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  • Hello. I'm Gill at engVid, and today we have a lesson especially for people who already

  • know a bit about music, but would like to know what the English words are for some of

  • the terminology in music. So, this is just a brief summary of some of the main aspects

  • of music, and to do with the way it's written, called notation; and things connected with

  • the theory of music; and all the technical... Well, not all the technical things; some of

  • the technical things connected with it. So... So that you can talk about music with people

  • in English. Okay? If you don't know anything about music, I hope it will also be an introduction

  • to some of the ideas and some of the words connected with music, and you can find other

  • websites to find out more. So, let's have a look.

  • So, music vocabulary in English. The names of the notes are: A, B, C, D, E, F, G. So,

  • that would give you an octave. "Octave." Well, up to the next A, that is. A to A would be

  • an octave. Okay? So, if you're looking at a piano keyboard, for example, those are the

  • notes on there; the white notes. So, we have, on the piano keyboard, if you're thinking

  • of music in that way, you've got the white notes and the black notes. Okay. White notes

  • are these letters; the black notes are the flats and sharps. Okay. So, if you know about

  • music already, you know what I mean. If you don't know, there are lots of sites on the

  • internet to find out more, if you want to do that after this lesson. Okay.

  • So, a flat, that's the symbol for flat, as you know, because the musical notation is

  • a universal notation, so it's used all over the world. So, you will know the symbols,

  • I'm sure, but you may not know the English words for them. So, the flat; that's a flat.

  • The sharp; that's a sharp. And the natural, if you need to cancel out a flat or a sharp

  • - that's the natural. The symbol is called "natural", there. Okay. Right.

  • So, then, coming down to the way the music is written, the five lines that it's written

  • on - that's called a "stave" in English. Okay. So, I've written a couple of examples, here,

  • with some of the words describing what's... What's there. So, this stave of five lines

  • has some notes on it, so they're notes. These are the notes. This is called the treble clef-"treble

  • clef"-which rests on the G, so it shows you that that line is G. Treble clef. And this

  • one is called the bass clef, which rests on the F. So, you know that line is the F. Okay.

  • So, what I've done, I've shown a time signature, here, 4:4; four beats in the bar, so the bar...

  • That's a bar. Up to the bar line. Okay. And with the bass clef stave, I've shown 3:4 time

  • signature. 3:4. Three beats in the bar. Okay? So, we call it 3:4; 4:4.Okay?

  • And there's also the key signature, there, for the key. So, that's the key signature,

  • as you know for G major. Or it could be what's called the relative minor; would be E minor

  • with the same key signature. E minor. Okay, so that's called a key signature, just like

  • this is called a time signature. Key signature, one sharp, G major or E minor.

  • This one, I've given it a key signature for F major with one flat. So, the relative minor

  • for that, again, would be D... D minor. So, that could be the key signature for something

  • in D minor or an F major, of course. Okay. Right. So, that's covering the key signatures

  • and the time signatures, the treble clef, the bass clef, the notes.

  • Then the spaces between the notes are called intervals in English. So, the interval could

  • be a small interval, like a tone or a semi-tone, or a larger interval. I haven't written them

  • down, but a third, a fifth, an octave. We've got octave, there. So, G to F sharp, of course,

  • is a semi-tone; the smallest you can get. Well, yeah. I know in modern music you can

  • get even less than that, but that's getting too... Too technical for me. So, the smallest

  • interval I can recognize is a semi-tone; G to F sharp, back to G again. Semi-tones. And

  • then G to A, a tone, a whole tone... So, you call that a whole... Whole tone. Okay? And

  • then you'd say a third, a major third, a minor third, a fifth, etc. Okay?

  • So, just to explain this one: "Beats in the bar" means the number of beats. Four, four,

  • one, two, three, four beats in the bar. This is a bar line. Okay? This one has three beats

  • in the bar; one, two, three. And here's another bar line. Okay.

  • Now, then, what else have we got here? So then we move on to note values; the lengths

  • of the notes - short and long. You'll be, I don't know, pleased or not pleased to know

  • that there are different terms used in America from Britain; we have different words. Possibly

  • also it's to do with whether the music is popular or classical as well, but I'll give

  • you both of these so that you've got both.

  • So, this one without a stick on it, a white note without a stick is called a whole note

  • in America, but it's called a semibreve in British music. Okay. In the U.K. This one,

  • the white note with a stick - half... Half the length of that one is a half note. So,

  • that's a whole note; so this one is half the length, so it's logical that the American

  • system calls it a half note because it's half the length of the one, there. So, a half note.

