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  • [ Silence ]

  • [ Applause and Cheers ]

  • >> Let's talk.

  • Let's talk.

  • [ Shouts from Audience ]

  • I love you too.

  • [ Laughter ]

  • Thank you.

  • Thank you.

  • >> Thank you, Jackie.

  • >> Thank you.

  • >> Just seeing the audience full of people in the theatre,

  • obviously, this kind of adoration and respect is all

  • around the world for you, but I think Australia will have

  • to say we've got a lead on the rest of the world,

  • because they claim you as their own.

  • So welcome back to Australia.

  • >> Thank you.

  • [ Applause and Cheers ]

  • And I don't know, tonight, I don't know what kind

  • of language you wish to speak.

  • Cantonese or Mandarin or English.

  • I know there's --

  • half-half-half, so [foreign language spoken] everybody.

  • [foreign language spoken]

  • [ Applause ]

  • In Australia, are most Chinese, Cantonese, or Mandarin?

  • [ Audience Responds ]

  • See, Canton and Mandarin!

  • [inaudible] Mandrin, okay.

  • I speak -- yeah.

  • >> I think --

  • >> A mix.

  • >> I think for the benefit of people

  • who are actually speak only Chinese, let's start --

  • I'm sorry, only English.

  • >> English.

  • >> Let's start it with English.

  • >> Okay.

  • >> All right.

  • Now it's very impressive with your three dreams.

  • Obviously, it's very close to your heart, but we will leave

  • that a little bit later on.

  • I would like to start by saying that I have to admit,

  • I'm also a Jackie Chan fan.

  • [ Applause and Cheers ]

  • I'm a few years younger than you, but not that much younger.

  • So we probably went through the similar hard-training regime.

  • You went through picking opera kind of training, the drama,

  • and went through the martial arts trainings, and I,

  • on the other hand, did ballet,

  • but I have to admit Kung Fu was my secret dream.

  • As part of the seven-year training

  • at the Beijing Dance Academy from 11 to 18,

  • we didn't just train ballet,

  • but we also trained Chinese folk dance

  • but also martial arts for five years.

  • So I grew up, like all Chinese, is sort of dreamt

  • to become a kung fu master.

  • So that's my secret dream, but I did get that far.

  • The five years of training as a martial arts

  • at the Beijing Dance Academy as close as I actually got

  • to Kung Fu, and it was very funny.

  • It was, a few days ago, I was telling the 24-year-old son,

  • Tom, and because when he was younger, we'd been watching some

  • of your old films, and he loved you, as well, and I told him

  • that I was going to come here to interview you,

  • and he confessed for the first time.

  • He said, "Dad, I have confessed something to you."

  • And he said, "When I grew up,

  • and when show me the Jackie Chan films," he said,

  • "I had this secret feeling

  • that you may not be the famous ballet dancer,

  • but you could be Jackie Chan."

  • [ Laughter ]

  • So I think you are more popular in my household than myself,

  • but let's go to the business side of things.

  • You have been making films all around the world,

  • but also in Australia, and can you share

  • with us this time back, is it different

  • to your previous times?

  • I think you made films in Melbourne, Brisbane,

  • but you know, in Sydney, what you love most about coming back

  • to Australia, but what do you experience differently

  • to other times?

  • >> There's a big difference.

  • When I come to Australia when I was 17, that's, I think,

  • the whole country about 30 million people.

  • That's all.

  • I was in Canberra, and there is very few people.

  • You know? And the country is so big and it's

  • so [inaudible] away from Hong Kong.

  • You know, Hong Kong, it's just that tiny, small,

  • and there's 7 million people.

  • Wherever you go there are people, people, people.

  • In Canberra, 5 o'clock, I walk on the street.

  • Nobody. Really.

  • And I just remember a lot of memories, really,

  • that we don't have an opera house yet at that time,

  • and suppose I'm going back to Australia for Camberra

  • for visiting my parents and as a holiday,

  • somehow I cannot stay anymore, I tried the training,

  • but at that time, you know, 28, bell jeans, and tight,

  • tight shirt with then jogging on the street,

  • because I didn't bring any training suit.

  • So I was jogging, jogging, and then.

  • Then the car stopped.

  • "Are you okay?"

  • And at that time, my English was not that good.

  • I just, "Eh, eh."

  • They really very nice people.

  • You want a ride?

  • "Eh. Exercise."

  • "Oh, okay."

  • They go away, then a car.

  • They keep on stop.

  • They thought I'm missing the road, you know?

  • That somehow, that's how I feel in Canberra.

  • When I come to Sydney, it's not like today.

  • So many big buildings.

  • Then all those years, I just feel my parents get very --

  • could take care of it for the whole Australia.

  • So they emigrate here.

  • They buy a house here.

  • Now even they after they pass away, they buried in Canberra

  • after the two weeks later, I have to go back to [inaudible].

  • [ Inaudible Speech ]

  • Yeah, [inaudible].

  • So and that time, I feel like Australia is a part of my home.

  • So whenever I have a chance,

  • then the first movie I make is Mr. Nice Guy.

  • [ Cheers ]

  • It's Mr. Nice Guy.

  • Yeah, I think Mr. Nice Guy then we worked there

  • for like four months.

  • Then after I go back, I get a very good experience.

  • Then I just tell my whole crew, the next movie is first try,

  • then coming back again I cannot remember Brisbane and Melbourne.

  • I always mixed up.

  • Always, boom, boom, boom.

  • Brisbane, Melbourne, I mixed up.

  • Then, a big action sequence, and we do a lot

  • of big action snow mountain.

  • Where's the snow mountain Brisbane or Melbourne?

  • >> Melbourne.

  • >> Melbourne, yeah, there's snow mountain.

  • Yeah. And the snow mountain.

  • I'll tell you very good -- there was a very funny joke.

  • One of my friends, I had to go back to Canberra

  • to see my friend, and my friend said, "I want to come with you,

  • but I have to stop -- the snow mountain Brisbane."

  • or Melbourne.

  • >> Melbourne.

  • >> Melbourne.

  • Crown Casino.

  • Where is the Crown Casino?

  • >> Melbourne.

  • >> Oh, Melbourne.

  • Oh, I was in Brisbane somehow.

  • Somehow, I was there.

  • I said, "I have to go back and see my parents.

  • You come with me?"

  • "Okay, I come with you before you have to stop and Melbourne."

  • I said, "Okay."

  • Then we go to Melbourne, then I call my friend.

  • I said I call my friend after dinner,

  • but as soon as I landing, I said,

  • "My friend take care of everything.

  • He has car, and everything."

  • I call my friend, "Hey, I'm in Melbourne.

  • You come over."

  • "Yeah, it takes me one half hour flight and where are you?"

  • "Brisbane."

  • [ Laughter ]

  • I said okay.

  • Then forget it.

  • The next day, I tell my friend, my friend said,

  • "Let's take a flight to Canberra."

  • I said, "No, easy drive three hours."

  • I said, "I always drive three hours."

  • "Are you sure?"

  • "Yeah, sure, sure, sure."

  • We get up.

  • I said, "No we're going to get in the car

  • and put all our luggage," and that I call my father, I said,

  • "12:30 in Canberra in some corner waiting for me."

  • Okay? Okay.

  • I have the phone.

  • I keep driving.

  • Then my friend got out of the car, put the eye mask,

  • then tried to sleep, and I'm driving,

  • and he was gambling the whole night.

  • [ Laughter ]

  • And we're driving, driving, driving.

