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  • Welcome to The Daily Show.

  • -These people are very nice. -They are very nice.

  • -They're very, very nice people. -Thank you.

  • -Um, welcome to the show. -Yes, thank you for having me.

  • Uh, congratulations on yet another show.

  • I feel like you are one of those people

  • that I have watched my entire life,

  • and yet you have never aged.

  • -Uh... -I just know you in every movie.

  • Like, you have the same face,

  • and you've played such a wide berth of roles.

  • You play villains. You play... You play good guys.

  • You-you play, like, extreme characters, like in Mr. Robot.

  • Like, one of the, like, the baddest people

  • and one of the most complicated characters.

  • Now you're playing a dad in a comedy.

  • -Yes. -Is this... Is this a big departure for you?

  • It is. It really is.

  • I don't play a lot of, like, kind of...

  • like, heteronormative nice guys

  • with, you know, a nice relationship

  • to his-his... his sweet but troubled daughter.

  • -Right. -It's-it's a new thing for me.

  • And it's also a comedy in a way that it's refreshing for me,

  • because I've been doing a lot of serious stuff.

  • I kind rediscovered... After I left Law & Order: SVU,

  • -which I was on for 11 years, I-I rediscov... -Uh-huh.

  • -(cheering and applause) -Thank you.

  • Um, I rediscovered that I was a character actor,

  • and then I really started really getting into, like,

  • re-reacquainting myself with that super creative,

  • kind of transformative kind of work.

  • And, so, then, after Mr. Robot,

  • which just finished its last season,

  • uh, this show came along,

  • and it was kind of the perfect thing for me

  • to kind of, uh, stretch different muscles,

  • comedy muscles that I hadn't used in-in decades

  • and, um, kind of, uh, a kind of a sweetness,

  • a warm quality, a-a family kind of quality,

  • -which I like. Which I really like. -Right.

  • The show has a really beautiful story line and arc to it

  • because it-it feels genuine.

  • It's about this family who is Asian,

  • but then it's not, like, about them being Asian.

  • -It isn't. Yeah. -They're just Asian.

  • And then they have a life, and they have a story.

  • And-and people... I don't know if people really understand

  • how rare that is for us, for my community,

  • the Asian community, that that...

  • For us to have a-a family that's not there

  • because they're Asian,

  • um, and-and because of a representation

  • is so kind of low

  • that-that it is a kind of meaningful thing

  • to see a family that's just being a family

  • -and having family issues that are not really... -Yes.

  • -Yes. -So, therefore, it's kind of even more universal

  • than, um, an-an Asian show

  • -that's super Asian specific. -Right.

  • And-and it's nice that way. I mean, we really...

  • As an audience member, I've craved it,

  • and so it's nice to be involved in it.

  • I was in Margaret Cho's show in the '90s.

  • -That was All-American Girl. -That-that was... I think that

  • -was the first Asian family. -First Asian American family.

  • -Yeah. -Yeah. And, so, you know, my...

  • When I compare the experience that I had on Margaret's show,

  • um, Margaret struggled a lot, and not...

  • and not for any reasons that were related to Margaret

  • -and Margaret's stardom or talent. -Right.

  • It was a different time,

  • and Margaret was kind of, in some ways, shoehorned

  • into a kind of corporate idea of what Margaret could be.

  • And Awkwafina is allowed to really do her thing.

  • A-Awkwafina has taken the initiative

  • to hire, uh, writers around her

  • and surround herself with many women writers

  • and with people of color as well as directors.

  • -Mm-hmm. -And it... I think it shows in the final product.

  • We don't... we don't flinch about all of the-the things

  • that we're describing in the show

  • that are either specifically Asian

  • or related to being Asian because they're all

  • kind of from and created by the people

  • who really know what those things are.

  • It comes from an authentic place.

  • -It does. Really does. -Right. It's interesting,

  • 'cause I remember Michelle Yeoh said

  • that, you know, after Crazy Rich Asians,

  • which was really beautiful, she said,

  • "We have no problem laughing at ourselves,

  • -but laugh with us, not at us." -Yes, absolutely.

  • -Which... -And there was... there was a history of us

  • -being laughed at or derided or whatever that took us... -Yes.

  • It has taken us a long time

  • to even teach people that there's a difference.

  • You know, the difference between those two things.

  • You have a career that-that is now really...

  • I mean, it spans from comedy shows

  • all the way to giant movies.

  • You know, like, the Jurassic Park/Jurassic World franchise

  • -is one that you have been an intricate part of. -Yes.

  • Did you ever predict that you would become

  • basically the baddest person in the Jur...

  • -I mean, there's dinosaurs. -In the history of the world.

  • -Um... -Yeah. And, like, there's, like raptors

  • and T. rexes, and it's like, no, you're the bad guy.

  • -That's pretty wild. -Yes. Because I made them.

  • -Yeah, because they... Yes, yes. I'm al... -(laughs)

  • Yes. I don't... Well, I don't know what to say about that.

  • -What does it feel like being... -I mean, I... He was

  • -a very benign character in the first movie. -Yes.

  • -That's what I mean. -He was very sweet.

  • And he-he was kind of related to the original...

  • -The book, the first Jurassic Park book. -Yes.

  • And then he's taken a turn which is much more interesting,

  • uh, and-and who knows...

  • And there's another movie coming out,

  • you know, in-in a year and a half.

  • It's-it's... All of these things...

  • Trevor, it's like a... I feel very lucky,

  • and they just kind of come to me,

  • and I'm-I'm very lucky that I... that I don't, uh...

  • that I have this-this wealth of a menu

  • of things that I get to choose from and get to do them,

  • because it really does allow me to explore my creativity

  • as a character actor and as a-a creative person.

  • And-and I'm-- I hate to say the G-word--

  • I'm grateful, you know, for, uh...

  • Oh, I didn't know what the G... I was like, "There's a..."

  • I was like, "There's a G-word now? What is the G-word?"

  • I was like, "There's a G-word?"

  • Grate... I think you can say "grateful."

  • -I don't think we... -I know.

  • I don't think we bleep "grateful" on the show.

  • I've been talking about gratefulness in my therapy.

  • -Um, well, you know... -But you can say "grateful."

  • -Yes, and... I guess I have... -Is that, like, frowned upon

  • -in some places? -No, but I think I have an issue...

  • We shouldn't get into it right now, but it...

  • but it is a thing that I feel is overused.

  • -Easily overused, right? -I understand

  • -what you're saying. #Grateful. -#Grateful. Yeah.

  • -So grateful. -I say #Blessed.

  • -That's my thing. Right. -Yes, okay. Yes.

  • -Yeah. -But I think you are #Blessed,

  • and we are #Grateful for you,

  • seeing you on the screen in an amazing new show.

  • Thank you so much for being here with us.

  • I really appreciate it. Thank you very much.

  • Awkwafina Is Nora from Queens

  • premieres January 22 at 10:30 p.m. on Comedy Central.

  • BD Wong, everybody.

Welcome to The Daily Show.

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