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  • Translator: Dan Meyer Reviewer: Denise RQ

  • Thanks, man.

  • I'm excited about being here. We're going to have some fun.

  • My name is Michael Jr.

  • I'm going to do some jokes.

  • (Laughter)

  • (Applause)

  • Yet, at the same time, I'd like to explain to you how life

  • well, how comedy works.

  • So let's stop right here.

  • I actually like the city of Reno a lot.

  • I was here once...

  • (Applause)

  • I was here once;

  • I was keynote speaking for a corporation

  • and something really kind of strange happened when I was here.

  • Normally, I'm the type of person I like to be on a stage alone.

  • I don't need any help or anybody...

  • So this CEO of this large company introduces me, and he has the microphone,

  • and normally, we have two different mics, and he leaves, and then, I'm there.

  • That's the plan.

  • Dude stays there.

  • (Laughter)

  • I'm standing right next to him with no mic.

  • (Laughter)

  • And then he looks at the audience, and I'm standing there, and he says...

  • First, let me explain this.

  • I'm the type of comedian, like, I'm observational.

  • I pay attention to things like college students.

  • Take someone who goes to a nice school

  • like the University of Southern California.

  • Ask them what school they go to, you get a nice quick answer,

  • - "What school you go to?" - "USC."

  • New York University - you get a nice quick answer,

  • - "What school you go to?" - "NYU."

  • Ask somebody who goes to community college.

  • You get a much longer response, don't you?

  • (Laughter)

  • "What school you go to?"

  • "Well, see, right now, what I'm doing, I'm gonna get a couple credits, right?

  • Then my financial aid is supposed to come through.

  • Then I'm gonna transfer, man.

  • They say school kills creativity anyway.

  • Man, I feel vulnerable. Is Brené Brown around?

  • Man, I feel very vulnerable right now."

  • (Laughter)

  • Let me tell you a little more about me.

  • I love being a dad.

  • And I have five kids, yeah.

  • And I travel a lot

  • so I can see them all.

  • (Laughter)

  • Ha, ha! I'm just playing. I don't see them, I don't see them.

  • (Laughter)

  • No, I do. I have five kids. They're all with me.

  • I live in Dallas now.

  • My kids are awesome.

  • The thing about having a big family is

  • you always have to figure out ways to save money.

  • We wanted to get our family pictures taken,

  • and that stuff was expensive.

  • So what we did to save money was we all got in the front seat of the car,

  • looked both ways, and ran a red light.

  • That's what we did. That's what we did.

  • (Laughter)

  • Two weeks later, the picture came in the mail.

  • (Laughter)

  • But my son blinked

  • so we had to do it again, we had to do it again.

  • This stuff is crazy.

  • (Laughter)

  • I was doing that joke in prison recently.

  • I wasn't in prison, like, "Hey, I'm funny. Get off me!"

  • It wasn't like that.

  • (Laughter)

  • Whenever we're doing a big live event - like we're doing one tonight in Reno -

  • whenever we do a large ticketed event, a concert, in a city,

  • we always look for a homeless shelter, a prison, an abused children's facility

  • to go to during the day to do comedy.

  • So I'm so I'm doing a prison this time...

  • (Applause)

  • It's a TEDx talk, I don't got that much time.

  • You don't got to clap, it's OK.

  • (Laughter)

  • So we're doing this prison, and I do the joke about the red light,

  • and 75% of the prisoners laughed;

  • the rest of them... nothing.

  • Then I realized what was going on.

  • Some of them had been locked up so long,

  • the dude next to them had to explain the joke.

  • He was like, "See, nowadays, when you run a red light,

  • they send a picture with the ticket in the mail."

  • Then he looked at the dude next to him,

  • "A red light is what they use for traffic when you go down the road."

  • (Laughter)

  • And then he said, "A road is what they use..."

  • (Laughter)

  • Wow!

  • Where am I at right now, man?

