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  • young young.

  • It's like the model city off North Korea.

  • You have to be more or less invited to live there.

  • Work there, you know.

  • The only model citizens could stay there.

  • There was the 1st 1 to visit all the officially allowed locations for foreigners.

  • The downside Waas.

  • I had to present everything to Pyongyang on They have to prove everything.

  • I allow that I said yes because otherwise you don't have anything.

  • I was there for 60 days, which is a lot for you.

  • No foreigner.

  • They have to go to the very few hotels that are reserved for a foreigner sent off course.

  • He cannot leave the hotel anytime.

  • Soldiers outside.

  • I cannot even leave the hotel just to take a breath of air or whatever.

  • So you always followed today and I very often I was staying in hotels all by myself.

  • My guides were sleeping left and right rooms next to me.

  • So whenever I opened my door to walk around the hotel by accident, the two doors opened is well, So it's all very going out.

  • Yes, you're going out yourself.

  • But to be honest, I like that you know, it's like being embedded or something.

  • I checked almost all my hotel rooms for microphones and video cameras, and so so I did try to You know what, screw the bulbs and to see whatever was happening behind my mirror in my bathroom, where I never found anything that's always the first thing You visit us as a tourist or a visit a visit there.

  • We have to go there and buy flowers.

  • Then you have to go through the two statues of the leaders and bow and put the flowers in front of them.

  • One of the rules also Waas when you take pictures off any statue or monument with the leaders involved, even paintings or portrait's have you cannot crop.

  • You have to, you know, show everything head defeat, the arms.

  • So this time there were a little bit in the mist.

  • My guide was not sure if it was okay to take pictures of the statues in the mist, But did you, you know, and then there's lot of limitations.

  • I like it because, you know you have to have more creativity, have to work harder to make good pictures.

  • This is the new Science Museum.

  • When they arrive, they have toe pay allegiance to the leaders.

  • Of course, this picture, you see one looking at me in a whole crowd of like maybe 200 young young Children in their pioneer dresses, the communist youth dresses they have to wear when they go to school.

  • So, Andi, something that's very difficult for North Korea.

  • If you stay there for a week almost every day, you have to go to school well, where the Children are performing for you.

  • I think they have to train a very long time to do all these performances for tourists.

  • But it's usually a group of tourists.

  • They sit there and there's a bit of ballet they're singing and so on.

  • Usually very nice on.

  • But I was Oh, by myself, and I was feeling was feeling a little bit awkward sometimes that these young, young young Children you have to do the show.

  • Just.

  • This is one of the very few pictures I took from the minibus, but it's one of the very few images of real artist in North Korea.

  • The driver also he has.

  • He had to go to places where he has never gone before, so we had to ask directions every time.

  • That's why I'm pretty sure that I have seen places, villages, landscape that nobody has ever seen before because the driver just took a wrong turn every time.

  • So he was always lost thing.

  • Swimming pool is a no older health complex states back from the Soviet time.

  • Actually, it's something you still find in Moscow.

  • These very old, beautiful swimming pools with mosaics and beautiful paintings and propaganda type posters.

  • Answer one.

  • And so, in that case, that that swimming pool was wonderful.

  • People swimming, you know, in a dream way, have to consider my work like like a movie or enough.

  • Not like something politically correct or totally 100% documentary objective and so on.

  • I like, you know, playing with that fiction, but it's reality.

  • It happens in front of my camera.

  • But of course, as a photographer, he can change things along, you know, along the way as well.

  • So there's a bit off exaggeration here and there.

  • This, you know, combination of images, forces people to think about.

  • The subject I'm photographing is this really is not really is this fantasy is propaganda and things like that.

  • It's like you're swimming into a new environment and you see things along the way.

young young.

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