence against black women

  • is very real.

  • The level of violence that black women face

  • is such that it's not surprising

  • that some of them do not survive their encounters with police.

  • Black girls as young as seven,

  • great grandmothers as old as 95

  • have been killed by the police.

  • They've been killed in their living rooms,

  • in their bedrooms.

  • They've been killed in their cars.

  • They've been killed on the street.

  • They've been killed in front of their parents

  • and they've been killed in front of their children.

  • They have been shot to death.

  • They have been stomped to death.

  • They have been suffocated to death.

  • They have been manhandled to death.

  • They have been tasered to death.

  • They've been killed when they've called for help.

  • They've been killed when they were alone,

  • and they've been killed when they were with others.

  • They've been killed shopping while black,

  • driving while black,

  • having a mental disability while black,

  • having a domestic disturbance while black.

  • They've even been killed being homeless while black.

  • They've been killed talking on the cell phone,

  • laughing with friends,

  • sitting in a car reported as stolen

  • and making a U-turn in front of the White House

  • with an infant strapped in the backseat of the car.

  • Why don't we know these stories?

  • Why is it that their lost lives

  • don't generate the same amount of media attention and communal outcry

  • as the lost lives of their fallen brothers?

  • It's time for a change.

  • So what can we do?

  • In 2014, the African-American Policy Forum began to demand

  • that we "say her name"

  • at rallies, at protests,

  • at conferences, at meetings,

  • anywhere and everywhere

  • that state violence against black bodies is being discussed.

  • But saying her name is not enough.

  • We have to be willing to do more.

  • We have to be willing to bear witness,

  • to bear witness to the often painful realities

  • that we would just rather not confront,

  • the everyday violence and humiliation that many black women have had to face,

  • black women across color,

  • age, gender expression,

  • sexuality and ability.

  • So we have the opportunity right now --

  • bearing in mind that some of the images that I'm about to share with you

  • may be triggering for some --

  • to collectively bear witness to some of this violence.

  • We're going to hear the voice of the phenomenal Abby Dobson.

  • And as we sit with these women,

  • some who have experienced violence and some who have not survived them,

  • we have an opportunity

  • to reverse what happened at the beginning of this talk,

  • when we could not stand for these women

  • because we did not know their names.

  • So at the end of this clip, there's going to be a roll call.

  • Several black women's names will come up.

  • I'd like those of you who are able to join us in saying these names

  • as loud as you can,

  • randomly, disorderly.

  • Let's create a cacophony of sound

  • to represent our intention

  • to hold these women up,

  • to sit with them,

  • to bear witness to them,

  • to bring them into the light.

  • (Singing) Abby Dobson: Say,

  • say her name.

  • Say,

  • say her name.

  • (Audience) Shelly!

  • (Audience) Kayla!

  • AD: Oh,

  • say her name.

  • (Audience shouting names)

  • Say, say,

  • say her name.

  • Say her name.

  • For all the names

  • I'll never know,

  • say her name.

  • KC: Aiyanna Stanley Jones, Janisha Fonville,

  • Kathryn Johnston, Kayla Moore,

  • Michelle Cusseaux, Rekia Boyd,

  • Shelly Frey, Tarika, Yvette Smith.

  • AD: Say her name.

  • KC: So I said at the beginning,

  • if we can't see a problem,

  • we can't fix a problem.

  • Together, we've come together to bear witness

  • to these women's lost lives.

  • But the time now is to move

  • from mourning and grief

  • to action and transformation.

  • This is something that we can do.

  • It's up to us.

  • Thank you for joining us.

  • Thank you.

  • (Applause)

I'd like to try something new.

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