  • So I'd like to explain to you how comedy works.

  • This is how comedy works; really all comedy.

  • Any time you laugh, this formula is taking place in one way or another,

  • but specifically, with regards to stand-up, this is how it works as well.

  • First, there's a setup, and then, there's a punchline.

  • Let me explain.

  • The setup is when a comedian will use his talents and resources

  • to seize any opportunity

  • to ensure that you, the audience, are moving in the same direction.

  • The punchline occurs when he changes that direction

  • in a way you're not expecting.

  • When you catch on to this change, you've received the punchline.

  • The results are revelation, fulfillment, and joy expressed through laughter.

  • (Laughter)

  • Let me give you an example.

  • A few summers ago, I took my family on vacation to Mexico.

  • The first two days were rough

  • because the people there kept calling me a "Negro."

  • The third day, I realized they were saying "amigo,"

  • and it was all cool; that was cool, so...

  • (Laughter)

  • Did you see what just happened right there?

  • (Laughter)

  • So when I was a child, I used to struggle with my reading.

  • I used to really have a hard time reading.

  • I don't know, I just struggled with it.

  • I read now just fine;

  • like the signs over the door that say 'exite, ' I can read that stuff.

  • (Laughter)

  • But when I was a kid, I used to struggle with my reading.

  • I couldn't sound a word out phonetically, it just didn't work.

  • So now, looking back at it, I realize I developed seven different ways

  • to look at a word to determine what the word was.

  • And I just started noticing this really in junior high.

  • So I would look at the font size, the color, the positioning,

  • what's in front of it, what's behind it, how people responded to it.

  • I got really good at looking at words differently

  • to the point in high school, people didn't know I wasn't really reading

  • I was just working it out really, really fast.

  • Now as an adult, I read just fine,

  • but I still have this ability to look at words, and people, and situations

  • seven different ways almost immediately.

  • In fact, it's the primary place where I pull my comedy from.

  • So that very thing from my past that looked like it was a setback,

  • looked like it was some sort of handicap,

  • turns out I'm actually able to use it for what I'm called to do now.

  • So just like you, you've probably had some sort of setbacks,

  • but if you, in a way, would embrace it,

  • you'll probably find there's more opportunities out there.

  • Now I find comedy all over the place.

  • At the airport today:

  • little white kid walked up to me, asked for an autograph.

  • I was like, "Hey buddy, what's your name?" He said, "I'm Tanner."

  • I looked at him, I said, "No, you're not."

  • (Laughter)

  • His mom was cracking up.

  • He was like, "I am Tanner!"

  • (Laughter)

  • "No. Trust me. You're not."

  • (Laughter)

  • Or I'll notice stuff; I saw this dude with a muscle shirt on.

  • You ever see a dude with a muscle shirt, like a white tank,

  • but he ain't got no muscles?

  • (Laughter)

  • What is that? A wife threatener?

  • (Laughter)

  • Depending on where you're from in the country,

  • you'll understand that joke better.

  • (Laughter)

  • And his friend had on a shirt that said,

  • "If you don't speak English, leave the country."

  • Hmm... but it was written in English. So...

  • (Laughter)

  • So I walked up to him, and I said, "You're dumb!"

  • (Laughter)

  • But I said it in Spanish though so he wouldn't know...

  • (Laughter)

  • So I'm able to find comedy in a bunch of different places

  • as a result of embracing what seemed like it was a handicap from my past.

  • I notice even what people say sometimes.

  • Have you ever heard the phrase,

  • "Boy, I wish I could've been a fly on the wall"?

  • Every time I hear that, I walk up to the person, and I say,

  • "And then what?"

  • (Laughter)

  • No, no, no, no.

  • You want to be a fly on the wall

  • so you could hear the information that was in the room.

  • Well, I've done the research.

  • Hmm... Flies don't have ears.

  • (Laughter)

  • Yeah.