  • Three hours passed.

  • I still cannot find the way.

  • My friend, all the sudden get up.

  • "I'm hungry."

  • I said, "No-no-no, not there yet."

  • Then I keep driving.

  • Suddenly, I see the sign.

  • Another 900 miles.

  • [ Laughter ]

  • Then I call my father, "Father, go.

  • I see you tonight."

  • [ Laughter ]

  • Well, I keep driving until 3 o'clock.

  • My friend got up.

  • I said, "No-no, sleep, sleep."

  • [ Laughter ]

  • "No, I cannot sleep anymore.

  • Oh, my God, where are you going?"

  • I said, "I don't know."

  • Still driving.

  • [ Laughter ]

  • That's how I always mixed up,

  • and I got three stops by the police.

  • That's how I remember, but these days I'm coming back.

  • No matter I have a chance, I just Canberra, Canberra,

  • Australia, Australia, because we know the crew here.

  • We know a lot of crew members here.

  • We have a lot of good friends here.

  • It's very easy to make a film here, and also,

  • especially this time, you know, when I'm [inaudible] the harbour

  • and whatever, the things around here.

  • This easy.

  • I just called the commission.

  • I want to film here.

  • Okay, whatever you want, except you not blow up the harbour.

  • I said okay.

  • You know, last -- two months ago I was blow up the London Bridge.

  • The big news, boom.

  • I said [inaudible].

  • >> Six months he applied for.

  • >> Applied.

  • Then the government, everything's okay,

  • then of course, they will make somebody do it, and that day,

  • boom, and everybody thought it was a terrorist attack,

  • and the news, everybody, they blame me.

  • "Jackie, how can you do that?

  • You should tell us!"

  • How can I tell everybody.

  • I already tell -- we already tell 100,000 people surround ,

  • the letter, I said, "We going to blow up the [inaudible], okay?"

  • [ Laughter ]

  • But how can I tell the tourists?

  • >> Jackie, I hope you will leave our bridge alone.

  • Well, Australia is just a little bit bigger

  • than Hong Kong, I think.

  • >> No, much bigger.

  • >> Well, when I grew up, and I look at your Chinese name

  • or when I thought I knew your Chinese name is Chan Long.

  • Now I always thought Chan

  • as your last name, Long as dragon, yeah?

  • So then when I was doing a bit of research before I came

  • to do the interview, I actually discovered it's not Chan Long,

  • it's Chun Long, is become the dragon.

  • Can you explain to us where does that name from?

  • >> That's interesting.

  • And also, my Jackie, my Jackie, Jackie, Jackie Chan,

  • Jackie's name is from Canberra.

  • At that time, I was in Canberra.

  • I didn't have nothing to do, and really, because I was going

  • to Canberra to visit my parents.

  • So every day, just follow my father, go to this restaurant

  • and go to that restaurant, go to that restaurant,

  • just sit there like this.

  • I don't have a driver's licence and nowhere to go.

  • I just follow my father,

  • and a lot of people ask me what's my name, you know,

  • everybody know my name in my house.

  • They call [foreign language spoken] is a little cannon.

  • My father was [foreign language spoken].

  • My nicknames was [foreign language spoken],

  • but because I was born

  • like 12-1/2 months, I was 12-1/2 pounds.

  • So everybody called me a cannon.

  • So my Mandarin is [foreign language spoken] is a cannon

  • [foreign language spoken].

  • In American Embassy, and really call me Paul.

  • Everybody thought my name was Paul.

  • So I said, "No."

  • [inaudible].

  • I finally, I said, I have to learn English,

  • because every day, my father was in Canberra, American Embassy,

  • and everywhere we go you have to be very quiet,

  • and I had nothing to do.

  • Just sit there, I cannot train or do anything.

  • My father took me to shopping mall.

  • You know, drive the car, use stay here.

  • Okay, that's the money, you've go to buy food.

  • I pick you up later.

  • Then just by myself in the shopping mall just --

  • and see people very little Chinese at that time.

  • Not like today.

  • Then I was hungry.

  • I just go.

  • I see the glasses inside.

  • I just go in, wait in the line.

  • [ Laughter ]

  • And the guy, "What?"

  • "Eh."

  • [ Laughter ]

  • Whenever people say, "What?"

  • I just say, "Eh."

  • See that I just sit there waiting, my father.

  • I was so hungry.

  • I said, "No, I got to speak English."

  • So I tell my father, I said, I go,

  • "I have to go to learn English."

  • Then it, okay, we go to a government school for free.

  • Then I sit there.

  • I was very shaking.

  • I was by myself.

  • Then I see a lot of old people, young people,

  • all from different countries.

  • Oh, they had -- nobody's fingers.

  • And they -- only me, only me Chinese.

  • Then they said, "Okay, the new student, what your name?"

  • Then at that time, "My name is Chan Kong-Sang."

  • The teacher said what?

  • I said, "Eh, eh-eh."

  • [ Laughter ]

  • "Okay, your name's Steven."

  • I said, "Okay."

  • [ Laughter ]

  • So then in the American Embassy, American Embassy,

  • all the armies [inaudible].

  • And I Steven, "Oh, hi, hello."

  • Then I realised the whole morning, nothing to do.

  • Every day, my father does put me in the shopping mall.

  • I said, "No, I want to do something."

  • "Okay, my friends have a construction company.

  • You have to learn some construction."

  • I said, "Oh, okay, okay."

  • Then I go, the guy was from Taiwan Embassy.

  • He was a driver, big, fat guy.

  • He take me to the construction site

  • to see, you need assistance?

  • That's the assistant."

  • I just sit there.

  • Okay, what's his name?

  • The big, fat guy, called Jack, he said, "Call him Jack."

  • I said, "Okay."

  • You start right away.

  • Then, the big, fat ol' things they use [inaudible].

  • >> Yeah, elastic.

  • >> Elastic, then I put those things.

  • Then I start right away.

  • So then first English I learnt is a barrel, a shovel, cement.

  • This is called cement.

  • Okay. This is called shovel.

  • This is called barrel.

  • This is called water.

  • Trench, sand.

  • Okay, then every day, just do this kind of thing.

  • So my name is Jack, Steve, Paul.

  • Then somehow, I go back to Hong Kong.

  • You know, when they're fighting, I like rhythm.

  • Like Jack Chan, Jack Chan is no good.

  • Then slowly, I know little bit of English.

  • Then okay, I put a Y. Then Jackey Chan.

  • Then later on, because Jackie Chan not famous at that time.

  • So when I signed the contract with Golden Harbours,

  • the Golden Harbours and Raymond Chow, "Y no good.

  • Change it I-E."

  • I spelled the Chinese [inaudible].

  • You know Feng Shui, the name, you have the -- Chinese name.

  • What is your Chinese name?

  • I said, "My Chinese name Chan Kong-Sang,

  • but my [inaudible] name [inaudible]."

  • Chan -- no-no circle, dragon.

  • Then they find an old lady who's a little bit Feng Shiu.

  • Then you sit in the office.

  • You read so many names so many -- all dragon.

  • Like Cloud Dragon, Small Dragon, Big Dragon.

  • [foreign language spoken], all kinds, then,

  • "Sit down; Jackie, pick one."

  • Then I said, "[foreign language spoken], Bruce Lee."

  • "No-no-no, Bruce Lee already died."

  • Then I said, well, I don't have the guts

  • to pick [foreign language spoken].

  • >> Oh, Big Dragon.

