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  • - [Luther] He's not just some observer.

  • He's an assassin.

  • - You can't trust anybody outside of this room.

  • - [Phil] The Mission movies are kind of hit-and-miss

  • with their villains, so that feels like fertile ground

  • to make something special.

  • What role did you have in shaping your character,

  • working with Chris on that?

  • - Chris is a great character writer.

  • He's a great storyteller.

  • And I think, I hope, I wonder

  • if because the character changed throughout the filming,

  • and we started in one place and then it evolved

  • and adapted, and his influence changed considerably,

  • that I wonder if, and I hope and I think

  • it would be wonderful if it was something to do

  • with his experience working with me and seeing

  • where he could build from and what he could

  • build upon, character-wise.

  • And so, it was an enormously fun experience for me.

  • And because I trust Chris implicitly,

  • and he's collaborative as well,

  • that it became a great experience

  • and I really, really enjoyed it.

  • I was excited about this movie anyway.

  • I was very keen to see it.

  • I knew that Chris had done an amazing job

  • in writing it and directing it.

  • I knew that we had all put our hearts into it

  • when performing it, but you never quite know

  • how a movie's going to end up.

  • Because there's a certain amount of footage,

  • there's a certain amount of screen time

  • which will be allowed or workable for a movie,

  • and this just turned out fantastically well.

  • There's a real sense of gravitas to this one,

  • like a weightiness.

  • There's a psychological component which is different

  • to any other Mission movie, and the emotional journey

  • which you go on with all of the characters is real.

  • And I just, I felt something watching this.

  • And I thought it was an extraordinary experience.

- [Luther] He's not just some observer.

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