  • You would be just as ignorant as you currently are

  • (Laughter)

  • but you would be a fly.

  • (Laughter)

  • Nobody even listens to a fly.

  • (Laughter)

  • I mean, let's say you're a fly that could read lips.

  • What are you going to do with the information?

  • (Laughter)

  • And you've got two days to live.

  • (Laughter)

  • You're making bad choices.

  • (Laughter)

  • Or people will say stuff to me like,

  • "Michael Jr., where you from originally?"

  • I'm like, "Originally? Huh. Well, I was conceived in Michigan."

  • (Laughter)

  • "Before that, I was in my dad."

  • (Laughter)

  • Yeah.

  • (Laughter)

  • "And then, there was a swim competition," right?

  • (Laughter)

  • "And I won, which is crazy"

  • (Laughter)

  • "because currently, I don't swim at all."

  • (Laughter)

  • I used to be pretty good though, apparently.

  • (Laughter)

  • I am not politically correct.

  • I'm just going to tell: I know I do comedy, but it's just too much work.

  • I'm just telling you.

  • You have to watch the news and know the language.

  • If you put the right stuff in your heart, the right stuff will come out.

  • So I never tried, I never try to be politically correct.

  • Some people work hard.

  • I'm at a coffee shop; a white guy in front of me orders a coffee.

  • The lady in front of him is like, "How do you want it?"

  • He looked back at me and was like, "Um, African-American please."

  • (Laughter)

  • I was like, "Cool. Let me get the Caucasian Mocha.

  • Let me get that if I could...

  • just get the Caucasian Mocha, I guess.

  • I'm trying to learn, I'm trying to learn."

  • (Laughter)

  • Coaches would say some stuff too.

  • Ever hear your coach say something like,

  • "The stuff I'm teaching here, it's not just about this game,

  • You could apply it to life."

  • Here's the thing, people: that's not true.

  • I thought it was true.

  • Straight out of high school,

  • one of my first jobs was... I used to park cars.

  • One of the cars was really nice so I took it for a little spin.

  • The company found out, and my boss lost the account.

  • He was yelling at me and screaming

  • I didn't know what to say or do.

  • I thought back to my high school football coach.

  • I looked at my boss, and I was like, "You know what, man?

  • You win some, you lose some, man."

  • (Laughter)

  • "You can't let this one loss get you down."

  • (Laughter)

  • "The important thing is I went out there, and I had fun.”

  • (Laughter)

  • (Applause)

  • Then I got fired, man. I got fired right away.

  • (Laughter)

  • Actually, I do play some basketball.

  • I didn't want to perpetuate stereotypes, but it's true.

  • (Laughter)

  • But in basketball, you're supposed to run and jump.

  • I don't really feel like doing both all the time.

  • So some friends recently took me ball hunting.

  • Some people call it golf or whatever.

  • (Laughter)

  • I shot a 121.

  • That's what I shot, a 121;

  • and then we had lunch.

  • And it was like, "Hey. We're gonna do the other nine holes now."

  • (Laughter)

  • I said, "I'm not going back out there, I'm not going."

  • Because they lied to get me to go.

  • They're like, "The greens are awesome.”

  • I was like, "Cool," I showed up with some cornbread.

  • I was like, "All right ..."

  • (Laughter)

  • I don't know how to say cornbread in German.

  • I'm sorry.

  • I just did that just for Germany.

  • I've never really been there before.

  • I do think working out is important.

  • I was at the gym the other month.

  • I was going to do some cardio, right?

  • But they moved it upstairs.

  • I ain't going up there, man, please.

  • (Laughter)

  • And I get recognized at the gym. I got recognized.

  • I'm working out, this lady was like: (Gasping).

  • I said, "How you doing?"

  • She said, "You don't understand Michael Jr.! You're my favorite comedian.

  • Every time I see you, I laugh my butt off."

  • I was like, "Uh... Keep laughing!"