  • He's too scared to choose the Big Dragon.

  • >> Either, [foreign language spoken], okay.

  • I can't pick Bruce Lee.

  • Then they say, "Okay, [foreign language spoken]."

  • You always see the Chinese picture

  • with all the clouds, the dragon.

  • It looks nice.

  • They said, "This is no good for you."

  • I said, "Why?"

  • "You're never a success."

  • Because the dragon always in the clouds.

  • Sometimes you see the hand.

  • Sometimes you see the tail.

  • So you never see the whole body.

  • That means you -- I said, "Okay, okay, okay."

  • then, "Why don't you pick this [foreign language spoken]?"

  • "No-no-no, too big.

  • It's just too big.

  • [foreign language spoken].

  • If you're Chinese, you know

  • that [foreign language spoken] is wow, just big.

  • Then I said, "No-no-no."

  • Then I said, "No, it's just [foreign language spoken].

  • Then the boss say, "Okay, [inaudible],"

  • and at that time, the movie come out.

  • There's some success.

  • When I go to the make up [inaudible].

  • >> Yeah.

  • >> When there's a door, there's a corridor

  • of people, all of the trappings.

  • Not like today where the sounds together.

  • We make the film first, then we dub later.

  • Sometimes at night, I just walk in,

  • slowly walk to the small window [inaudible].

  • How do they learn -- I want to learn dubbing, again, and again.

  • Sometimes they just like, the conversation,

  • they're just standing there like --

  • they just said, "How can the company spend this time on him?

  • Let this guy who's making movies, small eyes, big nose.

  • [ Laughter ]

  • Don't know how to act."

  • You know, I'm just standing there.

  • "It's not Chan-Long; it's Chan-Song."

  • He was never becoming a dragon.

  • You are only becoming a worm.

  • >> A worm.

  • >> I tell you what, just standing here.

  • My tears, just.

  • [ Laughter ]

  • Even I look at myself really happily.

  • I don't know to acting at that time.

  • [ Laughter ]

  • Wrong script.

  • Wrong script, wrong character.

  • Really, at that time, I just follow what the director wanted.

  • You know, I was very young, and in the movie,

  • every girl fall in love with me.

  • Then I refuse them.

  • [ Laughter ]

  • I want that, but I just -- it's not me.

  • So I go away just crying by myself.

  • A few years later, I go to dubbing, you know, repeat again.

  • They said, "Wow, look at this guy.

  • Even the toes know to act.

  • So good." No, between you're famous, you're not famous.

  • That's how becoming a Chan-Long and Jackie Chan.

  • [ Applause ]

  • >> Whatever that person

  • who chose the name obviously done you good,

  • and you have become the dragon, and you know,

  • I counted about seven or eight films you have done.

  • I think I Googled.

  • It says you've been involved or made over 150 films.

  • >> But I've been making a film 56 years.

  • >> Wow.

  • [ Applause ]

  • Including child actor, low-class stunt man, high-class stunt man,

  • stunt coordinator, producer.

  • Over 250 movies.

  • >> Yeah, so it fascinates me with quite a few of the seven

  • or eight films all themed dragon.

  • So you obviously have an incredible foundation of dragon.

  • [inaudible] is The Drunken Fist fighting style.

  • >> Yes.

  • >> Can you elaborate a little bit on how you developed

  • and how did you refine doing it, which is very unique?

  • >> It's a -- [inaudible] tradition

  • of Chinese martial art, somehow younger being [inaudible] to one

  • of my bigger brother, and one of the producer.

  • They think about this idea.

  • Then we make the film, and of course,

  • and it would create a lot of movement.

  • Of course, Drunken Master 1, very successful.

  • At that time, I just ask myself after Africa,

  • I jog in the morning, and I see

  • so many young children just do these kind of things,

  • and I said, "Wow, I really -- the movie, what I made,

  • I really influenced a lot of children."

  • So this is why, for the future, when I'm making a movie,

  • I'm very careful the way I talk.

  • The way I'm doing something, [inaudible],

  • anything that makes the audience laughing, I just do it.

  • [ Laughter ]

  • Then after, when I travel around the world,

  • I see so many children learn from me.

  • Then I said, "Ah, as the producer or director or actor,

  • we have the responsibility for the society of the children."

  • So I look back on Drunken Master 1.

  • Why I'm telling the people thinking and fighting is wrong.

  • So this why I immediately make the Drunken Master 2

  • to correct myself.

  • Don't drink.

  • Don't fight.

  • I don't know ordinarily you know a lot.

  • Do you know?

  • If you don't know, you look in the movie.

  • Ah, good, this is a good movie, but I make myself comfortable.

  • I correct myself.

  • Anything I do something wrong, I correct myself.

  • So this why you drink too much, so in the movie there's

  • so many -- how much you drink?

  • Of course, when you drink, you fall down and doesn't know,

  • but you drink too much, you gonna faint.

  • So in the movie because I'm drinking.

  • Then I get naked, [inaudible] here

  • and after the father said say something to show their friends,

  • the boat -- the water can carry the boat, and also,

  • the water can flip the boat.

  • Yeah, that's some Kung Fu insight, so yeah.

  • I had to correct myself all those years.

  • Even like, there's so many -- so later on, after Drunken Master,

  • so many movies, you can see there's so many messages inside.

  • If you don't know, you don't know.

  • If you know, I'm happy.

  • If you really don't know, I makes myself happy.

  • Like there's small things like Dragon Blade.

  • Did you see Dragon Blade?

  • Yeah, it's about peace, because a few years ago,

  • why does so many wars in The Middle East?

  • I have to make a movie called Peace.

  • So I make Dragon Blade, because there's

  • so many treasures stole away from China.

  • Do you understand?

  • I have to make 12 zodiac, and even the movies,

  • there's some small things

  • like I cannot suddenly, I cannot remember.

  • First Strike.

  • When I was wanted in the newspaper,

  • and when the lady walk around see the paper, scared,

  • turn around, then I look -- suppose I just walk away,

  • but in the movie, I see the lady walk away.

  • Then I see the newspaper.

  • I pick up the newspaper.

  • I put it in the rubbish can.

  • I walked away.

  • The same thing.

  • Same thing.

  • You can, from a movie, I hope, from these small things,

  • in Australia, in the world, everybody walk

  • around see the rubbish just pick up,

  • then the whole world would be very clean.

  • That's my little insight.

  • I want to show something.

  • [ Applause ]

  • And also, there's like the all day, why you have

  • to just -- there's so many.

  • There's some money.

  • I cannot remember suddenly, there's so many movies.

  • I cannot remember.

  • I tried to pick up some movies, yes.

  • >> I can say, while we were in the dressing room,

  • and one of the person dropped some crumbs on the floor,

  • and Jackie was picking up crumbs and putting them in the trash.

  • >> I was OCD.

  • >> I was very impressed.

  • >> I'm an OCD [inaudible].

  • ADD. I cannot sit still.

  • I've got to move.

  • >> Jackie, I want to --

  • there are a lot of young people in the audience.

  • >> Yes.

  • >> I'd like to ask you to share some insight for us all.

  • We all know success does not come by accident.

  • We know the success you have achieved globally is

  • through incredible dedication and hard work, and sometimes,

  • particularly your early days, must be very hard

  • to be a stuntman and doing things over and over.

  • It's not what your dream would be.

  • Can you share with us about the importance

  • of the work ethic and all of that.

  • >> Wow. That's a long, long story.

  • Go to buy my biography.