  • But in British music, it's called a minim. So, I can understand these are less obvious,

  • the British system, than the American one. But if you've learnt it this one... If you've

  • learnt this one, then it's... It seems normal. But anyway.

  • So, whole note, half note, semibreve, minim. And then this black note with a stick on - half

  • the length again of that one, so logically, in the American terminology, it's a quarter

  • note, and it especially makes sense here, because you have four of them in one bar,

  • so they are each a quarter of the bar. They add up to the whole bar. So, in that bar you

  • would either have one whole note or you would have two half notes, or you would have four

  • quarter notes, which is what I've got there. Okay. So, a quarter note in American is called

  • a crotchet in the British system. Okay. So, not very obvious.

  • So, then going... Going on. As these notes are half the value each time as the one that

  • went before - half of a quarter note is an eighth note, so it's a black note with a stick

  • and a little tail on it to show that it... What its value is. Very short by this stage.

  • And in the British system, we call that a quaver. Okay. So... And there are lots of

  • other notes, but I've just put the main ones here.

  • So, again, the note which is half the value of that one is a black note with a stick and

  • two little tails, and in American language, it's called a sixteenth note because it's

  • half the value of that one; but in the British system, we call it a semiquaver. That's a

  • quaver. At least there's a bit of logic, here. "Semi" meaning half. Semiquaver is half the

  • value, half the length of the quaver. So, those are the names for the note values; the

  • lengths of the notes. Okay.

  • And then, finally, just to finish with the general terms that are used for the music,

  • what you might call the elements; different elements. We use the word "tempo", which is

  • an Italian name, meaning the speed of the music - whether it's fast or slow, or somewhere

  • in between. There are a lot of Italian terms in music because music from Italy was such

  • a strong influence in the early days and it's still there now. So, things like allegro,

  • allegretto, crescendo, diminuendo are all Italian words, which musicians understand,

  • even though they're not in their own language. So, tempo, meaning speed. How fast or slow

  • is the music?

  • Volume or dynamics is to do with how loud or soft it is; the volume - the dynamics.

  • Is it loud or soft, or average, in between again? Another element, of course very important,

  • is the melody or tune. The tune... Word "tune" is a more popular word that everybody uses.

  • They say: "That's a lovely tune. What's that?" But the more technical musical word for it

  • is "melody". Okay.

  • And then there's harmony - when all the notes are sounding together. But if... If the notes

  • are sounding together but they're not very harmonious-meaning they don't sound so good-it

  • may be deliberate on the part of the composer. It can be called dissonance. "Dissonance"

  • meaning... Another word for that also is a clash or: "It's clashing. That music, it's

  • clashing. The instruments are clashing. It doesn't sound right together." Or it may just

  • be very modern music which has been written that way deliberately. So, there we are. So,

  • there is harmony but it can be dissonance if the notes being played all at the same

  • time don't seem to go together to your own ears. Okay.

  • Timbre. I was talking about Italian words, but this is actually a French word. Timbre

  • is to do with the sort of sound quality of what you're hearing. Especially when you recognize

  • a particular instrument, if you recognize an oboe, or you recognize a flute or a violin,

  • or you recognize just the speaking voice of a friend on a phone - it's because of the

  • timbre; the sort of sound quality. The characteristic sound of that particular person's voice or

  • musical instrument, you say: "Ah-ha. I know what that is. That's a saxophone." or "That's

  • a cello", or whatever; you recognize the sound of the instrument. So, that's timbre.

  • Rhythm is fairly obvious. These time signatures are the rhythm, but of course also you can

  • have rhythm that' eithers fairly regular or it may be rhythm that's quite irregular. So,

  • that's just an overall term for the way the notes are played in time. Okay.

  • And, finally, texture, it's... It's a word that's associated with cloth. If something's

  • a thick texture or a thin texture... This cloth is fairly thick; this is a bit thinner.

  • So, it's to do with what... What sounds are all being played at the same time. If you

  • have a thin texture, you may only have two instruments playing. If you have a thick texture,

  • it may be a whole big symphony orchestra who are playing with lots and lots of instruments,

  • all playing lots and lots of different notes. So, the texture is either thin or thick, and

  • it will vary probably during the course of a piece of music just for the sake of variety.

  • Okay, so I hope that's been a useful overview and introduced you... If you are a musician,

  • introduced you to the English words for things. If you're not a musician, introduced you to

  • something technical about music, which you can then follow up and find other sites to

  • tell you more. So, I hope it's been useful. So, if you'd like to go to the website, www.engvid.com,

  • there's a quiz there to test you on this. And so, thank you for watching and see you

  • again soon. Bye for now.

Hello. I'm Gill at engVid, and today we have a lesson especially for people who already

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