  • Keep laughing."

  • (Laughter)

  • So there's a club in Los Angeles.

  • When I moved to Los Angeles, and I was brand new in comedy,

  • there's a club there that it's like the best club in the country.

  • It's called the "Comedy and Magic Club." It's in Hermosa Beach.

  • This club is extremely hard for a comedian to get into.

  • The way I got into this club is

  • a guy named George Wallace saw me when I lived in New York.

  • He knew I was funny and clean

  • so when I moved to Los Angeles, he took me to the Comedy and Magic Club.

  • Now he couldn't get me on stage, it's way too prestigious of a club.

  • They have to know who you are.

  • So he got me into the green room.

  • I'm in the green room and suddenly, brand new in town,

  • and I find myself in a green room with some soldiers in comedy.

  • There's George Wallace, Garry Shandling, Jay Leno.

  • I'm brand new in town.

  • And at the time, a football player got hit in the eye with a flag,

  • and he lost his vision in one eye,

  • and he was suing the league for 400 million dollars.

  • Now, all of these guys are helping Leno on that joke subject

  • for the monologue for "The Tonight Show" on NBC.

  • I ain't saying nothing.

  • I'm just happy to be in the room sharing french fries with these dudes.

  • But your gift will make room for you.

  • So then, they got quiet, and they all looked at me,

  • and I'm thinking, "Oh, snap!

  • This is an opportunity."

  • I said, "Let's see if I got this right.

  • He got hit in the eye with a flag, he lost his vision in one eye,

  • and he's suing the league for 400 million dollars.

  • He's not gonna see half of it."

  • (Laughter)

  • Like, for real.

  • (Laughter)

  • So here's the thing:

  • how did I get that joke that fast under that much pressure?

  • The truth is it wasn't as much pressure as you might think

  • because I'd been practicing since I was a child

  • in the form of a kid who was having a hard time reading.

  • I was practicing just like you've been practicing;

  • you just didn't know you were practicing.

  • I'm here to let you know you've been practicing.

  • And for a lot of you, guys, it's game time.

  • It's game time.

  • So now, I'm in the club; and I'm performing there.

  • This is probably like seven, eight years ago.

  • I'm headlining at the club,

  • and right before I got on stage,

  • I had a change in mindset about comedy.

  • Most of the time when a comedian gets onstage,

  • he wants to get laughs from people.

  • And I felt a shift take place:

  • Instead of going up there to get laughs from people,

  • I felt like I was supposed to give them an opportunity to laugh.

  • I did a little prayer, and I clearly felt like

  • I was supposed to give an opportunity to laugh.

  • This changed everything.

  • Because now I'm not looking to take;

  • I'm simply looking for an opportunity to give.

  • This is why we go to homeless shelters and these places.

  • In fact, that very night when I leave the stage,

  • I'm outside, people want autographs,

  • we're hanging out taking pictures,

  • and I look across the street, and I saw a homeless guy.

  • I had never seen a homeless guy outside this club before ever.

  • But that doesn't mean he wasn't there before.

  • That just means before, my mindset was to get laughs from people,

  • so why would I even notice him?

  • But now I changed my mindset, and I see this homeless guy,

  • and I have the thought, "What about him?

  • How could I give him an opportunity to laugh?"

  • And that's when we started doing homeless shelters and prisons

  • and making laughter commonplace in non-common places.

  • So now, as a result of doing that,

  • we went to this one place, we went to Montrose, Colorado.

  • It's an abuse facility for children who were being abused by their parents.

  • And I'm hearing all these stories,

  • and this grandmother told us about her grandson

  • who was so afraid of his mom who's on drugs and been abusing him.

  • One of the things she's been doing is she was pulling out his toenails.

  • So I hear this story,

  • and they bring all these kids inside.

  • And Spiderman is sitting right up.

  • This little boy is so afraid of his mom,

  • everywhere he goes, he wears a Spiderman costume.