  • [ Laughter ]

  • I was -- I think everybody knows,

  • I was born in a very poor family, and my father was

  • in the French Embassy when I was young, and after, when I was 7,

  • my father moved to Australia.

  • American Embassy, I was

  • in the martial arts groups training, training.

  • One day, becoming a child actor.

  • Then 10 years in the partial arts school, then come out,

  • and my father took me to Hong Kong.

  • Spent 10 years' salary to buy a small house for me,

  • and at that time, I was pretty angry at my father.

  • Why I had to go away just by myself,

  • stay in the Hong Kong martial arts school,

  • and after I realised father worked 10 years in Australia

  • to come back just to buy a tiny house,

  • and that time was 30 -- 45,000 in Hong Kong.

  • And that time, it was still called pound,

  • 5000 pounds around.

  • Then I realised my father worked so hard,

  • and then I becoming a stuntman, low-class stuntman.

  • I tried very hard to becoming a super --

  • also, you know, in the movie industry,

  • there's so many politics.

  • You are good, people, you know, [inaudible].

  • They won't let you go.

  • I remember one day I was to follow stunting.

  • I always behind.

  • I'm always behind.

  • You, you, you, go up and you fall down?

  • Wow, good, you got extra pay, but how you go out?

  • You don't have a chance.

  • Every day, you just you stay here

  • for the protect with the matches.

  • Then one day, I sat, and he had the stunt coordinator,

  • and he want people fall down up there.

  • As soon as he's finished, I standing up, run,

  • run up, just standing there.

  • I just -- just "Why the X you standing there?

  • Come down!"

  • Then all the stunt guys watch me.

  • I just come down.

  • [inaudible] you go up.

  • You just don't have a chance to go up to show how good I am.

  • I know I'm good but nobody give you a chance.

  • You just gone.

  • You're just gone, and we take --

  • and at that time, I only earned five --

  • >> Right now it's probably less than one dollar.

  • >> Yeah, less than one dollar a day.

  • That's my salary.

  • Five dollar Hong Kong.

  • That's my salary, and you just very --

  • every day, you're just very disappointed.

  • You want to do something.

  • Nothing you do.

  • You see the people do something,

  • you think you're better than him.

  • Nothing. I want to earn more money.

  • I don't want to always call my father,

  • give me -- send me a pound.

  • And every 6 o'clock in the morning you see everybody

  • and their yum cha, their Chinese yum cha.

  • You go in.

  • you sit down, and you have to pay.

  • Then I'm just standing here.

  • No-no-no. I'm ready.

  • I'm just standing here.

  • I just pretend that I'm eating.

  • Then I just -- come on, hurry up.

  • It's 6 o'clock.

  • Before they cash, then they sit down.

  • Come on. Let's go.

  • Then, after they pay, go.

  • Eh, let's go.

  • Wow. Nobody eat?

  • [ Laughter ]

  • That's how I survival in the morning.

  • Yeah, then go to the filming.

  • Good. Then I have a lunch box.

  • I only earned five dollars, and also the bad things,

  • at that time, nobody have education, and all the sudden,

  • mostly times, not filming behind Fuji.

  • >> Scenery.

  • >> Yeah, behind the scenery just gambling.

  • You earn five dollars so difficult.

  • You pay 10 dollars.

  • You lose so easy.

  • Never gambling.

  • Don't -- never, never gambling.

  • [ Applause ]

  • I lost five dollar, but, you know,

  • everybody [inaudible] by yourself.

  • You come -- you [inaudible].

  • Come, come, come on.

  • Okay, one dollar, lose two dollar,

  • lose five dollar, okay 10.

  • Sometimes you just write a paper, 10 dollars, boom lose.

  • Oh, you win sometimes 20.

  • You lose, wow 20.

  • Four days' work.

  • Then it's just every day you do something, five dollar.

  • You give somebody.

  • That's how difficult I am.

  • Then I try very hard.

  • Then I ask myself, I cannot do this anymore.

  • What's my dream?

  • My dream is becoming a stone coordinator.

  • How I can become a stunt coordinator?

  • Then I'm not gambling anymore.

  • I just stay on the side to watch the people on the set,

  • how they put the camera out.

  • How they work, and I realised on the set, first you learn,

  • you know, where are you staying?

  • Sometimes, "What the hell?

  • You're standing here.

  • Go! The light and the camera here!"

  • Oh, okay. Whenever you know where to go, and I do one day,

  • wherever I stay the camera cannot see me.

  • Again, I realised, I learnt the camera angle now.

  • Then I said how can I be coming a good stunt coordinator?

  • What's the lens, not like today.

  • Everybody carry a camera.

  • In the old days, nobody -- very few people have a camera.

  • Then I went to look at the lens.

  • Then I want to be a camera man.

  • Okay, first I becoming a camera assistant.

  • Then I just -- "Oh, can I be a camera assistant?"

  • Very low money.

  • Okay. Then I just -- I thought I can watch the camera.

  • First time I watch the camera.

  • Pow, ouch.

  • Cannot see the camera.

  • I just sit far away with the camera box like this.

  • "Jackie, 50."

  • "Yes." Two hands.

  • Then I carried -- then I already take the 70, 80.

  • Not like today.

  • You know, today you put a camera here, you even the [inaudible].

  • Okay, no, clean.

  • Everybody can watching the camera.

  • Then I start learning how I see the camera.

  • How the lens and becoming a dolly man, and slowly, slowly,

  • when the chane is coming, I just, boom.

  • Just becoming a stunt coordinator.

  • The first coordinator is what with John Wu.

  • You know John Wu?

  • Yeah, John Wu, and he's a new, and yeah.

  • A lot of fun.

  • The story too long, and I remember John Wu was just --

  • just, "Jackie, how you create it?"

  • You know, we learn a lot of -- why, why [inaudible]?

  • >> Bad things.

  • Bad habits.

  • >> Bad habits learnt from the old stunt coordinator,

  • and how to cheat the director, and [foreign language spoken].

  • >> Doesn't have the ability --

  • >> We don't have ability, be we are becoming stunt coordinator.

  • Then you're shaking on the set when I have

  • to the camera 50 here.

  • "Put a 50 what?

  • Huh?" Like English I want this what?

  • Nah, nothing.

  • As a stunt coordinator, you have a lot of power,

  • but when I say put a 50, the cameraman, "What, 50?

  • You sure?"

  • Huh? No, wh- what?

  • Every day I have to buy a pack of cigarettes and beer.

  • Hi, good morning.

  • Stunt coordinator, big power like this.

  • Why? Because you don't have the ability.

  • Then you have to learn how you control the set,

  • when John Wu asked me, "Jackie, how your fighting scenes?"

  • First you learn how to -- who's the bad guy?

  • Who's the good guy?

  • This good guy.

  • Good to go.

  • Who start fighting?

  • Who's dying?

  • Oh, he start fighting.

  • Okay, okay, stop fighting.

  • You know, you stop fighting [imitating fighting sounds].

  • John Wu, John Wu.

  • [ Laughter ]

  • Okay, then I just [imitating fighting sounds].

  • Okay, you start the dialogue first, right?

  • Yeah, you're going to start the dialogue first.

  • Then we go back to stage [imitating fighting sounds].

  • Yeah, that's why becoming it today.

  • It's a long story.

  • 56 years. Not easy.

  • [ Applause ]

  • >> Well, Jackie, obviously we can't be here all night long

  • for you to share your wonderful stories.

  • I mean, obviously, the passion, the dedication, the hard work

  • and the courage, and you know, never give up have resulted

  • in your incredible success in those Hong Kong early days,

  • made you famous in the film industry in Hong Kong.

  • That I think your ambition took you

  • to that global Hollywood fame.

  • Rumble in The Bronx.

  • You broke your arm --

  • >> Ankle, in the morning.

  • >> Ankle. Could you please share with us and what scene?

  • >> After I jumped from the hovercraft,

  • you can see my leg -- even the hovercraft,

  • it sounds so big, so loud.

  • I could hear the bone from here.

  • Then I look at -- we are to cut, right?

  • But you see the outtake.

  • I grab my leg, and the cameraman, "Jackie, you okay?"

  • Then I turn around, and I got a shock.

  • I got a shock.

  • I said, "Okay, the leg is broke."

  • [ Laughter ]

  • And I see my leg, it was upside down.

  • Then I put it back.

  • They sent me to the hospital, cast in the morning,

  • then in the afternoon, I go back.

  • Then I go back.

  • Then I see the union in Canada.

  • It's a uh-oh, well, what can we do?

  • I said, "No, keep filming."

  • "Oh, how can you do that.

  • You have a cast on."

  • I said, "No, no don't worry.

  • I can, sure."

  • "You don't have union in Hong Kong?"

  • I said, "No."

  • "We have union.

  • I'm the chairman of the union."

  • [ Laughter ]

  • So this is why I think about the Lamborghini,

  • because we can't finish the whole movie,

  • and even the one climb up to the boat,

  • that's the director double me,

  • because I already broke my ankle.

  • Luckily, we finish the waterski scene, the backward ski.

  • Wow, that was tough.

  • Then we used the wheelchair ladies

  • with my arm just like this.

  • Somebody push the wheelchair.

  • Here.

  • [ Laughter ]

  • That's how I finish the whole movie.

  • [ Applause ]

  • I used the socks, of the plane tennis shoes.

  • I still can do the tumbling things

  • and the small actions, okay?

  • And the most tough is the backward ski.

  • The backward ski, it's just like this.

  • No ski. Nothing, just 75 miles per hour.

  • When you hit the water,

  • it's just like hitting the ground, and some stunt guy.

  • They tried.

  • Teeth is gone and it's very difficult.

  • You have to lay down and the water like this

  • when the pooled water all go into your mouth.

  • You know, turn around like this.

  • Then you have to turn around and then get up.

  • Get up just like this, and at that time, I just a clever.

  • You know, one day -- yeah.

  • One day I learnt everything, and after that I just,

  • when I see something, I already know,

  • and easy to make Rumble in The Bronx.

  • Difficult to make Rush Hour.

  • First, for me, it's not action.

  • Rush-hour, for me, the English was so difficult.

  • Still now, sometimes, now I can speak with male nasal when,

  • came, she, he, I don't care.

  • I just -- what a world.

  • It's okay.

  • But in the movie, you have to be perfect.

  • That makes me difficult, yeah, and also working

  • in the US is not -- you can tell Rush Hour, all these kind

  • of movies, movement, action.

  • It's not as good Asian film.

  • Why? Because there were some roles.

  • One day, you had to finish dialogue scene, two days,

  • action scene, one day.

  • Yeah, it's just -- I cannot touch the camera.

  • I cannot touch the table.

  • So many rules.

  • In Hong Kong, I'm the cameraman.

  • I'm the lighting man.

  • If we cannot finish today, we'll do it tomorrow.

  • Cannot do it tomorrow we do another day.

  • Just like Drunken Master 3, ah 2; I haven't made 3 yet.

  • Drunken Master 2, three months for one action sequence.

  • No way you can do it in the US.

  • So that's why I still like to make my own films my own style,

  • because it takes be more happy.

  • Even in, even in Australia, gives a lot of pressure.

  • You know, one time when I was --

  • [ Laughter ]

  • One hour. Because around the world everybody go one hour.

  • You know, that's a human right, but not --

  • but man, no, my Jackie Chan film,

  • when I'm making my own film, sometimes I give two hour.

  • I'm still thinking, but when I just beginning working nonstop.

  • Nonstop. Just keep filming.

  • You know, that sometimes wrong.

  • Sometimes, yeah, sometimes bad, but here you 5 o'clock,

  • they just go [imitating fighting sounds].

  • Like today afternoon [imitating fighting sounds].

  • Five more minutes.

  • Huh? [imitating fighting sounds] One moment left.

  • Okay, run, go home.

  • And then having nothing to do, sit there for two hours.

  • I said, "Let's do it right away."

  • No, the audience hasn't come here yet.

  • "Oh, okay."

  • [ Laughter ]

  • He's got nothing to do.

  • Well, can you share with us what it's like working with people

  • like Chris Tucker and Owen Wilson in this -- your films.

  • Just for me.

  • [ Laughter ]

  • >> Be truthful.

  • > This -- this -- this, either we were going to the Internet.

  • [ Laughter ]

  • For me, the beginning.

  • As I really, really with filmmaker all those years,

  • I know how to go on the set.

  • How I respect on the set.

  • Chris Tucker, to me, no discipline.

  • [ Laughter ]

  • But new movie.

  • One day he come chatty.

  • "Why you have to 6 o'clock come to the set."

  • You make me bad.

  • I said, "No, when I'm not -- I'm not the director.

  • I'm the actor.

  • I have to respect set.

  • I'll make up, finished, I sit on the set waiting."

  • No, he's not arrival yet.

  • But slowly, Rush Hour, Rush Hour 2,

  • now he becoming a really disciplined.

  • You know, come to the set, you know, rehearsal, everything.

  • You know, in the beginning, in the movie, he just "Wow."

  • You know, just, "Hey, Jackie."

  • Yeah.

  • [ Applause ]

  • The first movie I was afraid to talk to him.

  • Most of the time when he talked to me, I don't understand.

  • "Hi, Jackie!"

  • It's only Jackie.

  • Then, "Blah-blah-blah, good morning."

  • "Good morning."

  • Then I just, I hiding.

  • I don't want to face him, because he like to talk and talk

  • so quick, and none of the word I understand.

  • Eh, eh, eh, eh.

  • After I talked back, he don't understand.

  • [ Laughter ]

  • [ Applause ]

  • And after six months, after six months, we slowly,

  • slowly, he know my rule.

  • He know how I work on the set.

  • Then he became my good friend.

  • Now becoming a buddy.

  • Now we planning to do Rush Hour 4.

  • >> Oh, well done.

  • [ Applause ]

  • I'm sure your discipline has rubbed off on him.

  • What about Owen Wilson?

  • >> Owen's good.

  • Owen's good.

  • [ Laughter ]

  • Yeah, Owen's very quiet.

  • Yeah, mostly, he want to make fun of me.

  • I don't understand.

  • [ Laughter ]

  • Yeah, he just -- on the set, "Jackie."

  • He's not like I Chris Tucker.

  • He speak I mostly understand, then I understand,

  • I don't know the meaning.

  • "Jackie, you know, the morning..."

  • Yeah, mostly people, "Ha-ha-ha-ha."

  • They sent me.

  • [ Laughter ]

  • >> Then I turn around and asked my [inaudible].

  • "What's that meaning?"

  • "Oh, the meaning, da-da-da-da."

  • Only a half hour meaning, I still don't understand.

  • >> Now, Jackie, can you share the secret with us

  • that with all your success,

  • you appear to be still so very humble.