  • He's sitting right up front at the show.

  • If my mindset was still to get laughs from people,

  • there's no way I would've been able to do the show.

  • But my mindset changed;

  • so now, I have to do the show.

  • So I get up on stage,

  • and people start laughing slowly but surely.

  • Twenty minutes in it, I hear a voice come from right here,

  • and the voice says, "My name is Ronan.”

  • And this little boy pulls off his mask,

  • introduces himself to me.

  • And I can't even tell you what it meant to me.

  • He started talking to me for like nine minutes,

  • like I wasn't doing a comedy show at the time.

  • (Laughter)

  • But it was all because I made this shift.

  • I made this change,

  • and I say it simply.

  • Instead of trying to get,

  • I'm going to see if there's an opportunity to give.

  • If you can make this adjustment,

  • it will change your life for the good.

  • If you're a mechanic,

  • you may think you get paid to fix vehicles.

  • But if you can make this shift,

  • you will recognize you help people reach their desired destination.

  • That will put your alarm clock out of business.

  • My senses are

  • there's a lot of people out there still hitting the snooze button.

  • Before I bounce

  • - bounce means to vacate the premises -

  • (Laughter)

  • I'd like to explain to you how life works,

  • at least from a comedian's perspective.

  • First, there's a setup,

  • and then there's a punchline.

  • Your setup is your talents, your resources, and your opportunities.

  • And most of the time, we use our setup

  • to ensure that the people around us are moving in a direction that serves us.

  • Which means the punchline occurs

  • when you change that direction in a way they're not expecting.

  • You actually use your setup for other people.

  • The results are the same, yet multiply: revelation, fulfillment, and joy.

  • But it's not just for the one receiving your punch line;

  • it is absolutely for you as you deliver the punch line.

  • In fact, if I ask the question to everyone here, everyone watching,

  • if I ask you this question,

  • "How many people here know what your setup is?"

  • Every one of you would be able to tell me.

  • Because your setup is the fact that you have a house, a car,

  • you've been married, you went to school.

  • Your setup is about what you've received.

  • But what if I asked the question, "What is your punchline?”

  • Because your punchline is about what you're called to deliver.

  • And if you only know your setup and not your punchline,

  • you'll make the mistake of trying to add more setup.

  • "If I could just get another degree,"

  • "if I could just get married,"

  • "if I could just lose weight,"

  • but what you really need is to know your punchline.

  • Because to know your setup and not your punchline

  • is an uncomfortable place to live.

  • Let me give you an example.

  • How many people are still thinking about the story of me and the CEO on stage?

  • The reason all you guys are still thinking about that story

  • is because all you have is the setup;

  • you don't have the punchline.

  • Yet, we've moved on

  • and allowed ourselves to be entertained

  • like there wasn't something missing.

  • So we'll go to a comedy show, or a football game, or a concert

  • even though there's something missing.

  • And that's just the story I told you ten minutes ago.

  • What about your story?

  • You've been living it your entire life, and if all you know is the setup,

  • and not the punchline,

  • you're living in an uncomfortable place.

  • And please be clear.

  • Just like when I had a hard time reading as a child,

  • your setbacks are part of your setup

  • so you can deliver the punchline you're called to deliver.

  • Much like a slingshot, the further you've been set back,

  • the further you're going to reach.

  • But what are you going to aim for?

  • Everyone has a setup,

  • and everyone has a punchline.

  • You need to find your punchline

  • and deliver it.

  • I'm Michael Jr.

  • I love you.

  • (Applause)

  • Thank you guys.

  • Aw, you guys are awesome.

  • Standing ovation!

  • Thank you so much.

  • Thank you, thank you!

  • (Applause)

  • Get up, dude! You too!

  • I'm just playing.

  • Thank you.

  • (Applause)

Translator: Dan Meyer Reviewer: Denise RQ

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