  • [ Applause ]

  • Has your family or your Chinese heritage played a part

  • in you having your feet on the ground and staying humble?

  • >> I think because I'm not -- I see, especially right now,

  • I see some big stars from Hollywood, some big stars

  • from Hong Kong or from China,

  • they have a very good background.

  • Suddenly, one day, boom, becoming a big star,

  • and we sit down and talk with some director, even myself,

  • when I on the set, like project A, after I roll

  • over my finger, how about that?

  • Grab the back guy.

  • I see my finger upside down.

  • Then after a punch, I just pull it back, and they just give me,

  • and I say, "Camera here."

  • Yeah, for the next shot.

  • I can't even remember.

  • [ Foreign Language Spoken ]

  • First try, boom.

  • My lips open, and I see my tooth.

  • I just put here on the set.

  • Continue filming.

  • To this day, I film with some people, "Oh, [whining]."

  • A young guy.

  • Young. I just, oh, 20 people, "Oh, what's that?

  • Medic! Medic!"

  • I just sit there like this.

  • [ Laughter and Applause ]

  • I think because when we was young in the school, you know,

  • no reason, the teacher would just hit you.

  • Sometimes you walk away, you walk past, you get thwap.

  • Yeah, you just get ready to get hit every single time.

  • When we doing a action film in the old days.

  • This day, so lucky, even my JC team, even the stuntmen,

  • even whatever star's so lucky.

  • We have elbow pads, shoulder pads, knee pads

  • and fake ground and wire.

  • In the old days, we had nothing.

  • We were nothing.

  • We just went to boom.

  • We just like that, again and again.

  • You say, "Ah, I'm hurt."

  • Tomorrow out.

  • After you got hurt, your arm or your angle,

  • you just -- "You okay?"

  • "Yes." Yeah, you just go back.

  • You do something tomorrow.

  • You've got to work.

  • Not like today, you get hurt in this movie.

  • The company for the insurance will pay a few months

  • or a few weeks, then you can survive.

  • In the old days, no.

  • So this is what I've been trained

  • for these things, and also, I've been

  • [ Foreign Language Spoken ]

  • .

  • >> He says endure the abuse from the big stars.

  • >> Yeah, big, director and actor and actress.

  • So this is why when I becoming a star, I don't how big I am,

  • but I take care of the mostly people, and also,

  • so many people give me a chance becoming today.

  • So why I always, my movie,

  • I always invite a lot of new talent.

  • New talent to help some of the people.

  • I hope to -- they have like one

  • of my Australia students who's been with the 20 years.

  • Now today, he's a [foreign language spoken].

  • King's men.

  • Now he's at Kingsman, second director.

  • Now he's filming in London, he called Brad Allen.

  • You know, I know he's good.

  • Just give him one hand.

  • Then he become a martial art director.

  • You know, a lot of people help me, and today,

  • whenever I have a chance, I help people.

  • I helping people.

  • Just like a lot of people ask me why you not filming

  • to do a charity?

  • Because when I was young, so many people were helping me,

  • and I see good things, bad things, so many.

  • So I get rid of all the bad things.

  • I was very bad when I was young.

  • So because the charity, because all the fans, because the movie,

  • because the movie credit people, the newspaper, the [inaudible],

  • the paparazzi, that makes me becoming a good guy.

  • Yeah, and actually, I really thank you,

  • the fans around the world,

  • because they sometimes tell me this movie good

  • but a little bit dirty.

  • This movie, a little bit violent.

  • No, I have to be very careful.

  • I've got to listen.

  • I have to listen because I like the whole world.

  • That's my dream.

  • I say, "I don't want one kind of people like me.

  • I want the whole world.

  • Everybody recognise me.

  • That's my dream."

  • [ Applause ]

  • >> Yeah, I should try this on my dancers

  • to get them a bit more disciplined.

  • >> These days, difficult to train.

  • >> No, I'll probably go to gaol.

  • >> Yes.

  • >> I'll probably go to gaol.

  • >> These days, you cannot hit.

  • I gonna sue you.

  • Oh, yeah, okay.

  • No, I really thank you, my teacher that torture me.

  • Really, like [inaudible] me.

  • We never dropped one rice on the table,

  • and we will put the shoes like this.

  • Whenever I go back my home, I see my son shoes.

  • One like this.

  • One like this.

  • One socks, another socks.

  • No discipline.

  • Yeah, when first day, first day

  • that I see him in US, "Hi there."

  • Then I just -- standing up.

  • Because we learnt.

  • We learnt that early teaching, [foreign language spoken].

  • We learnt this kind of very traditional.

  • When we see old people, elderly like this.

  • >> With respect.

  • >> With helping people.

  • When he do this, yeah.

  • Don't move.

  • Talk to me.

  • You don't know how to talk.

  • Yeah.

  • [ Laughter and Applause ]

  • >> Jackie, I think we have a few minutes left.

  • Let's just quickly, obviously, we are --

  • I mean, it's very inspiring

  • to see your Three Dreams documentary.

  • You know, the beginning, can you quickly share with us

  • about the charities, the UNICEF, and your own charity.

  • The wonderful things you are doing in your charity.

  • >> I really thank you, and also, I thank you.

  • Probably some people here they already donated money for me,

  • and every day the fans around the world send me money.

  • When they send me one dollar I give two dollars.

  • We're building a school and helping children.

  • When I was young, I don't like --

  • I really think the charity is helping me become a good person.

  • I then, one day, I'm becoming a --

  • when I was 20, I was a millionaire.

  • Suddenly, five dollars one day, one night.

  • The second day, I Have over one million.

  • That I don't know how to put the money in the bank.

  • I don't know how to sign.

  • I always carry the cash walking around with my JC team.

  • You know, I always pay cash, and I buy, I already,

  • write in my biography already I buy seven diamond watch

  • in the same day.

  • Then the next day, every night, I buy dinner

  • with all the old stunt guys.

  • "Come on, eat."

  • Wow, you look?

  • Look. Tomorrow, again, change another watch.

  • Come on. I just want to show off and fighting in the night

  • because in the old days, I would dream this,

  • and my survival today, because we had to jump

  • like the second floor.

  • Nothing. We might die.

  • We see people die.

  • We see people paralysed, and my becoming today,

  • so we have money spend, spend, spend.

  • Not like today, I buy so many equipment, so many protections

  • to protect all my JC team, actor, and everybody.

  • We just spend a lot of money, and when you get famous,

  • people ask you to do a charity.

  • No. Daytime, we risk my life.

  • Nighttime we go to drink, you know, nightclub.

  • You don't have [inaudible] at that time.

  • Just nightclub and drinking with all the stunt team, and you --

  • the old days was so, so good.

  • We can, 6 o'clock, we drink 6 o'clock, 8 o'clock,

  • enough, two hours sleep.

  • Whoa. These days, you're drunk one night,

  • three days, you're like this.

  • Right? So I never drink now because just a headache.

  • And I just a wild boy, wild, wild.

  • No education.

  • Always, always, always, the people behind me,

  • always all are yes men.

  • Oh, good, yes.

  • Good? Yeah.

  • Good, very good.

  • You know, just wow.

  • And one day, they asked me to do a charity.

  • No, I don't have time.

  • I just pretend I'm tired.

  • They said, "No, please?

  • We already got the present, everything.

  • You just go there to say hello."

  • I said, "Okay, okay."

  • I remember, in Hong Kong [foreign language spoken].

  • I wear thick glasses, because I was drunk at night,

  • and I was asleep in the car.

  • I get up. I see all the children with some man going

  • like this, "Oh, Jackie, Jackie.

  • Oh, we love you."

  • I just standing there, I suddenly, wow,

  • I just I never see this kind of children.

  • I never visit this kind of hospital,

  • and they have a needle here.

  • They have all around.

  • All the metal like this.

  • "Jackie [inaudible]."

  • Like this.

  • I was just so embarrassed that somehow,

  • [foreign language spoken] present to you.

  • What kind of present?

  • I don't know.

  • I open and everybody thank you me, and that time,

  • I was so embarrassed because.

  • I didn't want to come.

  • They prepared everything, but now everything's Jackie.

  • The next day, the news people.

  • "Wow, Jackie's so good.

  • So busy. Even [inaudible]."

  • I just, okay, then the children are on to me.

  • "Will you come next Christmas?"

  • Then I look at, "Yes, I'm coming.

  • I'm coming next Christmas."

  • Then I go home the whole year I'm not happy.

  • I just because -- I think because my

  • under my heart is a good guy, because the environment,

  • the whole [foreign language spoken].

  • >> The echo.

  • >> The echo.

  • It makes me bad.

  • So I followed.

  • The bad things go, but now the good things coming.

  • Then how can I face these children?

  • So in the whole year, whenever I get a present.

  • Okay, this for elderly.

  • Okay, [inaudible], okay for?

  • I just keep doing these kind of things.

  • I have a present all over the -- every day.

  • The centre present to me every single day.

  • I have so many presents.

  • Okay, [foreign language spoken].

  • Okay, yeah, for elderly people.

  • There's a door for -- because every day I keep doing these

  • kind of things.

  • Then becoming a charity, charity, charity, charity.

  • Then next year, I go back.

  • Then [foreign language spoken].

  • I see the children.

  • Now I know.

  • I go back to -- the children see me again, and they're "Ah,

  • you keep your promise."

  • I said, "Yes."

  • Will you come next year?

  • "Yes." Then, just like a snowball.

  • You know, you promise one hospital.

  • Then you promise the next hospital.

  • Then you promise -- then becoming a --

  • because I do so many good things in Hong Kong,

  • becoming like a 10 Outstanding People in the World.

  • Then I was under pressure.

  • Then UNICEF asked me.

  • They're going to go to Cambodia.

  • Then I see the landmines.

  • The children.

  • Why? They playing soccer just like this.

  • They cannot do soccer like this.

  • Why, because the soccer goes, nobody go to catch.

  • When you catch, the landmines explode and most

  • of the children is like eyes gone, their legs gone, arms,

  • because they put the landmine.

  • They tried to sell the landmine, and they open it.

  • Boom. Their hand -- slowly, so many of these kind of things.

  • Then I realised I wanted to use -- if I have a power,

  • I want to use my power to speak out from the movie,

  • from my person standing here.

  • Speak out my words.

  • Speak the things I see.

  • Speak the things of what I'm doing.

  • I hope the whole world united together.

  • Why, now? With each other, you have friends, I don't like you.

  • Okay, I don't like you.

  • We are neighbours.

  • The whole world is like a village.

  • We stay together.

  • It's not like it used to be.

  • You have a earthquake.

  • Your thing that not my business.

  • Now today whenever I see the big,

  • the whole world big disaster.

  • Like Turkey's big earthquake.

  • China's earthquake, and in Japan, big tsunami.

  • You see, the whole world goes in.

  • At that time, I said, "Wow,

  • if every day the world helping each other, how good it is."

  • Now know tsunami, nothing, nothing happened.

  • Now country against country.

  • They find a reason.

  • I don't like you.

  • I don't like you.

  • This belong to me.

  • That belong to me.

  • No, it belong to us.

  • Not you. With the whole world.

  • [ Applause ]

  • Right? We should -- I -- I'm from Hong Kong.

  • When I come to Australia, I wouldn't never to --

  • that's not go to Hong Kong.

  • No, they shouldn't all belong to me, too.

  • The whole world belongs to humans.

  • Not belongs to single one.

  • That what I'm doing.

  • So in my movie, in my song, in my --

  • actually, I'm a good singer.

  • [ Laughter ]

  • And promote peace.

  • Promote united.

  • Promote love each other.

  • So that's why you see when I make the uniform, the love,

  • I see so many flags, and even my dragon, so many flags,

  • and that's how I promote.

  • I hope everybody get the message.

  • Spit out the message.

  • I hope the world -- no more war.

  • [ Applause and Cheers ]

  • >> The influential Forbes Magazine quoted Jackie

  • as the Philanthropists Hardest Working Man.

  • [ Applause ]

  • Now, there are a lot of questions has been gathered

  • from the audience, from Internet and all of that.

  • I, obviously, don't have time to ask you all the questions,

  • but just very briefly, I'd like to read one from Annie Sum,

  • it says, "Which film that you have starred was the

  • most memorable?"

  • >> Another story.

  • >> Yeah, I know there's too many, but choose one.

  • >> Police Story 1.

  • Police Story, because wanted

  • to prove that's a director to make Protector.

  • Did you see the movie Protector?

  • And at that time, how can it be coming a New York cop.

  • I speak very poor English,

  • and a Mandarin-born Chinese, New York cop.

  • Then that comes into my acting.

  • That come into my English, and even we stay, we speaking.

  • I don't know people, what they speak?

  • When is my turn?

  • So the dialogue coach have to lay down under

  • like this, touch my leg.

  • First touch is smiling.

  • No, welcome to New York.

  • Cut! Welcome to New York.

  • Welcome to New York.

  • "Very good, Jackie.

  • You speak very good English."

  • [ Laughter ]

  • When I do the action [imitating fighting sounds], okay, okay.

  • No. For me, I'm concentrating on the action.

  • I'm not concentrating on English.

  • So I said -- so this is why I just, ah, I give up.

  • Then before I left, I tell the director,

  • "I show you what I can do.

  • How can I becoming a policeman.

  • Not New York policeman."

  • So I go back to Hong Kong.

  • I make Police Story.

  • I want to show the director.

  • I said, "That's what I'm doing."

  • [ Applause ]

  • >> Jackie, the second one's from Bobby Lee.

  • "What was it like meeting and working with Bruce Lee?"

  • >> He, at that time, he was a really, huge star.

  • I only young stunt guy.

  • I'm young stunt guy, always the people just like today.

  • The one always walk with me in front.

  • Some young guy behind.

  • I'm the young guy always behind.

  • Not even my turn.

  • Suddenly, somehow I get the chance on the stage with him.

  • I was under -- because just so many people surrounded him.

  • There is so many everywhere we go.

  • We just, wow.

  • I just under, I always look, just like --

  • I think mostly people, I believe he understand you.

  • So many people.

  • Yes, yes, like -- yes, yes-yes, yes-yes,

  • and somehow I got the chance to work with him.

  • He's so quick and very good for the stunt guy.

  • Yeah, he always make fun of stunt guy and talk to stunt guy.

  • Never talk to me because I'm too young.

  • And I remember that's a shock, bang-bang-bang-bang.

  • You said -- what's that called?

  • You know, two-stick fight.

  • First I work with him.

  • It [foreign name spoken], golden [foreign name spoken].

  • He kicked the Japanese guy out.

  • What that movie?

  • Huh?

  • >> Fists of Fury.

  • >> Yeah, Fists of Fury.

  • Ah, whatever.

  • [ Laughter ]

  • I somehow, I could choose to put stunt -- the Japanese.

  • The Japanese opponent.

  • Then I just -- they said, "Jackie,

  • can you do it yourself?"

  • I said, "Yes."

  • Then I put the rain.

  • I had to run, run, I go back.

  • I fall down, cut.

  • Good shot.

  • Next shot I was hanging about like --

  • because the Japanese architect.

  • So have about that high with all the wood.

  • Then another window.

  • Up to the window about Jackie, about that high.

  • I swing. I swing, drop, and his kick powerful.

  • Swing, bam, drop.

  • At first the wire, boom, when it let go,

  • becoming -- said, "No-no-no.

  • Too slow. You talk to slow."

  • And you know what they do?

  • Zoom, let go.

  • Sha-bang. Six Bruce Lee on each side.

  • Oh, oh, every -- boom, okay.

  • Okay, now we're, one more time.

  • Okay, one more time.

  • Then I go.

  • Then it come, I remember, Bruce Lee picked me up,

  • grabbed me, "You okay?"

  • I said, "Yeah, okay."

  • Then I look at, "Wow, he touching me."

  • [ Laughter and Applause ]

  • Then, wow, I just -- that's the first time.

  • The second time is [foreign language spoken], the two stick.

  • What movie?

  • >> Enter the Dragon.

  • >> Enter the Dragon, yeah.

  • I'm the last one.

  • I've been waiting, waiting, [imitating fighting sounds].

  • I'm the last one to go up.

  • Boom. He just give me like one stick.

  • Pow, one stick, boom, okay, hit.

  • Okay, rehearsal.

  • Pow then boom.

  • Fall down.

  • Okay, do it.

  • I said watch, big, one shot, [imitating fighting sounds].

  • Then I come up, bam.

  • I just a few, pow.

  • My [inaudible] stop because of one stick here.

  • Pow, boom, I fall down.

  • I fall down, then I pick

  • and because the camera behind me, I just like this.

  • I see a portion.

  • Because when he fight, I always wanted see how he moved.

  • You know, the way he moved pow, back, back, back,

  • turn around, ran, ran, ran, cut!

  • After cut then he-- shit!

  • He throw the stick, run to me, run to me.

  • Actually, I got hit every day.

  • You know?

  • [ Laughter ]

  • As the stunt guy.

  • You know, I get punched, I get kicked,

  • I said okay, but I get up.

  • I see him run to me.

  • Then I said, "Ah."

  • [ Laughter and Applause ]

  • I just pretend.

  • Ah, "You okay?"

  • "I'm okay."

  • Okay, are you sure?

  • The whole night, the whole night I was just like this,

  • and he we left the hope --

  • because I always on the set, every day, na-na-na.

  • [ Laughter ]

  • The whole day he just --

  • [ Laughter ]

  • Then somehow, I know we over day, over time, we have to --

  • he have to pick up few like [foreign language spoken].

  • >> Two groups.

  • >> Daytime finish, we need nighttime,

  • so we need some stunt guy,

  • follow 24-hour so we get double pay.

  • She he said, "Oh."

  • He says, "Oh, tell this guy."

  • Than me? Oh, okay.

  • Wow, I know he is special give me earn some more money.

  • That I get double pay, and then when the stunt guy goes

  • in water, another double pay.

  • Then I said, "Okay, I will."

  • Tell this guy to come.

  • Then me again.

  • Then on the bridge, on the bridge, and also,

  • I think he like my reactions

  • when he grabbed my hair everything, I just [grunting].

  • And the show's real.

  • You know, even -- I just that good.

  • [ Laughter and Applause ]

  • And then becoming, they asked me what's my name.

  • He give me a double stitch.

  • Boom. Then I go in the water for one shot.

  • They were, "Oh, it was so good."

  • Then I get another double pay.

  • Then when I get dry, they asked me, what's my name,

  • my objective, where you learnt.

  • I learnt this at da-da-dat.

  • I learnt a lot of things.

  • Then a few months later, I was paying bowling.

  • I was very good.

  • I was a bowling --

  • I'm a champion, believe it or not, and I walk.

  • I supposed to go from Peninsula Hotel,

  • walk to the bus station to take a bus.

  • I walk, walk, walk, in front of me, then I see Bruce Lee

  • by himself walking, and at that time, you know, wide, high shoes

  • and high collars, and they were, "Hi, Jackie."

  • I was just, "Hi, where are you going?"

  • I said, "I'm going to play bowling."

  • "You guys play bowling?

  • I go with you."

  • [ Laughter ]

  • Oh, okay, taxi!

  • [ Laughter ]

  • I only that much money.

  • Then I got a taxi.

  • Then I go to the bowling alley [foreign language spoken]

  • 4C something.

  • When I get there, wow, I'm so -- everybody, "Bruce Lee."

  • And yeah.

  • [ Laughing ]

  • Then I said, "Sit down.

  • Don't come here.

  • Nobody come here."

  • [ Laughter ]

  • No. Sorry.

  • No, sorry, no sorry.

  • [ Laughter ]

  • What do you want?

  • Then I pay about 1-1/2 yen.

  • Then he just sit here like this.

  • The people surround.

  • [ Laughter ]

  • And I said, "What you want?"

  • Talk to him.

  • Looks like a very good friend.

  • Then he said, "Jackie, I've got to go.

  • I say, "Okay."

  • Then I send him -- the last place I see him just we called

  • the techs, turn around, then he get up.

  • Then I just standing there.

  • [ Laughter ]

  • Nothing. He just go and walk away.

  • Then I go up and paid, and "Oh, you know Bruce Lee?"

  • "Yeah, my buddy."

  • [ Laughing ]

  • Then about months later, then he's gone.

  • Yeah. Yeah, that's how I met Bruce Lee.

  • [ Applause ]

  • >> Jackie, you've been fantastic,

  • and you have been fantastic, so it's been a great evening.

  • Could you possibly -- now this is not on the script.

  • >> Yes?

  • >> Could you possibly grant me and half

  • of the audience the last wish,

  • and could you sing a few tunes for us.

  • [ Applause and Cheers ]

  • >> Huh?

  • [ Cheering ]

  • Okay, of course I know, I have so many songs.

  • I have, but lately, I have like a [foreign language spoken].

  • I also [foreign language spoken].

  • And also, but what I really like is two years ago, I sing a song.

  • I's called Country.

  • It's called Everybody.

  • Everybody, you got to love your own country.

  • That's the song I really like to sing, and after I sing

  • that song, I believe I know 600 million people I know

  • down in China.

  • Only half of them.

  • [ Laughter ]

  • Okay, that's our country.

  • That's our core country.

  • That is our home.

  • I cannot sing English.

  • I sing Mandarin, okay?

  • [ Applause and Cheers ]

  • [ Singing in Mandarin ]

  • Country is my country.

  • I love my country.

  • I love my home.

  • [ Singing in Mandarin ]

  • Home. It's my home.

  • [singing] I live my country.

  • I love my home.

  • [ Applause and Cheers ]

  • Thank you.

  • Ladies and gentlemen.

  • [ Applause and Cheers ]

  • Thank you.

  • Thank you, for all of your support.

  • Thank you.

  • >> Thank you.

  • >> Thank you.

  • Thank you.

  • [ Applause and Cheering ]

  • [ Foreign Language Spoken ]

  • Thank you Australia!

  • Thank you!

  • [ Applause and Cheers ]

[ Silence ]

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